Le dernier tableau d'Henri Matisse

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Le dernier tableau d'Henri Matisse
The Harvest | Vincent Van Gogh
(1888 — Oil on canvas)
📍 Arles, France
Under a vast Provençal sky, fields of ripened wheat stretch towards the horizon, glowing beneath the heat of late summer. Vincent paints the landscape from a high viewpoint, allowing the eye to wander across patchwork fields, winding paths, distant farmhouses, and small figures working among the crops. The scene feels expansive yet deeply personal, as though we are seeing the countryside through his own sense of wonder.
The palette is dominated by gold. Rich yellows and greens, warm ochres, and sunlit creams spread across the fields, capturing the intensity of the harvest season. These warm colours are balanced by cool blues and soft greens in the sky and distant land. Vince uses these contrasts to create a feeling of sunlight vibrating across the landscape, making the entire painting seem alive with heat and movement.
Although the fields command attention, the workers scattered throughout the scene are essential to its story. They appear small against the scale of the countryside, yet their presence gives the land purpose. The harvested wheat, the wagons, and the labourers all speak of a cycle that has repeated for generations. Vincent presents this work not as hardship, but as a partnership between people and the land.
The composition is filled with detail, yet it never feels crowded. Fields are divided into distinct sections, each carrying its own colour and texture. Some glow with fresh-cut wheat, while others remain green and waiting. These subtle variations transform the landscape into a patchwork of seasons and stages, reminding the viewer that nature is always changing, even within a single moment.
Light is the true subject of the painting. It settles across roofs, fields, and pathways, binding everything together. Unlike the darker tones of Vincent's Dutch years, the colours here feel open and generous. The landscape breathes. Space expands. The world seems full of possibility.
There is a quiet optimism running through The Harvest. The painting celebrates work, but it also celebrates abundance. Every golden field suggests a reward for patience and effort. Vincent captures the countryside at its moment of fulfilment, when months of growth have finally become something tangible. The life and work of a peasant is a recurring theme in his art, yet every piece provides a brand new perspective to the subject.
Looking across the canvas, one senses Vincent's affection for the landscape around Arles. The colours are bright, the forms clear, and the mood peaceful. Through light and colour, he transforms an ordinary harvest into a vision of harmony between people, nature, and the passing seasons.
The Harvest is housed at the Van Gogh Museum, Amsterdam.
EDWARD HOPPER - 1922
Pablo Picasso - "Femme assise dans un fauteuil", 1966
Vincent van Gogh | Wheat Field | The Metropolitan Museum of Art
Christo (Bulgarian/American, 1935-2020), Valley Curtain (Project for Colorado/Rifle), 1971. Pencil, crayon, wax crayon, cover white, fabric, photograph, map, staples and tape on cardboard, 70.7 × 55.7 cm.
"We are fighting against three giants, my dear Sancho: injustice, fear and ignorance."
Miguel de Cervantes
[Art, Picasso]
Michelangelo Buonarroti.
ABC Book. 1923. Designed by Cuton Wood and C.B. Falls. 1923.
Internet Archive
Vincent van Gogh, Champ de blé, 1888
The ancient world was full of textile masterpieces we can only imagine… but most of them have rotted away. So few of them have come down to us in these days that we think of metal and stone as the primary mediums for the oldest artworks. But there were tapestries and fabric work that would have rivaled the finest wrought gold and iron and the first cave paintings.
This is a incredibly rare find. A ball of yarn made from stinging nettle fibers in the Late Neolithic (5900 years old) in what’s now Marin-Epagnier in Switzerland. The thread has been preserved by being carbonized. Look at how much thread that is! And how fine and even it is spun! The skill going into this is absolutely incredible. Imagine the incredible textile work that must’ve been made with that. For a reference here’s a ball of nettle yarn I managed to make with a drop spindle. That took me 300 hours of work.
OOooh, we are going to be visiting Switzerland later this summer and we are so going to the Laténium where that old ball of yarn is housed. I can’t wait.
Francisco de Goya. ' Grande hazaña con muertos ', ca. 1810.
(via Sergei Eisenstein’s Sex Trumpet and Erotic Drawings (NSFW) - Flashbak)
all my life I’ve felt like this guy