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@station451
Here's a classic for Sci-Fi Cutaway Saturday: A 1970s cutaway view of a Toroidal Colony, by NASA artist Rick Guidice.
Amazing Stories, June, 1939
“World Without Death” is in Advertisers Gothic Condensed (1917) [Fonts In Use]:
“5000 people disappeared [etc.]” is in Monotype Sans Serif Extrabold (1930) [Fonts In Use]. The Monotype Sans Serif family is based on Kabel (1927) [Daylight Fonts · Fonts In Use · Identifont], but they designed their own Extrabold version, rather than copying Kabel Black.
The chapter title and the captions at the bottom are in Vogue Bold (1930) [Fonts In Use]:
The body text is in Old Style No. 7 (1902) [Fonts In Use · Identifont]:
Jack Gaughan's 1970 cover art for A Promising Planet, by Jeremy Strike
When did the term "Earthling" come from?
Though people associate it with very old science fiction, you won't see any occurrence of the term in its current meaning (a human inhabitant of the planet Earth, as opposed to an extraterrestrial) prior to 1949.
Actually, the term was first used by the Old Man himself, Robert E. Heinlein, in his 1949 novel "Red Planet" (a novel remembered for a weird digression where they explain the ethics of adults responsibly allowing children to carry loaded firearms). This all the way back when the Old Man was not quite so old yet, when RAH was actually a hotshot young lion looking to make a name for himself in the pages of the greatest scifi pulp of them all, Astounding Science Fiction under John W. Campbell, right at the dawn of the Golden Age of Science Fiction.
Heinlein created the term Earthling and used it in a lot of his work instead of human because it was very important to distinguish in his stories between humans from Earth and, say, colonists of human stock from Mars, like in Podkayne of Mars. Hello, Mars used another interesting term with the same origin, where humans born in space referred to humans that lived their entire life on earth (semi-derogatorily) as "groundhogs."
The term caught on because Heinlein used it in his juveniles (what today we'd call "young adult" books), and to every generation prior to the Millennials, Heinlein was THE science fiction writer, much like how Agatha Christie is THE mystery author. It's a strange irony that, now that young adult books run the world, the young adult scifi author has mostly vanished from prominence.
Prior to 1949, scifi writers used a lot of other variant terms for humans from Earth. E.E. Smith, who Heinlein admired and listed as his single biggest influence (and from who Heinlein got the idea of space marines in power armor, an idea the Old Man used in Starship Troopers), used the term Tellurian to refer to humans from Earth in the Lensman novels, as Earth in his future era was known as Tellus, an erudite term for a god of Earth in Greek Myth used in Hamlet. Humanoids in the Lensman series were known as "Tellus-type lifeforms."
(You know, I feel like Tellurian for human and Tellus for Planet Earth should make a comeback.)
That said, where did the term Earthling come from originally? The Old Man didn't make it up. "Earthling" is an old term going back to Old English and predated the modern English language. It came from eorþe (earth) and yrþling (farmer). The term yrþling (ling) literally means farmer, but since that was the most common occupation in the old days, "earthling" acquired a secondary meaning to just refer to a person, a mortal human in general, a meaning similar to "guy," "dude," or "fella." And -ling also became a suffix to indicate a noun or person, same as terms like "hireling" and "underling" and "weakling."
Earthman, Come Home by James Blish, cover by Lida Moser (1968)
Johnny Bruck's cover for Perry Rhodan #971: Alarm auf Martappon
Theodore R. Cogswell “The Wall Around the World” Vintage Paperback 1962
The Wall Around the World A collection of mid-century speculative fiction blending traditional science fiction with soft fantasy elements. This landmark volume features Theodore R. Cogswell’s most celebrated stories, including the titular tale of a young boy using magic to breach an impenetrable wall, and “The Specter General.” With legendary double introductions by Anthony Boucher and Frederik Pohl, it remains an essential piece of 1960s science fiction paperback history.
#### **Book Details** * **Author:** Theodore R. Cogswell * **Illustrator:** John Schoenherr * **Publisher:** Pyramid Books (F-703) * **Binding:** Paperback * **Edition Points:** First Pyramid Books Edition, February 1962. Cover price 40¢.
#### **Condition Report** * **Overall Grade:** Very Good- (VG-) * **Cover & Spine:** Cover colors remain vibrant. Spine is slightly creased, square, showing some rubbing. Covers have edge wear and surface soiling. * **Dust Jacket:** Not applicable. * **Text Block & Pages:** Text block edges feature yellow publisher dye-stain. Internal pages show tanning around the edges. * **Binding:** Tight, square, no loose, torn or folded pages.
See accompanying images for full condition details. Will ship promptly, carefully packaged.
1973 edition of madeleine l'engle's a wrinkle in time
Cover art by J. K. Potter
Jim Steranko, cover art for "The Reavers of Skaith #3" by Leigh Brackett, 1976
Davis Meltzer, cover art for "The Bright Phoeniz" by Harold Mead and "Time and Again" by Clifford Simak, 1978
Another absolute banger by Richard Powers, this time on Walter M. Miller Jr.'s novella collection Conditionally Human. Published by Ballantine in 1962, this would have been the followup to Miller's A Canticle for Leibowitz.
The overall composition is a stunning use of the paperback scale (a little larger than 5x8, so slightly bigger than a postcard or a 90s Kodak photo print.) On a much larger cover, like a hardback book, it might look a little sparse, but on hardcover's smaller (and cheaper) sister, it is allowed to make a heck of a statement with its simplicity. As with many of the books in my collection, I am also drawn to the gorgeous orange and fuchsia color scheme.
A book you very likely don’t have on your shelf #884
Cover by Richard Powers -- 1962
A book you very likely don’t have on your shelf #824
Cover by Richard Powers -- 1955
Donato Giancola, cover art for "This Side of Judgment" by JR Dunn, 1994
90s sci fi cover paintings really hit differently don’t they?
Richard Hescox, cover art for "Aboriginal Science Fiction", Fall 1992