Spaceship Broken

Here you'll find lots of cool images and some short movie reviews. Make sure to check out my main blog too www.spaceshipbroken.com Enjoy! var _gaq = _gaq || []; _gaq.push(['_setAccount', 'UA-20911915-1']); _gaq.push(['_trackPageview']); (function() { var ga = document.createElement('script'); ga.type = 'text/javascript'; ga.async = true; ga.src = ('https:' == document.location.protocol ? 'https://ssl' : 'http://www') + '.google-analytics.com/ga.js'; var s = document.getElementsByTagName('script')[0]; s.parentNode.insertBefore(ga, s); })();

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geek-art:

Geek-Art.net :

Jon E. Allen : Star Wars Posters

Jon E. Allen brings back freshness to the minimalist posters with this great Star Wars series ! More pics in the full article.

via Pacalin

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Lady Snowblood (Shurayukihime), 1973 (dir. Toshiya Fujita)

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Saw Attack The Block last night, was really great, worked on so many levels.

Full review here.

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spacemonkeyx:

fett-mania:

by:Craig Howell

As the kids say, “O.M.G.”

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geek-art:

Geek-Art Exclusive by Ronan Toulhoat : SuckerPunch

Once again, Ronan Toulhoat made a special artwork exclusively for Geek-Art.net. This time about SuckerPunch, Zack Snyder’s visual masterpiece. Have a look at Ronan’s website guys ! Thanks Ronan !

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minimalmovieposters:

Thor by Daniel Norris

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Fast Five review here. Was a surprisingly awesome movie.

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If Alfred Hitchcock was still around and making movies in Hollywood today I'm sure he would have made something along the lines of Source Code. Duncan Jones' second feature, after the excellent Moon, is a whirlwind of excitement and intrigue.

Read more here.

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Sucker Punch has had some bad reviews. Questions over its sexual politics, its lack of soul, and its excessive CGI have led to in its current rating of 21% on Rotten Tomatoes. But surely these criticisms miss the point. Sucker Punch is trash, and it knows it.

Read more here.

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WTF of the day: Steven Soderbergh announces plans to retire after his next two films.

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Disney's 50th animated feature, Tangled could be the definition of mediocrity. It's not that it's a bad film - it's a fairly amusing take on the Rapunzel story with a few nice scenes (the lanterns, the prison break) and some funny characters (the horse and the chameleon) - it's just underwhelming and forgettable. The sub-Broadway musical numbers are perfectly acceptable but unmemorable, the animation is quite nice but would have looked better hand-drawn, and the lead characters are a bit bland.

I have to stress there are much worse 3D animations released nearly every week now, and in that respect Tangled measures as a success, but against Disney's previous 49 films (most of them classics) Tangled feels lacking in inspiration.

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2008's Outlander is the best b-movie featuring Vikings fighting aliens I've seen. It's a bit silly, as the concept would suggest, but it's cliché filled plot and characterisations are relatively fun. Jim Caviezel is an outsider who stumbles across a Viking village (after crashing his spaceship) and initially strikes up a rivalry with Jack Huston's alpha-male Viking - which ultimately becomes a friendship - as they battle an alien that had followed Caviezel there.

I felt like I'd seen it all before, and knew exactly where it was going, but as 2 hours of dumb entertainment it was perfectly sufficient. I'm now looking forward to seeing how Daniel Craig fares in the similarly themed Cowboys & Aliens.

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Continuing my renewed Coen brothers obsession following True Grit, I rewatched No Country for Old Men and was even more impressed with it than I had been on the previous two viewings.

Since the last time I watched it I've started to read some Cormac McCarthy which has enhanced my appreciation of the film. The dialogue takes on the same rhythm and composition as McCarthy's writing but is performed with the kind of deadpan humour that the Coen brothers ae renowned for. Interestingly True Grit takes a similar stance. With much of its dialogue reportedly taken straight from the original novel - which is poetic and of a time and place - the lively performances inject a sense of humour that I don't beleive would be conveyed in text.

Like the McCarthy novels I've read (All The Pretty Horses and The Crossing), No Country evokes nostalgia in the viewer/reader for the time and place of its setting, yet the characters within in the narrative - best embodied by Tommy Lee Jones' ageing Sheriff - yearn for another (earlier and simpler) time and place - one that is preserved by their own nostalgia and mythologizing.

This is another place where True Grit fits in - evoking the western myth but putting a harsher twist on it. The Coens' west is a cold, violent and dirty place. This place feels more believable than the west of John Ford or Howard Hawks but is ultimately less romantic. Despite this, True Grit has rekindled audiences' love for the western - its huge american box ofice success is testiment to that - and perhaps its success is derived from toning down those romantic elements of old, and presenting and more complex, relevant west, one which isn't all that different from the 1980s 'west' of No Country For Old Men.

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TIL: Jeff Bridges takes awesome pictures when on movie sets.

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A list of David Fincher’s favourite films, in his own handwriting

- 8 1/2 , Alien, All That Jazz, All the President’s Men, American Graffiti, Animal House, Being There, Butch Cassidy and the Sundance Kid, Cabaret, Chinatown, Citizen Kane, Days of Heaven, Dr. Strangelove, The Exorcist, The Godfather Part II, The Graduate, Jaws, Lawrence of Arabia, Monty Python and the Holy Grail, Paper Moon, Rear Window, The Road Warrior, Taxi Driver, The Terminator, The Year of Living Dangerously, Zelig