Work-shop 17 (student tutorial - Athena)
Ps
I'd rather be in outer space 🛸
The Stonewall Inn
PUT YOUR BEARD IN MY MOUTH

❣ Chile in a Photography ❣
No title available

Product Placement
NASA
tumblr dot com
The Bowery Presents
Fieri Frames

Origami Around
Color Me Curious
YOU ARE THE REASON

tannertan36
Phantogram Three

No title available
Not today Justin
cherry valley forever
ojovivo

pixel skylines

seen from Russia

seen from United States

seen from Iraq

seen from Morocco
seen from Canada

seen from Jamaica

seen from Malaysia
seen from United States

seen from United States

seen from United States

seen from Venezuela
seen from Uzbekistan

seen from Italy

seen from Philippines
seen from United States
seen from Ukraine

seen from Malaysia

seen from United States
seen from Russia

seen from Italy
@somesortadesign-blog
Work-shop 17 (student tutorial - Athena)
Ps
Work-shop 16 (student tutorial - Liz)
Ai
Work-shop 15 (student tutorial - Chancelor)
Ps
4:08
Work-shop 14 (student tutorial - Cahley)
Canva
Work-shop 13 (student tutorial - Whitney Taasevigen)
Ps
Work-Shop 13 (student tutorial - Jonathan Jesus)
Ps
8:42
Work-Shop 11 (student tutorial - Bri)
Ai
9:02
#neverforever
ReMarketing of Forever21.
I don't own the song, video clips or fonts.
Consumerism is not just a problem of over-consumption and materialism that is destructive for modern day shoppers. It affects the most vulnerable part of humanity. Globalization began as a good idea with an increased demand for product creating jobs in developing countries. Just like no system is perfect, this one has now gone too far. Consumerism literally destroys lives. As demand for cheaper goods increases, the quality of the work environment decreases, human rights are forgotten, and the environment suffers.
In this video, I strive to portray both worlds: the arrogance of consumerism and the devastating effects it produces. I specifically chose Forever21 as it is known to be the seller of some of the cheapest goods, that are not ethically made or fairly traded. Through the contrast of both worlds, and the music that fits only one (the consumerist), I invite the viewer to see the ridiculousness and ugliness that should and can be stopped. This system is not sustainable, hence my play on words: Never Forever.
Work-Shop 10 (student tutorial - Rachel McCall)
PS
Work-Shop 9 (student tutorial - Ahmed Abdi)
PS
Work-Shop 8 (student tutorial - Jessica Eden)
Ai
4th exercise
11:18, “culture jam”
Ai
Workshop 5 (student tutorial - Jordan Parker)
Ps
Workshop 4 (student tutorial - Douglas Sperber)
4:52
Ai
Krying Kim Kollage
Crying Kim is a meme that became significantly popular a few months after its original source – a close-up shot from her show “Keeping Up with the Kardashians”. Just like with most memes, the average audience does not care so much about the original context or source, as much as they do about the subject and emotion portrayed. In this case, a typical viewer is aware of Kim K and her pop culture reputation. The fact that such a perfect, image-obsessed celebrity is caught in a moment of vulnerability is something our culture enjoys mocking and making fun of. In fact, this is an ongoing trend in the meme world with numerous other celebrities captured expressing a very human emotion turned into the butt of a joke. From Crying Jordan to Dawson Creek, perhaps it’s an expression of our innate nature to see those we adore just like us – emotional, sensitive, imperfect (Source).
I wanted to go deeper into this emotion. Explore it, with the context of Kim’s reputation in mind. To recreate this meme, I used pages from two magazines: The New Yorker and National Geographic and create a collage. As I was looking through to find parts that would fit the face aesthetically (color, shape, size, etc.), I was also cognizant of the sources which I used to get these from. Often times, I would prioritize the source rather than the aesthetic to create meaning and build my message. An example of this was choosing space for the hair/head, signifying the “air-headedness” of Kim and ironically, at the same time, the curiosity and intelligence of humans. Or taking the nose of a woman who spent decades exploring the most effective ways to bring modern medicine to South Sedan for the nose of Kim, who most likely spent thousands on plastic surgeries.
Other such sources came from: a classic oil painting of a woman, a sick refugee girl, a black adventurer man, a tribal woman, and other artistic sources and stories showing a variety of the human experience.
After cutting and arranging the collage, I placed it on a canvas and took a photo of it. Then, I uploaded it into Illustrator where I used a few different tools to replicate the collage. My focus was not to make it identical, but to use only a few tools, purposefully limiting myself. I did this because there are “tricks” which would only take a few seconds to create an almost identical digital version. It felt like cheating to me. This is why I primarily used the Pen Tool (to trace the details and create shapes), a few photos found on google (which I cropped or masked), and the shadow affect (to illustrate the separate collage parts). In turn, I ended up with another “hand-produced” version which contributes to the simplicity, imperfection and creativity of a human creation, rather than a computer one.
My goal was not to shame or mock Kim and her lifestyle through revealing and expressing broader her vanity and shallowness. But rather show the vast differences of the human experience. The “parts” come together into one human, from very different areas of life, most opposing Kim’s. Is one lifestyle better than another? I leave that for the viewer to decide and to draw conclusions from.
workshop 2
3rd exercise (2/2):
11:27, 1 design, “logo for imaginary ‘r’ company”