https://soundcloud.com/stephenrandall-1/the-freaks-and-the-brave-master

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@stephenrandall
https://soundcloud.com/stephenrandall-1/the-freaks-and-the-brave-master
https://soundcloud.com/stephenrandall-1/stand-may-8-2016
https://soundcloud.com/stephenrandall-1/god-only-knows-cover
https://soundcloud.com/stephenrandall-1/snowflake-in-an-avalanche-1
https://soundcloud.com/stephenrandall-1/kiss-of-life-1
Here's a new song...
Here's a new song...
Here's a new song...
The lyrics of this song are based on Audrey Hepburn's favorite poem Unending Love which was read at her memorial by her friend Gregory Peck and which I've posted below my lyrics - Stephen. AUDREY HEPBURN Words & Music by Stephen Randall Everything about you Is perfect Everything about you Is sublime My spellbound heart Replayed you Bathed in the spotlight Of time As I stare On and on In the end You emerge CHORUS Hey hey Audrey Hey hey Audrey Hey hey Audrey Everything about you Is wonderful Your beauty is Outside and in You played To millions of lovers You opened your heart And let us in You became An image of What's remembered Forever CHORUS Hey hey Audrey Hey hey Audrey Hey hey Audrey Orchestral break and excerpt from end scene of Breakfast at Tiffany's CHORUS Hey hey Audrey Hey hey Audrey Hey hey Audrey © & Ⓟ 2012 Stephen Randall ------------------------------------- UNENDING LOVE By Rabindranath Tagore I seem to have loved you in numberless forms, numberless times, In life after life, in age after age, forever. My spellbound heart has made and remade the necklace of songs, That you take as a gift, wear round your neck in your many forms, In life after life, in age after age, forever. Whenever I hear old chronicles of love, its age old pain, Its ancient tale of being apart or together. As I stare on and on into the past, in the end you emerge, Clad in the light of a pole-star, piercing the darkness of time. You become an image of what is remembered forever. You and I have floated here on the stream that brings from the fount. At the heart of time, love of one for another. We have played along side millions of lovers, Shared in the same shy sweetness of meeting, the distressful tears of farewell, Old love but in shapes that renew and renew forever. Today it is heaped at your feet, it has found its end in you The love of all man’s days both past and forever: Universal joy, universal sorrow, universal life. The memories of all loves merging with this one love of ours— And the songs of every poet past and forever.
OXYGEN Words and Music Stephen Randall I breathe your oxygen And you know, you know that I want you I breathe your oxygen And it feels like, feels like I am you CHORUS I need your oxygen I need to breathe you in I breathe your oxygen And I’m there, I’m right there next to you I breathe your oxygen And it feels like, feels like I’m in you CHORUS I need your oxygen I need to breathe you in I can breathe again I can breathe again CHORUS I need your oxygen I need your oxygen I need your oxygen I need your oxygen © & Ⓟ 2014 Stephen Randall Thanks to https://soundcloud.com/bethany-sky-whitman for co-production and oxygen. Steam Punk Image: https://www.etsy.com/shop/gryphonsegg
A new song about writing a song.
At the Saatchi Gallery London July 2013
My Interview On All Things Considered
Public Invited To Add Their Voices To Marathon Song
By Sacha Pfeiffer and Lynn Jolicoeur May 3, 2013
BOSTON — The Boston Marathon bombing is one of those tragedies that different people process in different ways. Some internalize it. Some need to talk about it or write down their thoughts. And some people put their feelings into music.
Stephen Randall, who watches the race each year from near his street in Wellesley, has written a song for the bombing victims. The lyrics were inspired by President Obama’s speechat Boston’s Cathedral of the Holy Cross the week after the bombings.
And through the magic of digital editing, the song is designed to keep adding additional voices as people anywhere record themselves singing the chorus and submit those vocals.
WBUR’s All Things Considered host Sacha Pfeiffer spoke with Randall about how this works.
Sacha Pfeiffer: Would you first tell us how you got this idea?
Stephen Randall: I was so inspired when I heard the president say, “You will stand, you will walk, you will run again,” and as a songwriter I immediately got those words in my head and picked up a guitar and started writing.
And it’s your voice we hear in the lead vocals of the song?
It is, indeed. I wouldn’t claim to be a singer, but it is my voice on the lead vocals.
Right now, how many other voices are mixed into this song?
The song was posted on SoundCloud just over a week ago. There’s approximately 25 tracks of different voices with voices coming in from seven different people so far from all corners of the world.
You mentioned that it was Obama’s words at that interfaith healing service that made you want to do this. Let’s hear how you’ve blended his words in:
President Obama: Your commonwealth is with you, your country is with you. We will all be with you as you learn to stand and walk, and yes, run again.
So is your goal that this song will keep growing and growing and growing as more people sing the chorus and send those digital vocals to you?
Several goals. A few decades ago, to do something like this you’d need to be Quincy Jones and need to get Michael Jackson and all sorts of people into a studio, and these days you can just open up your laptop, write a song, post it and then invite people to contribute. So I really think that one way in which we can express ourselves is to invite people to sing the chorus.
But I really ultimately do want hundreds, if not thousands, of people to sing it. But more than that, the goal is that there’s a message that remains after the headlines subside — that is a message of hope and courage and strength.
This song, or maybe the idea for this song, makes me think of “We Are the World” and “Do They Know It’s Christmas,” these celebrity songs from the ’80s that were for charity, ultimately. Is that the idea? That approach, for a different event?
I think it’s a contemporary version of that, that people can come together. There’s a link tothe OneFund on the page where the song is on SoundCloud. People need to do whatever they need to do to express themselves and to feel like there’s a more positive side to this.
The community is strong and we’ve had messages from people in, for example, South Africa, where somebody was saying he just thought it was a headline and it was unfortunate but hearing a song and putting a face to it made it more poignant to him, and I thought that was a very good thing.
You’ve brought in an example of what just some of the raw vocals sound like. I want us to hear some of that, too:
Scarlet Randall singing:
We will stand, yeah
We will walk, yeah
We will run
Now, Stephen, that woman’s voice happens to be your daughter?
She’s a very talented 16-year-old who actually had the idea of putting the chorus at the beginning of the song. When she first heard it, she said, “The song’s good, Dad, but the chorus needs to be at the front,” and I said, “I think you’re right.”
Let’s listen to when you begin to combine your daughter’s voice with other voices:
Chorus of voices:
We will stand.
We will walk.
We will run again.
Do you have a goal of how many voices you would like to add to this chorus, or is it unlimited?
It is unlimited in theory. I’d love to be swamped by them. If people can download the track and add their vocal and then send me the vocal on its own, I will drop them into the track.
You’re a former professional songwriter from London, where you grew up. Did that make you feel that somehow the way you wanted to express whatever feelings you were feeling after the bombings was through music, through a song?
It happened automatically. My passion is for writing songs, and I find that sometimes it’s easier to express myself that way.
And there is something about music that can be powerful on any occasion and particularly powerful in situations like this. What do you think it is that makes that have even more impact sometimes than just talking or writing or thinking?
I’m discovering that it’s border-less, that people sometimes relate to music or to lyrics in a way that wasn’t intended and sometimes in a more powerful way. There’s a message from somebody on the track that it brought them to tears. I’m sure I couldn’t just speak to them and say, “This was a terrible event,” and they’d start crying. But if the music or the lyrics can touch people, then that’s a wonderful thing, as well.
In the lyrics you’ve written, they are very local in a very intimate way. I mean, it literally follows part of the race route. Let’s hear part of that, as well:
Stephen Randall singing:
We waved them on
From Hopkinton
Through Wellesley Hills
Then Newton straight to Boston.
As they reached Heartbreak Hill
They didn’t know that they’d face
A greater heartbreak still
Is your idea that this becomes some kind of anthem for the marathon?
I’d love that from a personal perspective, as well as the ability to make people come together in some sort of a chant. It would be a wonderful thing as a writer to imagine thousands of people singing, “We will run again,” and know that you’ve had something to do with that.
Where do you envision that happening? Is it a crowded Fenway Park breaking out in song? “We will run again”?
That would be nice. I’d love that. I know there’s a benefit concert at the TD Garden and it would be great to get the local high schools singing the song there. I’d love to think that there’s a possibility that people sing this at every marathon. That it’s just a way of cheering on people who are running and a way of paying respects but also encouraging people.
This song starts with Obama’s words and voice and it ends that way, too:
President Obama: Because that’s what the people of Boston are made of.
So it really comes full circle there.
Yeah, I think the people of Boston and the people around Boston — Wellesley, etc. — all feel this way and if we can show what we’re made of and stand together, it’s a pretty cool thing.