Untitled (three)
acrylic, gel medium, pigmented modeling paste and grey gesso on canvas over panel (in three parts)
24x36 inches (12x24 inches each)
2016
will byers stan first human second
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Untitled (three)
acrylic, gel medium, pigmented modeling paste and grey gesso on canvas over panel (in three parts)
24x36 inches (12x24 inches each)
2016
Atlanta Central Public Library, Atlanta, Georgia, 1980
(Marcel Breuer & Associates)
Please consider signing this petition to protect the Atlanta Central Public Library (seen above) from demolition and damaging renovation.
Olafur Eliasson, Your silent running, 2003 Palacio de Cristal, Parque del Retiro, Museo Nacional Centro de Arte Reine Sofia, Madrid, 2003
Wade Guyton, Portikus, 2008
FEATURED ARTIST: Folke Janssen, Command, Shift, E, 2015. Plant, glass, adhesive, zipper, copper, spray paint, ceramic pot, cork. 78.6 x 78.6 x 11.8 inches. Courtesy the artist.
www.sculpture-center.org
Villa Bianca, Tokyo, Japan, 1966
(Eiji Hotta and Associates)
Street view film camera - Jesse England
Many of the fantastical images curated from Street View for artistic consumption would be unremarkable if not for the legitimacy-lending presence of the navigational tools burned into the upper left hand corner and the blurring of faces. Ordinary snapshots taken by regular photographers can look more unusual if they choose to use low-grade film cameras or digital filters that emulate the look of such equipment. I think, if I can combine these contemporary ways of assuring the look of the “real,” can the image be twice as legitimate?
THIS IS AMAZING GO JESSE
Donald Judd, Desk Set, 1982, fir with clear matte varnish.
Courtesy Paula Cooper.
www.celiahannes.net
Soft Monument - Dave Hardy, 2012
Renato Severino, Severino Residence, Greenwich, Connecticut
Tauba Auerbach artist from USA, Untitled (fold), 2011.
Open-air diving platform, Brazil, 1960’s architect: João Batista Vilanova Artigas Photographer unknown
Herbert H. Wise
Nicole Reber
Paulo Monteiro, Untitled, 2011
via amypotenger
Rachel Whiteread, Detached III, 2012