YOU ARE THE REASON

Janaina Medeiros

@theartofmadeline
Today's Document
KIROKAZE
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styofa doing anything
2025 on Tumblr: Trends That Defined the Year
"I'm Dorothy Gale from Kansas"
Lint Roller? I Barely Know Her
NASA
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Cosmic Funnies
Monterey Bay Aquarium
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Sade Olutola
Claire Keane

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@spotty-lion
you ever read one of your old fics and think "damn past self. you went hard on that one. i'm so proud of you." while simultaneously thinking "future self got to get their shit together and actually write something, i mean come on now."
writing is easy actually. all you have to do is tell people what happened
Another favourite of mine is when whumpee is fighting sleep/unconsciousness SO hard. theyre probably delirious with exhaustion/fever/drugs and they don't understand what's happening properly, and that makes them so, so scared. Their eyelids droop as they cling onto caretaker, their fingers slipping as sleep drags them down. They can hardly move, weak and terrified and unable to do anything but listen to their slowly slowing heartbeat.
Caretaker does their best to shush and quiet and comfort them, trying to explain in a way Whumpee understands, that it's alright, they're safe. Do they understand and finally let themselves sleep, or do they keep panicking until they physically can't stay awake?
dog body language is soo context dependent..yesterday brick stood in the kitchen, head down, ears back, tail not tucked but very down, glancing around and occasionally yawning. you'd think she's anxious in an otherwise calm environment.
her kong was 30 minutes late. i put the plates on the table and then lunch took way way longer than usual and she was standing there very pathetically because clearly she's starving. she needs a kong so bad. why are you not giving it to her. why. why. hey. look how miserable she is. look. witness me.
guess who's kong is late again
protective prompts
feel free to adjust as needed!
PROTECTING: “ are you sure you’re okay? ” “ i’m not letting you go alone. ” “ let me help. ” “ say the word and i’ll be there. ” “ i know you can handle it yourself, but it doesn’t mean you should have to do this on your own. ” “ i’ll stay the night. ” “ get some rest. ” “ ssh, go back to sleep. ” “ i’m worried about you. ” “ i’m not going anywhere. not as long as you’re in danger. ” “ i won’t let anyone hurt you. ” “ i won’t let that happen. ” “ look at me. you’re gonna be okay. ” “ what can i do? ” “ i’ll be right here with you the whole time. ” “ who did this to you? ” “ i can tell you’re upset, talk to me. ” “ i’m not letting them get away with this. ” “ i’ll get you out of this. trust me. ” “ i know you don’t need my help. but i’m offering it anyway. ” “ you’re shaking like a leaf— what’s wrong? ” “ what happened? ” “ i’m gonna fucking kill them. ” “ i won’t let anyone hurt you again. not ever. ” “ if anything happened to you… ” “ i need you in my life. so please, let me do what i need to to make it safe. ” “ i can’t lose you. ” PROTECTED: “ have you been waiting up this whole time? ” “ how long have you been here? ” “ i’ll be okay. i promise. ” “ will you stay with me? ” “ please don’t go. ” “ i feel safer when you’re here. ” “ thank you for making me feel safe. ” “ i trust you. ” “ why are you helping me? ” “ is it over now? ” “ you don’t have to do this, ya’ know. ” “ i can take care of myself. ” “ you don’t have to worry so much. ” “ i don’t want you to get hurt either. ” “ i can’t bear the thought of you putting yourself in danger for me. ” “ you’re bleeding! ” “ thank you, but i’ll be alright. ” “ please don’t get hurt. not because of me. ” ACTIONS: 1. for one muse to wake up after sustaining an injury and find the other at the side of their bed 2. for one muse to hold the other after a nightmare 3. for one muse to step between the other and someone who intends to do them harm 4. for one muse to push the other out of harm’s way 5. for one muse to get hurt protecting the other 6. for one muse to fall asleep next to the other muse who is keeping watch 7. for one muse to rescue the other 8. for one muse to get caught hiding an injury sustained while protecting them 9. for one muse to react to the other hiding an injury 10. for one muse to take care of the other while they’re sick/injured 11. for one muse to kiss the other’s scar 12. for one muse to treat an injury the other sustained while protecting them 13. for one muse to kill to protect the other 14. for one muse to get killed while protecting the other 15. for one muse to fall asleep in the hospital bed with the other
Ha a lélek vándorlásában hiszünk, el kell fogadnunk hogy ha zenészek voltunk, zenészek maradunk akkor is, ha négy lábbal újraszületünk..
Translation, via Google Translate:
If we believe in the migration of the soul, we have to accept that if we were musicians, we will remain musicians even if we are reborn with four legs.
Wolfgang Malamozart over here like damn
Laughing at this again today. My piece of shit wuppyog?!
commission for @spotty-lion
you can make me draw for you here
Four puppies cuddling. Pompey, 1 century CE.
Quick edit so I stop accidentally traumatising people this is a sculpture not a volcanic mummy
It seems like all of the resources I can easily find online for identifying wolves vs dogs are either massive and difficult to understand without prior knowledge of the subject, or extremely bare-bones and miss a lot of key information. I tried to hit a comfortable middle-ground. (sorry if it’s a little wordy) This tutorial is made as a reference for drawing, so everything but purely visual differences between dogs and wolves have been left out. I’ve been wanting to make this for a while now, so I’m glad I finally sat down and did it! **EDIT** When it comes to the section on wolfdogs, please take it with a grain of salt. With something as complicated as genetics, they are of course, not going to be as simple as I make it seem. What features different levels of content can display, and even which percentages designate which levels of content are often hotly debated within the wolfdog community. At this point I’ve elected not to change the image set itself because: a. it’s a huge pain in the ass b. this is a tutorial for beginning artists. It’s meant to be a hugely simplified version of the topic, and I’ve stated clearly that it is NOT to be used in real-world identification. ((Huge thanks to yourdogisnotawolf. who’s blog inspired me to make this and for digging up that amazing picture of the wolf/lab mix))
This is truly amazing. Plus perfectly timed - I had several people asking me about drawing wolves lately, so here you go!
happy 10th birthday wolves vs dogs tutorial :)
I think a lot about how in Ice Age 1 a huge theme is the slow but unstoppable advancement of the human species as they start to threaten previously unchallenged megafauna (hunting the pack of the antagonist sabertooth and killing Manny the mammoth’s family) and then in all the sequels they just fuckin disappear
I think a lot about how the first movie was actually pretty somber and dark with moments of lightheartedness and comedy, about three animals who had lost their own families finding family in each other while trying to return this baby to his own family… The first sequel, while wackier, touches on the existential dread and loneliness Manny feels at being the apparent last of his kind, his exhilaration at meeting another like him, and the question of “be together because we want to be, or we HAVE to be?” as well as Ellie having been part of a found family herself… ….and then the franchise from then on out turns into “wacky animal hijinks.”
OKAY FOR REAL i rewatched the original ice age a little while ago for nostalgia and this movie is GOOD you guys—i literally rewatched it all over again the next day. there are a couple of key things i noticed:
1. they know how to shut up. the animals know how and when to shut up. yes, even the comic relief one. do you have any idea how important this is? yes, they play it for laughs when diego first confronts manny and they fight and then diego stops, clears his throat, and asks manny politely for the child (which was brilliant, by the way, i laughed aloud), but aside from that, when there’s a serious moment, they let it be serious. when manny accepts the baby from the mother, when he sees the paintings of the mammoths on the cave wall, when he returns the baby to its father, these are moments where everyone is dead silent, even sid, and the music is soft and heartwrenching and the next line is rarely, if ever, a joke that undercuts the prior moment. they let these scenes linger and it really makes this feel like an emotional, somber, serious movie with fun character interactions rather than a comedy that makes cheap appeals to emotion.
2. the way they characterize manny at the beginning is SUPER interesting to me. by the end of this movie, we know manny is a big softie who was deeply wounded by the loss of his family. we as the audience don’t know this yet, though, and the first time we catch a hint that there’s something deeper going on here, it’s when manny firmly, sharply insists to sid that partners should be loyal to each other. it’s not an obnoxiously blatant “hey i have trauma” flag, since it could be interpreted as the writers playing with the monogamy of mammoths and promiscuity of sloths, which i’m fairly certain they bring up in this movie, if not one of the others. still, though, it strikes that perfect balance of not making the Oh Frick Manny Had A Family reveal later on completely blindside us while also not telegraphing it too obviously. at the beginning, manny is clearly a loner who wants nothing to do with sid, but to avoid making him come off as a straight-up jerk, they make it abundantly clear in the introductory sequence that he has a strong moral code that he holds himself to (”I don’t like animals that kill for pleasure”). i just thought this was really well done, opening the movie with a scene that demonstrates both that manny is a complex character who comes off as cold but cares deeply (which sid basically sees straight through and i love it) and that sid is incredibly unlikable and as such nobody likes him. i didn’t realize it at first, but that’s such an interesting move. we open the movie with sid getting abandoned by his family, but then we find out how annoying he is and go “oh, well that explains it.” but then he tells manny all about how they regularly do their best to ditch him and it’s so clear that he’s just too pure and innocent to hold any malice towards them. under it all, though, it’s clear that he’s lonely, too, and has been for a while. these characters have depth, and feel like people, and every quiet moment just drives it home even more that they really don’t have anyone except each other.
3. DIEGO! we stan. i think it’s really interesting how instead of just throwing these characters into the world together, the writers make it clear that they had other people, before, but those people either were toxic and ditched them (sid’s family), were toxic and needed to be ditched (diego’s pack), or were loving but torn away by circumstance (manny’s family). i dunno, it just adds a really interesting layer of depth here. but anyway, diego’s arc was just really well done. he’s only there to get the kid, and though he does start to enjoy himself, he still has his mission. but when manny risks his life to save diego’s and sid makes that comment pointing it out, you can SEE how he starts to linger, starts to dread, the guilt builds up until he TELLS THEM. that’s so important! he tells them!!! there’s no stupid, “liar revealed” plotline where they figure out that he’s been tricking them because he comes clean himself, without provocation or pressure, and they do eventually forgive him and that’s SO important. diego wasn’t being honest with them, was living a lie and planning to betray them, and he made the incredibly difficult decision to stop in his tracks and come clean on his own terms because he knew it was the right thing to do. there were So Many Ways the writers could have handled that reveal, but to have diego just stop, think, change his mind, and confess was SO GOOD. also the dynamic between the three of them was just really, really great. i’m so emotionally attached to these early-2000′s CGI creatures okay.
4. speaking of which, this movie is surprisingly good-looking. like it came out in 2002. that is IMPRESSIVE. manny’s fur holds up shockingly well and my suspension of disbelief was never fricked up by poorly rendered CGI graphics. props to blue sky, man.
5. okay point five is lowkey the whole reason for this rant because it’s a really really cool point i only noticed on my second watch through: the parallelism. why does diego have to kidnap this baby? because his pack’s leader (soto, apparently) wants to eat it alive as revenge for the humans killing half of his own. why does manny want to rescue this baby? because he, too, is a parent who lost a child and doesn’t want the humans to go through that. but, wait, hang on a minute, how did he lose his child? oh, yeah, the humans killed it and his wife right in front of him. both soto and manny lost most of the people they care about to the humans—these humans, specifically, since they seem to be the only community in the area—but where soto swears revenge, manny doesn’t want them to go through what he went through, even though this very act could be what perpetuates that. and they acknowledge it in the movie. diego mentions how this baby is gonna grow up to hunt them and sid counters that maybe the fact that they saved it means it will remember their kindness and things will change. but the whole movie carries the somber atmosphere of a tragedy because, as someone else mentioned above, the humans are steadily encroaching and all of these creatures are going to go extinct, and this one act of kindness may not have the intended effect and may soon be lost to the uncaring tides of history, but that doesn’t make it any less worth it. manny isn’t doing this to try and make a statement or change the humans’ behavior, he just wants to prevent them from going through what he did. calling this story one of “breaking the cycle of violence” cheapens it, i feel, because the humans are hunting the mammoths, not out of malice, but out of necessity for furs and meat and bone and tusk. it’s nothing personal—they’re predators. but still, manny seeks them out to return their baby to them. and when the baby’s father is raising his spear at manny when he’s trying to return it, you can just see that look in manny’s eyes, that he’s begging this human to understand, but he’s prepared to get speared if it means this kid gets to be with his father and MY HEART, YOU GUYS.
6. FOUND FAMILY FOUND FAMILY like i know found family isn’t really all that hard to come by, but this movie is REALLY explicit about it in a good way! they make the distinction between a pack—a group who wants you for what you can do for them—and a herd—a group who regularly looks out to see what they can do for you. and a saber-tooth tiger leaves his PACK to join this HERD! and they joke that this is the weirdest herd they’ve ever seen, but a carnivore has just joined a herd and that makes me feel SO MANY FEELINGS
ultimately, ice age is a movie about choices. manny’s choice to return this kid to its parents, even though he lost his own kid to those very parents, diego’s choice to come clean about his betrayal and his choice to join a herd even though he’s a carnivore, manny making the choice to risk his life to save diego, diego making the choice to return the favor, and all three of them making the choice to not give up hope that they can find a new family again after losing what they had before. this is a movie in which characters are more than the way they were born, are more than the circumstances of their lives, are more than what happens to them. they make choices and their choices matter and they choose to be kind, even when they have absolutely nothing to gain from it and everything to lose from it.
i guess you could say this movie aged nicely.
thank you and good night
They were Deadpool and Wolverine before Deadpool and Wolverine were a thing
They've both been through so much
Gordo and Mark from the Green Creek series by TJ Klune
The Green Creek gang!! 🐺 (also omg i’ve been pushing tumblr to the wayside lately 😩 my bad)
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Like I said, I still have them in my head. Gordo and Mark mainly, but also other guys from the garage. And I hadn't drawn Chris, Rico and Tanner before!