you 　 kᥒoᥕ 　 you 　 𝒍𝒐𝒗𝒆 　 𝒎𝒆

𝒙𝒐𝒙𝒐 　 gossip 　 ᵍᶤʳˡ .

[stainred]

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        #       𝚂𝚃𝙰𝙸𝙽𝚁𝙴𝙳       ,          an   independent ,      mutuals   only     &      selective  multimuse  writing  blog  featuring  mainly       sapphic  muses     &    original  female  characters   :         𝒕𝒓𝒊𝒈𝒈𝒆𝒓  𝒉𝒆𝒂𝒗𝒚 .           a  study  in  the  themes  of     :      feminine  rage ,    the  bravery  in  being  soft ,    transformation ,    love  as  a  home ,     &    found  family .     circa   2014   ,      revamped   2023      ...       must  be  18+  to  follow .           carrd .

highest  muse           :             lilibeth rodgers , zach willoughby , angel willoughby ,    kate fuller , elle greenaway , bela talbot .

[l4bour]

for somebody i thought was my 𝒔𝒂𝒗𝒊𝒐𝒓 , you sure make me do a whole lot of labour . / read pinned prior to following . 18+ only , triggering themes present .

[l4bour]

for somebody i thought was my 𝒔𝒂𝒗𝒊𝒐𝒓 , you sure make me do a whole lot of labour . / read pinned prior to following . 18+ only , triggering themes present .

[stainred]

im fixing the carrd & promo is to come but ... @l4bour

[stainred]

be honest would it be annoying if i moved to a brand new blog

[stainred]

hi . . . i miss u guys

[stainred]

& you're not my waiting room . ¹⁸⁺

[soulprompts]

𝐏𝐑𝐎𝐌𝐏𝐓𝐒 𝐓𝐇𝐀𝐓 𝐌𝐀𝐊𝐄 𝐌𝐄 𝐆𝐎 👀.

okay so i got like, three books delivered this week, and in anticipation i reread another book that i had, and lads, let me tell ye, it was like quicksand. so now i have a list, some from my head, many from my wonderful friends’ heads, of prompts that basically made us all very soft or very “pleasantly scandalized rich lady from the sixties who just found out a juicy bit of goss about the new neighbor”. i hope ye like them! (DO NOT ADD TO THE LIST. I WILL MAKE A PART TWO. AND THREE. AND FOUR. MANY MANY PARTS. EVENTUALLY. )

[ HAIR ]:          sender slowly reaches out to catch a loose strand of the receiver’s hair and tuck it gently and securely back behind their ear, letting their touch linger afterwards. (if the receiver has short hair, then the sender reaches out and gently runs their fingers through their hair to smooth it back.)

[ CLOSE ]:          while standing remarkably close to one another, the sender is unable to stop themselves from running their gaze across the receiver’s body, lingering for a moment on their lips, before returning to initiate prolonged, intense eye contact.

[ CHIN ]:          as they stand close to one another, the sender hooks a finger and tenderly lifts the receiver’s chin, tilting it up so that they can look at one another, and running a thumb across their skin lightly.

[ THUMB ]:          while cupping the receiver’s cheek in their hand, the sender slowly glides their thumb across their cheekbone in a tender, sweeping caress.

[ WOUND ]:          upon noticing a recent injury on the receiver’s person, the sender carefully moves closer, running a thumb (or hand) across the wound in a gentle, troubled manner.

[ INHALE ]:          while standing in very close quarters to the receiver, the sender shakily inhales with desire/anticipation as they realize how intimately close they are to one another.

[ DANCE ]:          when alone together (e.g. the bedroom, the kitchen, literally anywhere once they’re alone) the sender takes the receiver’s hand, and pulls them into a graceful yet intimate dance as a spontaneous act.

[ BARE ]:          as they get undressed, the sender gently places a soft, tender kiss against the receiver’s bare shoulder.

[ SCAR ]:          noticing a scar on the receiver’s skin, the sender tentatively stops them from covering it up, and rests a gentle, soft kiss over it.

[ FOREHEAD ]:          placing a hand on the back of the receiver’s neck, the sender guides them close and rests their foreheads together.

[ PALM ]:          taking the receiver’s hand, the sender brings it to their mouth, and places a tender kiss against the receiver’s palm.

[ LINGER ]:          taking the receiver’s hand, the sender lifts it to their lips, and gently kisses their knuckles, lingering for a moment before withdrawing.

[ BEHIND ]:         upon entering the same room as the receiver, the sender steps behind them, and winds their arms around the receiver’s waist, drawing them close against them.

[ WAIT ]:          realizing the receiver is about to leave the room, the sender hastily reaches out and catches their wrist, preventing them from continuing their departure.

[ ARM ]:          after holding their hand, the sender releases the receiver, but slowly glides their hand up the full length of their arm, lingering on the upper arm, then the shoulder, then resting their touch against the side of their neck.

[ HOLD ]:          while close to the receiver, the sender wordlessly takes a hold of their hand, for no other purpose than to be holding it.

[ PLAY ]:          while sitting together, the sender absently lifts the receiver’s hand, idly running their fingertips across the lines of their palms, mapping out every inch of their hand with slow, lazy touches.

[ GUIDE ]:          in the process of guiding the receiver through a crowded place, the sender’s hand protectively grazes against the small of their back

[ TOUCH ]:          while touching the receiver’s waist, the sender’s hand briefly dips beneath the hem of their shirt, skimming briefly across the bare skin of their waist.

[ CUP ]:           bringing both hands up to cup the receiver’s face, the sender draws them in closer to them in order to get a better look at their face.

[ TUG ]:          the sender tugs the receiver close against them by resting a hand against the small of their back, pulling them flush against their body.

[ HUSH ]:          while standing close to one another and hiding from pursuers, the sender reaches up and places a finger against the receiver’s lips to prevent them from speaking and revealing their location.

[ WRAP ]: when sitting astride a horse/motorcycle/etc. together, the sender reaches back, takes the receiver’s wrists, and gently pulls their arms around the sender’s waist in an embrace designed to keep the receiver safe, despite feeling remarkably intimate.

[midsnights]

GRACE VAN PATTEN  as  Lucy Albright Tell Me Lies (2022)   —   S01E02

[stainred]

@sadtempo ― " you look ridiculous in that thing . "

words send panic over painted features , cherub's grin twisting into a frenzied look of shock . with a swift movement , she turns on her heel -- away from jules and towards the full length mirror on the opposite wall . " i do not ! " it's automatic , the lower of glossed lips pulled and worried between her teeth . " right ? i mean , this dress was like , two grand ! " an impulsive buy comprised of tulle and gemstones wraps her in a pink sparkly bow , complete with silver heels . it's a little over the top , sure . but that just so happens to be angel's brand . " don't screw with me ! i really trust your opinion on stuff like this , got it ? "

[stainred]

@sadtempo ― " i could kiss you . "

he'd be lying if he said the words didn't make him giddy , usual lopsided grin stretching into a full blown smile . this kind of attention is something he probably should be used to by now as the heartthrob of the group , but zach has a big bleeding heart — no matter how much he tries to plug it up and shield it away , it beats itself back to the surface every time . " me ? " brows raise , index finger jabbing into his own chest — overdramatized , surely . . . but hey , it runs in the family . " that's crazy . . . . i mean , you sure don't look like you wanna kiss me , all the way over there . "

[stainred]

& you're not my waiting room . ¹⁸⁺

[stainred]

@daevilhorns ― " i'll come with you if you're sure it's what you need . "

" it ain't like a need really . . . just -- i mean , i mostly wanted t'hear your opinion . " actress rocks from the balls of her feet to her heels . her agent had made the suggestion -- an alliance to direct attention away from the fiasco of her last breakup . " i know the whole thing's kinda silly , but it'd only be for a month , tops ! -- and only if y'wanted to ! " with the tabloids already speculating , a relationship between the two would have just enough foundation to be believable . and it isn't exactly a horrible option , really . lilibeth does enjoy levi's company .

" this ain't really somethin' . . . normal f'er me . i mean , i've dated people before but not -- that was always like , real , yaknow ? so it really wouldn't hurt my feelin's if y'said no . i just -- kinda sorta promised my agent that i'd ask , and -- " rambling explanation is cut short with a shrug , the event invite for the carpet the following day still extended , but less outwardly now that lili wears the embarrassment of the situation .

[stainred]

@bnjmin ― " you shot me ? "

usually it's only the person shot who screams . . . but then again , usually people are shot on purpose . when she registers ben's face in the dark , crystal can't help but freak out , a shriek ripping through vocal chords and ringing out as she safely tosses the gun into the overgrown bushes of her flowerbed -- as if to hide it , like a bullet hadn't just lodged itself into ben's shoulder . it feels like she's meeting him for the first time all over again , and in some ways , she is : the woman she has to be when working leaving only a brittle shell of a person behind .

" you . . . you ! " breathing is quick , face panicked and eyes stuck to the wound . " what're you doin' here ! " hands stained red are wiped on her jeans , but any attempt to conceal the amount of blood she has on her falls flat as the red splotches on her undershirt peek out from beneath her flannel . " i'm sorry , i thought — you just — it's dark , and — ! " hands fly out towards him , holding him from a distance and aching to make things right . " i'm sorry , i'm so sorry -- i didn't know . . . let me help . let me fix it , please ? "

[stainred]

@sadtempo ― " let's just say i'm addicted to more than just coffee . "

shirley temple is sipped through a curly straw , extra cherries of course , but it turns sour in lili's throat when she processes his words . " oh . " drink is set aside , and she rolls over to be closer to jules -- cozy pajamas passing as much extra warmth as they can as her side squishes up against his . she doesn't want to say the wrong thing , doesn't want him to feel the need to close off like usual when he's taken a moment to be vulnerable ( maybe even without knowing ) . . . however , she isn't exactly skilled at topics of heavy conversation .

growing up , serious talk was always avoided , pushed aside and snuffed out in favor of the sickly sweet optimism she's carefully crafted to compose her whole state of being . she's happy in the happy -- but right now , she knows that isn't what he needs . " well.. " her start is timid , eyes averted as to not pierce through his comfort zone entirely . " y'know , y'can talk about it if y'want-- t'me , i mean . i wouldn't think y'er any less tough -- or cool , or nothin' . " it's true , and she focuses on the warmth he brings to her heart in hopes he can feel it too . " plus , i heard holdin' in any negativity y'got can make you catch a cold . "

[joansblondells]

GRACE VAN DIEN as Persephone in MONSTERS AND MUSES (2020) dir. Grace Van Dien

[stainred]

@sadtempo ― " my strongest memories of you have to do with that guitar . "

grin grows sideways , lopsided and lifting at dimpled cheeks . " aw , you have memories of me ? " there's a sing song tease to his voice , still , he lifts the guitar , fingers grazing the smooth edges . it's his favorite , and coincidentally -- his oldest .

" tell me they're all good -- " a small chuckle passes toothy smile , and zach sets the instrument down against the wall . " i'd hate to be the kinda guy to leave a bad impression . "