woman: i miss you like the deserts miss the rain
man: oh that's so sweet, i--
woman: i've adapted to existence without you, buried everything we made together, and prolonged exposure to you would be disastrous.
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ellievsbear
occasionally subtle
DEAR READER
styofa doing anything
$LAYYYTER

No title available
NASA
hello vonnie

@theartofmadeline

shark vs the universe
Cosimo Galluzzi
Xuebing Du

JVL
cherry valley forever
KIROKAZE

pixel skylines
Jules of Nature
Lint Roller? I Barely Know Her
seen from Nepal

seen from Nepal

seen from Türkiye
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United Kingdom
seen from Spain
seen from Romania

seen from Türkiye

seen from France
seen from United States
seen from United States

seen from United States
@speed-boat
woman: i miss you like the deserts miss the rain
man: oh that's so sweet, i--
woman: i've adapted to existence without you, buried everything we made together, and prolonged exposure to you would be disastrous.
byōbu-e 屏風絵 - “Flowering Wisteria“ - paire de six panneaux, encre, pigment minéral et gofun 胡粉 (poudre fine des coquilles d'huître) sur feuilles d’or - Dimensions de chaque panneau : 164.5 cm × 369 cm.
Artiste anonyme de l’école Hasegawa-ha 長谷川派
Note : Hasegawa-ha 長谷川派 est une école de peinture fondée au XVIe siècle par Hasegawa Tōhaku 長谷川等伯 (1539 - 1610) et qui disparaît vers le début du XVIIIe siècle. L'école, relativement petite, située à Kyōto et qui peint essentiellement des Fusuma-e 襖絵 (portes coulissantes), est largement fondée sur le style de l'école Kanō-ha 狩野派. La majorité de ses peintres sont élèves de Tōhaku et d'autres maîtres Kanō.
Helen Blake
Max Seckel
There’s a species of solitary mason bees that make these pretty little nests for their larvae out of flower petals.
Ablade Glover (Ghanaian, b. 1934), Market Day, 1987. Oil on canvas, 61 x 76 cm.
Mushroom medley from Salt Point
Charlotte Salomon
Happy 100th
the calming sounds of rain (BASS BOOSTED)
Drawing Knotted in the Manner of a Net by Paul Klee via Modern and Contemporary Art
Medium: Ink on paper mounted on cardboard
The Berggruen Klee Collection, 1984 Metropolitan Museum of Art, New York, NY
http://www.metmuseum.org/art/collection/search/483137
R.B.Kitaj Reflections on Violence , 1962