Mohammed Alani 2016
http://www.mohammedalani.be/
Claire Keane
Jules of Nature
Alisa U Zemlji Chuda
2025 on Tumblr: Trends That Defined the Year
occasionally subtle

tannertan36
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roma★
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JVL

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Origami Around

titsay
Peter Solarz
Game of Thrones Daily
i don't do bad sauce passes
AnasAbdin

Love Begins
cherry valley forever

❣ Chile in a Photography ❣
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@spatialpracticesfall2020
Mohammed Alani 2016
http://www.mohammedalani.be/
…there is no meaning. Instead, see the means as meaning. I deny any ideal as meaning. When the idea and the means are one then that is the meaning. “To do” is the meaning…making is the meaning…
Vincent Hawkins, from a discussion on meaning in art. (via williswillkillus)
The Infinite Zone, Koji Enokura, 1970, Art Institute of Chicago: Contemporary Art
Koji Enokura was one of the leading practitioners of Mono-ha, the Japanese art movement that began in Tokyo in 1968 and continued into the early 1970s. Roughly translated, Mono-ha means “school of things” and references the materials, both natural and man-made, used by the artists affiliated with the movement. These “things” included dirt, glass, grease, oil, paper, plastic, rope, stone, and steel. Defining Mono-ha by materials alone denies a crucial aspect of the movement: the arrangement and placement of objects in space, and the object’s relationship to the viewer as well. As Enokura stated, “making the viewer become aware of his position in relation to the work is also something which the Mono-ha artists aimed for.” Connections can certainly be made between Mono-ha and its western counterparts of Conceptualism, Minimalism, Process Art and Earthworks. Mono-ha artists influenced by Eastern philosophies, aimed for more subtle effect than many of their Western counterparts. Indeed, much of their work relied on temporal—often ephemeral—propositions. Unlike many of the artworks of the west, they were not intended to last a lifetime. As such, photographic documentation became extremely important to Mono-ha artists. For Enokura it was crucial. He had no desire to recreate his original installations, and as time went on, the photographic document invariably (by default) became the work of art. Enokura created The Infinite Zone, 1970 (January) as in installation at Tokyo’s Muramatsu Gallery. Using a combination of oil, grease, glass, and Plexiglas he created two forms, one in the corner of the gallery and another emanating from a wall. The corner piece is reminiscent of a landscape or seashore, while the other is evocative of an oozing industrial accident. The framing of these two photographs is deliberate; attention is focused on materiality and spatial constructs. Claire and Gordon Prussian Fund for Contemporary Art; Contemporary Art Discretionary Fund Size: 27.2 × 40.6 cm (10 11/16 × 16 in.), image size; 33.6 × 40.6 cm (13 ¼ × 16 in.), paper size Medium: Gelatin silver print
https://www.artic.edu/artworks/216900/
Project #5: Index
1. Self-Directed Practice #1: Research
2. Self-Directed Practice #1: Final
3. Self-Directed Practice #2: Research
4. Self-Directed Practice #2: Final
5. Final PDF Portfolio
#project5index
Project #5:Index
1. Self-Directed Practice #1: Research
1st Idea : https://gbell007.tumblr.com/post/636811922879217664/1st-idea-self-directed-project-research-1-i-want
2nd Idea : https://gbell007.tumblr.com/post/636812427250548736/2nd-idea-self-directed-project-research-1-in-this
Third Idea : https://gbell007.tumblr.com/post/636894869501231104/self-directed-project-research-1-third-idea-i
2. Self-Directed Practice #1: Final
A) Picture of process
3.Self-Directed Practice #2: Research
1st Idea https://gbell007.tumblr.com/post/636798523276476416/self-directed-practice-2-research-statement-of
2nd Idea https://gbell007.tumblr.com/post/636809399681286144/2nd-idea-for-self-directed-project-research-2-my
3rd Idea
https://gbell007.tumblr.com/post/636809955311222784/3rd-idea-for-self-directed-project-research-2-my
4. Self-Directed Practice #2: Final
5. Final PDF Portfolio
https://drive.google.com/file/d/1EQ1U5Plao2C2f7BAvO2gEcryfGVGNi4u/view?usp=drivesdk
Project #5: Index
1. Self-Directed Practice #1: Research
2. Self-Directed Practice #1: Final
3. Self-Directed Practice #2: Research
4. Self-Directed Practice #2: Final
5. Final PDF Portfolio
Project #5: Index
1. Self-Directed Practice #1: Research
2. Self-Directed Practice #1: Final
3. Self-Directed Practice #2: Research
4. Self-Directed Practice #2: Final
5. Final PDF Portfolio
FINAL INDEX
Anarchitecture: One Minute Structure (1, 2, & 3)
Anarchitecture: Anarmature(1, 2, & 3)
Anarchitecture:A Wall, A Space
Anarchitecture:Anarchitecture
Negative Fragments: Clay Impressions i
Negative Fragments: Clay Impressions ii(1, 2, & 3)
Positive Fragments: Cast i
Positive Fragments: Cast ii
Corners: Final
Door - The Dialects of Outside and Inside: Final
Self-Directed Practice #1: Final
Self-Directed Practice #2: Final
Project #5: Index
Project #5: Index
2. Self-Directed Practice #1: Final
3. Self-Directed Practice #2: Research
4. Self-Directed Practice #2: Final
5. Final PDF Portfolio
Project #5: Index
1. Self-Directed Practice #1: Research #1 #2 #3
2. Self-Directed Practice #1: Final
3. Self-Directed Practice #2: Research
4. Self-Directed Practice #2: Final
5. Final PDF Portfolio
Project #5: Index
1. Self-Directed Practice #1: Research (1) (2) (3)
2. Self-Directed Practice #1: Final
3. Self-Directed Practice #2: Research
4. Self-Directed Practice #2: Final
5. Final PDF Portfolio
Project #5: Index
1. Self-Directed Practice #1: Research
2. Self-Directed Practice #1: Final
3. Self-Directed Practice #2: Research
4. Self-Directed Practice #2: Final
5. Final PDF Portfolio
Project #5: Index
1. Self-Directed Practice #1: Research
2. Self-Directed Practice #1: Final
3. Self-Directed Practice #2: Research
4. Self-Directed Practice #2: Final
5. Final PDF Portfolio
Project #5: Index
1. Self-Directed Practice #1: Research
2. Self-Directed Practice #1: Final
3. Self-Directed Practice #2: Research
4. Self-Directed Practice #2: Final
5. Final PDF Portfolio
Project #5: Index
1. Self-Directed Practice #1: Research
(1)
(2)
(3)
2. Self-Directed Practice #1: Final
3. Self-Directed Practice #2: Research
(1)
(2)
(3)
4. Self-Directed Practice #2: Final
5. Final PDF Portfolio
Self-Directed Practice #2: 90% of everything
Consumerism culture is a constant in most of the world. The accumulation of things starts early in life. Yet, 90% of everything we consume in America is produced overseas and shipped from across the world for local consumption.
Materials: White and black tape, plush toys, yarn Dimensions: Variable