
⁂
Sade Olutola
I'd rather be in outer space 🛸
Not today Justin
will byers stan first human second
sheepfilms
PUT YOUR BEARD IN MY MOUTH

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Peter Solarz

shark vs the universe

Andulka
tumblr dot com
YOU ARE THE REASON
art blog(derogatory)

祝日 / Permanent Vacation
cherry valley forever

JVL
dirt enthusiast
Aqua Utopia|海の底で記憶を紡ぐ

PR's Tumblrdome
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@spookabe-blog
art cheats
hello i am here today to not lose track of the art cheats i have discovered over the years. what i call art cheat is actually a cool filter/coloring style/way to shade/etc. that singlehandedly makes art like 20 times better
80’s anime style
glitch effect
glow effects
adding colors to grayscale paintings
foreshortening ( coil )
foreshortening ( perspective )
clipping group (lines)
clipping group (colors)
dramatic lighting ( GOOD )
shading metal
lighting faces
that is all for today, do stay tuned as i am always hunting for cool shit like this
Zora Armor Link Collab with my buddy Ian Mack on lines!
When I found out that Fruits Basket is going to have a remake and this time, will cover the entire manga, I was extremely excited and just had to do something in celebration of it! I planned on drawing in a fake 90s anime style for a while now and - it was perfect timing! I had a lot of fun working in this style and hopefully, I will get better at it!
An artist : Aw man! I saw my arts were reposted on Instagram. I’ve asked them to take my arts down but they ignored me.
Me : Say no more! Click this link, then click ‘fill out this form’. Fill the form and wait for about 1-2 days, the staffs will remove the image you were reporting from the reposter’s account :^)
hope you don’t mind me adding some more info :’D
Many websites have those complaint forms you need to fill out to submit DMCA notice. Here are some of them:
Tumblr https://www.tumblr.com/dmca
DeviantArt https://help.deviantart.com/dmca
Instagram http://help.instagram.com/contact/372592039493026?helpref=faq_content
Facebook https://www.facebook.com/help/contact/634636770043106?helpref=page_content
Twitter https://support.twitter.com/forms/dmca
VKontakte https://vk.com/dmca
Pinterest https://pinterest.com/about/copyright/dmca-pin/
Youtube https://www.youtube.com/copyright_complaint_form
Flickr https://ipr.yahoo.com/copyright?.lang=en-US
Google https://www.google.com/webmasters/tools/dmca-notice
Usually links to those forms can be found on website’s Terms of Service pages. (search for copyright or DMCA)
Any content you’ve created, is copyrighted by you. You have full right to ask staff to delete repost. Your works deserve to be protected. ♥
rapidpunches:
SHORT STORY/ONE-SHOT/ONE CHAPTER/COMICS 101 CRASH COURSE RAPIDPUNCHES’ STYLE
I’m NOT an expert but I have some working experience I can share. You need experience to become great. Here is my set of instructions, tips, and notes towards making a 12-page comic.
My method is to work backwards. Personally I work “backwards” because the end is the only wholly necessary page or set of panels in the story. Everything in between is open to editing and hacking as the most important moments are emphasized and chosen.
I even plan/draw the end page first. The end is the last page a reader sees- so spend your freshest energies on making it as epic, memorable, poignant, and beautiful as #$%^&.
If you draw the pages from 1 to 12 sequentially you run the risk of fresh to burnt out- an uneven distribution of drawing skill. (treat the first page and the 2-page splash as you would the last).
Roughly… the steps to making your comic is
WRITE
PLAN THUMBNAILS
DRAW
…BEGIN THE WRITING (DO NOT SKIP NO MATTER WHAT) like this, in this order:
How does it end?
Does the protag succeed or fail?
What is the turning point of their story?
What the protag do that led them there?
Where does it start?
Who is this protag?
EXAMPLE:
Guy gets mauled by a bear.
This is a fail on the guy’s half.
The bear must eat something or he’ll starve to death.
It’s the guy’s fault the bear can’t find other food. He caused the avalanche that buried all the cabins.
The guy is yodeling in an avalanche zone.
The guy is some guy.
CREATING “THE BEAT SHEET” Take the above stuff and reorder it to make sense.
This guy yodels.
Echoes roll.
Snow slides down.
Avalanche buries the mountain.
Cabins are engulfed.
This bear has no access to cabin food and garbage.
Bear eats this guy.
Expand. Blow up important beats for emphasis. Keep less important beats brief.
This guy is hiking in the snowy mountains.
He comes across an avalanche warning sign.
There is nobody around but him.
A dumb expression forms over his face and he yodels.
Echoes roll but nothing nearby is moved.
At the top of the mountain the snow drifts twitch.
Guy, satisfied, hikes away from there still yodeling.
Frozen snow cracks.
Snow puffs billow and great slabs of ice crash down the mountain side.
Guy sees this and hightails it to safer ground.
Animals, people, are all panicking and getting pushed over by the rushing snow.
Cabins are destroyed.
The guy takes cover by an outcropping of rocks, fastens himself securely to the rock face, and waits for the avalanche to die down.
Avalanche dies down.
A lone bear shambles over from the other side of the mountain.
The bear goes to where a cabin used to be (only roof tiles are left). Bear sniffs a dish satellite.
Bear forlornly eats a food wrapper.
Bear tries to dig.
Guy comes down from the rocks he as climbing and sees bear.
Bear stops digging and sees him.
Guy runs.
Bear chases him down.
Bear eats the guy.
BEAT SHEET COMPLETED!!!
After the beat sheet, write up all the sound effects and speech bubbles and conversation/dialogue you want to be in your comic.
Since comics are a visual medium, highest priority is given to the beats. If a story can’t be told with the art without the dialogue– you messed up and it’s time to rethink your life choices.
Try to keep all your text chunks as short as a tweet. Professionally you don’t want more than 25 words per speech bubble and no more than 250 words per page.
Next is translating the beats to pages…
STRUCTURE OVERVIEW:
[1] point of entry, in media res, hero intro
[2][3] conflict. establish conflict, setting, and mood by the third page. [4][5] rising action/false resolution to conflict/investigation
[6][7] turning point/plot twist/epiphany (this one epic image, to page spread is pivotal, spend a lot of effort into creating this)
[8][9] aftermath/“darkness before dawn”/struggle [10][11] recovery/“rise and conquer”/“fall”
[12] resolution/final end/cliffhanger
[front cover][interior] [interior][back cover]
——————–
My maximum per page is nine panels but I’ve seen pages that have way more. I like to have about 3 to 4 panels per row or less but I’ve seen the “rules” broken before. Advanced comic book artists manipulate time with the number of panels and the size of each panel.
remember, DIAGONALS!!! open up an issue of batman, superman, spider man, deadpool or whatever youre reading theyre everywhere.
———-
…DRAW IN THIS ORDER:
Page 12,
Page 6 and 7 (this is typically one large image that takes up the space of two pages),
Page 1,
and then the rest.
ONLY “DEVIATION” ALLOWED:
Page 12 and 1*
Page 6 and 7,
and then the rest.
*Draw the first and last page as a spread in situations where the beginning of the story mirrors the end of the story.
Cover is dead last.
———-
(If at the very end you find out you need more pages and it’s absolutely unavoidable and totally necessary you have to add them in fours. Try to stick to 12 pages for this crash course.)
——————–
FURTHER NOTES:
Plan and draw the pages in spreads (the twos) since this is how it will appear in print and when you submit them to an editor for review guess what, the pages with an exception to the first and last will be reviewed as spreads.
You at most only need one establishing panel of the setting and environment (scene) per page.
Forget “true to life” perspective outside of the establishing panel). Practice diagonal composition of objects and subjects within panels. For dynamism.
You don’t have to present the text all in one go (one paragraph or bubble). You can and should break up paragraphs, sentences, and if you need to single out words– to make smaller, more easily managed bubbles to scatter through the panel.
Less important moments have smaller panels and or lesser detail. More details (or more word bubbles) slow down time. More drawn detail also creates a concentration of values (it’s darker and sometimes combines together as one shape or mass)
Know your light sources. Control the blacks. Control the values.
TIPS | COFFEE? :3 | dA | IG | ♡ | ❤ | ⋆
(more coming soon 11/22/2016)
this is how i do sweat drops or just liquids in general
friend asked me to make one
I swear I’m not addicted to my own MMO character
Manga previously inspired 26-episode anime in 2001
DID I READ THAT RIGHT?! DID I?
FRUITS BASKET IS GETTING A REBOOT AND ITS GONNA COVER THE ENTIRE STORY OMG!!!!!!!!!!!!!!!!!!!!!!
AHHHHHHHHHHHHHHH!!! THIS IS WHAT IVE BEEN WAITING FOR. I LITERALLY HAVE LIVED 22 YEARS ONLY FOR THIS MOMENT. I AM SO FUCKING PUMPED YOU HAVE NO IDEA. I AM LITERALLY CRYING. THIS IS THE ONLY THING IM GOING TO EVER TALK ABOUT FOR THE NEXT YEAR
Monster: “who could ever love such an horrible beast as myself?”
Me:
Awww
☆゚“Pikachu, Switch Out! Come Back!” Line Stickers.゚☆
My Wizard, NSFW, again!!
I made a pretty cute skeleton sweater and thigh highs and I thought she was too cute not to draw!!
Link’s Guide to Enjoying Fall
I feel so personally attacked by this aesthetic I had to
Sharing some of the design work for the K/DA skins! Don’t wanna spam so here’s the link to everything: https://www.artstation.com/artwork/L2345k