SrLansky Monogatari @srlansky - Tumblr Blog

"Mother of teen / director"

from The Making of Priscilla (Liv McNeil, 2023)

#Sofia Coppola #Liv McNeil #The Making of Priscilla #Priscilla #priscilla movie

Will Barnet, Woman Reading (1970)

#Will Barnet

David Hurn, from the set of Ken Russell's The Devils, 1970

#David Hurn #Magnum Agency #Ken Russell #The Devils #on set #on set photos

Caleb Butcher. Collage.

Cover of Homicidal Ecstasy, by metal band Sanguisugabogg

#Sanguisugabogg #Caleb Butcher #Metal Band #Metal album

srlansky

Sam Raimi on the set of Darkman

Tony Stella, John LeCarré's Smiley trilogy

#Tony Stella #John Le Carré #Alec Guiness #Tinker Tailor Soldier Spy #The Honorable Schoolboy #Smiley's People

Danny Trejo, Rob Zombie and his neighbour, the "fake Mexican" Antonio Banderas.

From a Revolver Magazine Rob Zombie interview by Brian Posehn. (https://www.revolvermag.com/music/the-making-of-rob-zombie)

#Danny Trejo #Rob Zombie #Antonio Banderas

Yo La Tengo, Painful (1993) ad.

#Yo La Tengo #Matador Records

Elvis Costello, Armed Forces ad.

#elvis costello

William Burroughs (whose work, among other things, has supplied the names for Steely Dan, Soft Machine, the Insect Trust and now a British band called Dead Fingers Talk) was the subject of the three-day NOVA Convention at downtown Manhattan's Entermedia Theater in early December. The program was shot through with rock & roll: Patti Smith tooted a clarinet; Frank Zappa read from Burroughs' Naked Lunch; Allen Ginsberg recited a poem called "Punk Rock Your My Big Cry-baby" ("I'll tell my deaf mother on you!/Fall on the floor/And eat your grandmother's diapers..."); and Ed Sanders read a hilarious account of a fictional group called J'Accuse. A related pair of concerts at the nearby Club 57 ―headlined by the B-52s, a punk-rock dance band from Georgia― turned into an event when Walter Steding's avant-garde violin musings were backed by Robert Fripp and Blondie's Deborah Harry and Chris Stein. Fripp and Stein played guitar and Harry played drums on a slow, bizarre version of "Hound Dog".

Rolling Stone, January 25, 1979 (Issue No. 283)