My Theory. The only confirmations: Tanigaki, Kiroranke, Kikuta and Ushiyama
art blog(derogatory)

⁂
dirt enthusiast
RMH
Xuebing Du
we're not kids anymore.
almost home
DEAR READER
taylor price
Claire Keane
styofa doing anything
Not today Justin
wallacepolsom

No title available

tannertan36
will byers stan first human second
No title available

oozey mess

#extradirty
todays bird
seen from United States
seen from United States
seen from Canada
seen from Italy

seen from United States

seen from United States

seen from Japan
seen from United States
seen from United States
seen from United States
seen from Türkiye
seen from China
seen from India

seen from Ukraine
seen from United Kingdom
seen from United States
seen from United Kingdom

seen from United States

seen from China

seen from United Kingdom
@starofdark
My Theory. The only confirmations: Tanigaki, Kiroranke, Kikuta and Ushiyama
Scene Difference: Sugimoto, the Immortal
After forming an alliance with Asirpa to track the prisoners' tattoos and find the gold, Sugimoto follows the strategy of gathering information on his targets. To do so, he decides to visit a public bath, where someone might have noticed individuals with unusual body markings. However, his questions to the patrons yield no useful leads. With no other options, he rises from the bath to leave, creating a striking visual moment. The revelation of his physical condition differs between the manga and the anime. In the manga, Sugimoto is depicted with a body covered in deep scars—vivid marks of the war that shaped his journey. His strong and well-defined musculature further emphasizes his resilience, and the framing from behind highlights these scars as an essential part of his identity.
In the anime, however, the approach is different: the camera starts at the buttocks and slowly moves upward along his back to his head, emphasizing the scars on his skin in a more cinematic and impactful way.
Retar Parte 1
Asirpa Parte 4
Asirpa Parte 3
Asirpa Parte 2
Asirpa Parte 1