the horror persists, but so do i

how lucky we are to be part of this stupid miracle old url spifalling

[yellow-cat]

suchhh a relief to spend time with other insane people. yes we are fucked in the head. we are both going to make it. i love you

[everythingitmeans2b]

Eva "cry later, mission first" Stratt when it is time to cry later right now

[playing-with-colors]

Second version

[clayo3]

maybe the real petrova line was the appendectomies we performed along the way ❤️🩸🦷

a series of drawings primarily inspired by this post by @grocki <3

[bevsi]

I don’t think there’s anything inherently wrong with relating to characters, “they’re literally me” etc but if that’s the only way you engage with stories you’re kinda missing the whole point of Characters being vehicles through which we can see perspectives outside of our own. and also you’re going to get upset when the Character acts in a way that is not Personally Relatable to You

[tavvrake]

im way too lazy to color this

[90108s]

everything changed

[IMAGE 1 ID: Page 1 of a 4-page Project Hail Mary comic. The entire comic features lyrics from the song “I Won’t Quit on You” by Hayley Williams. This page has 3 panels. Panel 1 shows Grace in his red EVA suit, floating in space. There’s a safety tether attached to him. Panel 2 shows Grace with his face in his hands, after he finds out that he’s being sent into space. Panel 3 is a view of the beach on Erid. The lyrics “lonely astronaut / it’s gonna cost / but you just can’t beat that view” are scattered all over the page. The page is mostly grayscale except for the bright red of Grace’s suit. The safety tether from Panel 1 extends into a long red thread that goes down to the bottom of the page, connecting to Page 2. END ID]

[IMAGE 2 ID: Page 2 of the comic. It has 3 panels. Panel 1 is Grace before he wakes up from his coma, the zipper of his bodysuit partially open to show half his face. Panel 2 is Grace’s hand on the ship’s window, showing outer space. Panel 3 is Rocky’s claws holding onto the small xenonite Grace figure. The lyrics are “wasted like a god / power off / wake up somewhere new / now I’m an alien to you.” The page is mostly grayscale except for the bright red of Grace’s overall in Panel 2. The red thread from Page 1 continues in this page, and connects to Page 3. END ID]

[IMAGE 3 ID: Page 3 of the comic. It has 3 panels. Panel 1 shows the Hail Mary in Adrian’s atmosphere. Panel 2 is Grace’s face smashed against the screen on the control panel, bleeding from the impact. Panel 3 is Rocky emitting black smoke, from when he’s trying to save Grace. The black smoke goes beyond the panel, giving a suffocating feeling. The lyrics are “come hell or heaven / angels or devils / I won’t move.” The page is mostly grayscale except for the bright red of Grace’s blood and suit in Panel 2, and the red background of Panel 3. The red thread from Page 2 continues in this page and loops twice, and connects to Page 4. END ID]

[IMAGE 4 ID: Page 4 of the comic, which has only one panel. It shows Grace and Rocky after the Adrian mission. Rocky is back in his xenonite ball, with Grace smiling at him. Their hands/claws meet where they’re pressed against the xenonite ball. The lyrics are “and I don’t care what happens after / I won’t quit on you.” The red thread from Page 3 continues in this page and wraps around the panel, and ends at a red star at the bottom. The page is grayscale except for the thread. END ID]

[depsidase]

[ryrolie]

bead neuron!

[blckgirlacid]

I need my weird alone time or I will explode

[ria-art-2025]

Ultimate Priority: Earth

[weltenwellen]

Resmaa Menakem, My Grandmother’s Hands: Racialized Trauma and the Pathway to Mending Our Hearts and Bodies

[tls123]

[id: black text on a white background, the parts of it that are underlined have a thin, red line underneath it. the text reads: “I can’t grow you up. You can’t grow me up. (underlined) Adulthood can’t be outsourced. (end underline) Each of us needs to do it on our own — by accepting and moving through clean pain. Nor can I force you to grow up. (underlined) You — and I, and everyone else — have to do it willingly. (end underline)” /end id]

[asmogorna]

Oomf suggested a theory

[digitalmyyth]

you should draw something related to grace and stratt being weird and really always attached at the hip

their relationship is special to me

she needed. a chair

[bubblymochicat]

Post coma shenanigans

[going2hell4everythingbutbeingbi]

I'm not a gatekeeper so yall. the best thrift stores are the ones that look bad. do not go to cool trendy thrift stores with hot alt twenty-something employees. (I mean you can if you want but enjoy paying $40 for a fuckass shirt.)

here's what you actually want in a thrift store:

in a rich town

run by a church

staffed exclusively by little old ladies

most of the clothes will be butt ugly. but they will also be 1) good quality and 2) cheap af. the 70 year olds running the shop think a thrifted shirt should be $3 and they are correct. everyone else shopping there is over the age of 45 so you won't have to throat punch any depop resellers over a cunty little top. you will get hyped up by old ladies and if you frequent the same shop they may start trying to set you up with their grandkids. everyone wins and who knows their grandkids might be hot.

[knitmeapony]

If it doesn't look like the Ark of the Covenant might be stashed in the back somewhere, don't waste my time.

[murrrchq]

pray

(wip)