Not outlast but still so cute
hello vonnie
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almost home

Love Begins

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oozey mess

shark vs the universe
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will byers stan first human second

PR's Tumblrdome

#extradirty

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Xuebing Du
art blog(derogatory)
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Three Goblin Art
trying on a metaphor

roma★

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@strawberryfany
Not outlast but still so cute
Hi, I recently got into Pucca a week ago and your blog has been life support for me as a place to consume more Pucca content!!! The Pucca IP timeline was a ray of hope for me, but it does give me some concerns about VOOZ
-On the pucca world website, the "Contact Us" button is for brand collabs and licensing stuff, but the moving banner thing has questions on it too, so theoretically someone could ask about the IP and show it as (further?) proof that the crypto stuff is a hack (I'm not sure if it leads to the actual VOOZ team because of the next concern)
-The "Roadmap" button on the pucca world website says "Ownership turns into participation. NFTs and the core community grow on Base" (it's in Phase 3- also it sorta sounds AI generated, but maybe that's just me) so could that is probably a result of the hacking, but if VOOZ has the IP back why haven't they changed it? Do they not know? Is it because of the IP freezing? (also why don't they delete the trump and ai stuff on the official channel)
-If the IP is frozen, how are they making shorts on the official pucca channel? Does they not need the IP to make their shorts? Is it even VOOZ posting? I mean they stopped the music video recreation stuff (also Phase 1 on the roadmap talks about "KPOP driven virality"), but on the new short with the chopsticks and Pucca swiping the 'types of boyfriends' (?) to the side to reach Garu, one of the cards says "Ai-level handsome" (which is what brought up these questions)
-Another thing about the shorts, in the comments some of the Korean commenters are talking about a Pucca's World Tour, which was some sort of pop-up serving dimssum (idk how to spell it), and if the IP was frozen how did they do the pop-up store? maybe it was before the IP froze, but it doesn't seem like it was that long ago (also do you know who the girl who looks like Pucca in the pop-up store promo is?)
-On the pucca world website there's a link to a discord, which I joined, and it still seems mostly on the crypto NFT guys' side
-Is there a moderate change that the series can come back in the future? I know that they (mostly) got the IP back, but with all the concerns and the legal troubles in the timeline make me wary
sorry if this was long
Hello! Thank you for saying that! I try to put a lot of effort into this space as a semi-organised environment to chronicle/catalogue the many intricacies of Pucca and her brand (though it isn’t as organised as I would personally like but since Tumblr has taken away user’s ability to edit the html of their blogs there’s basically nothing I can do about that *sigh*). Regardless, it really does make me feel like I’m contributing to the fandom/community whenever people thank me for this blog so thank you again! I really appreciate it!💗
Okay so I’ll try to answer your questions as best I can but please keep in mind most of what I am saying is speculative on my part as I’m just some guy and am not a lawyer or businessman or anything like that! The same disclaimer applies for this post as my timeline in that this response will include my interpretation of events based on supporting documents I could (or could not) find. This is not an official/legal statement by any means.
(This will be a long read so I apologies in advance...)
(ᵕ—ᴗ—)
♡ The Pucca World website is sketchy at best. Pucca hasn’t had her official website since around approximately 2022. Pucca world.com was first registered with the url pucca.meme, then it changed to Pucca.global after VOOZ specifically warned fans not to trust the pucca.meme url.
Pucca.meme and pucca.global then redirected to puccaworld.com as a way to appear more legitimate.
The website design and layout is very very similar to the forest.ai as they credit themselves with ‘partnering’ with Pucca to ‘step into web3’ a claim that is unvaried to this day.
All of this to say, I do not trust puccaworld.com.
♡ As for the crypto/NFT stuff being advertised as ‘phase 3’ on the site, no. I don’t think this is anything Kim Bu-Gyeong and/or VOOZ wants any part of. Regardless of whether they were originally on board for this idea back when they first met Sung (something we do know happened at least once, based on photo evidence), they clearly did not want to go forward with this development plan for Pucca’s IP as they vehemently denied involvement with the crypto/NFT projects back in 2024. In 2024 Kim Bu-gyeong also tried (and failed) to reach out to both fans and Youtube on Twitter in order to regain control of Pucca’s socials.
♡ Why hasn’t VOOZ taken the url back? Again I can only speculate here but my best guess for this is probably because it was never their site to begin with.
Puccaclub.com stopped being online roughly around late 2022-early 2023 which aligns with the last official content released by VOOZ on the official Pucca Facebook and Instagram accounts (Pucca - 뿌까 / @ pucca_insta_official).
Pucca.meme/pucca.global was registered in 2024 and only started to redirect to puccaworld.com in February 2025. It is my personal belief that VOOZ had no involvement with the creation of puccaworld.com. Rather, the hackers saw the lack of an official Puccaclub website and knowing about the legal troubles of the IP, seized the opportunity to create a new “official” website in order to trick fans (myself included at first). After they successfully hacked into the Pucca Twitter account, fans called them out for being hackers/scammers and pointed to the dodgy username and url as evidence (with the original username being @ puccaincrypto and the original url briefly being pucca.meme and then pucca.global), so due to that they changed them to @ pucca_official with the puccaworld.com url.
Simply put, I think VOOZ cannot regain access to this website as it never belonged to them in the first place. Whether they can shut the site down or repossess the url in the future with the on-going legal situation is something I am not sure of. I imagine either one of those two situations could happen but I don't know for sure.
Here's an interesting tidbit, did you know puccaworld.com uses Cloudflare Singapore hosting? Singapore... The same location Forest Technologies is registered as a business… The same location Parkspecrum Ventures is registered as a business... The same location many crypto scams operate from as it is considered a "crypto haven"... Hmm... Now as a completely unrelated topic, did you know Singapore recently passed a law that specifically states crypto assets are legally “property”? How fascinating! Isn’t that interesting?
♡ Anywayyyyyy let's get back to this topic. Why hasn't the Pucca World channel deleted the horrible Trump/AI videos? I can only speculate that it is due to the virality of them. They were and still are very controversial videos for Pucca and as a result, many people were speaking (rightfully, complaining) about them which lead to them going viral. Bad publicity is still publicity and for the hackers who clearly do not care about Pucca or the fanbase, this controversy was a simple marketing tactic to spark “hype” around Pucca (regardless of the actual harm it brought to both the brand and the fanbase.)
Clout chasers produce rage-bait content to farm engagement ➜ this sparks outrage as a response ➜ content goes viral ➜ clout chasers then use said rage-bait content to advertise and pander to fellow crypto losers ➜ this momentarily results in monetary rewards ➜ money quickly dries up ➜ rinse and repeat.
♡ Why are Pucca World socials still making content and do they need the IP to do so? Yes they absolutely need either full IP ownership or a Licensing Agreement between both companies. Pucca World have yet to prove they have either.
The document they previously showed fans (after we demanded they do so, mind you) did not appear to be a real, legal document that specifically stated they had the rights to Pucca's trademark or the ownership of VOOZ. Instead what they did show us was a photo of an already printed document titled "Founders Agreement" which was allegedly co-signed by Kim Bu-gyeong (with the international spelling of his name spelled incorrectly as "Kim Boo-Kyung" instead of Kim Bu-Kyoung). Kim Bu-Gyeong himself took to Twitter to disavow their claims and questioned the document's authenticity.
The document was also not signed with any official (or otherwise) Korean seal known as either a Dojang (personal seal) or Ingam (registered seal).
This document outlines both the practical and legal use of Dojang for signing documents.
In essence, while signatures are the prevalent method of authentication in many parts of the world, Koreans have a deep-rooted preference for using dojangs. They also consider a stamp to be more secure than a signature as it is more difficult to forge. The unique designs of each stamp make them almost impossible to duplicate. As a result, most Koreans have a personal seal for signing documents. The seal imprint has, in conjunction with a seal certificate, also a legal validity comparable to that of a notarised signature in most European countries.
According to the Korean Commercial Registration Act, each director who represents a company must register a seal with the competent registry office. The seal usually includes the name of the company as well as the name of the Representative Director and/or his position.
An Ingam would be used as an official signature on such documents as:
♡ Contracts including rental agreements, employment contracts, sales contracts, business leases, consulting agreements, partnership agreements, etc. ♡ Bank documents ♡ Legal documents like a power of attorney, certificate of inheritance, or court document. ♡ Tax-related documents ♡ Government applications like a passport, driver’s license, or any other type of government-issued identification. ♡ Business-related documents like a business proposal, invoice, or any other type of business document.
Now while Korean contracts do not strictly require a registered seal, it is very unusual for a document of this nature, especially involving a Korean creator and company, not to include one. Combined with the fact that the agreement is disputed by Kim Bu-gyeong and appears to relate to a token project rather than clear IP ownership, this raises serious questions about its reliability and how it’s being presented.
Yet when fans such as myself called into question the legitimacy of Komal, Sung and other's claims of ownership, they proceeded to gaslight, insult and mock the fanbase whilst hypocritically insisting we were "stuck in denial mode" and we "do not understand business practices". According to the Korean Trademark Registry, Sung Woo Park, Komal Hussain, Parkspectrum Ventures AND/OR Forest Technologies have not once been listed as actual owners of Pucca's trademark. Currently VOOZ are listed as the full legal owners of Pucca and as such the necessary license agreement Pucca World would need to produce the content they are currently, has yet to be officially registered online or shown to us in any way.
Whilst we are on the topic of the "Founders Agreement" I find it astonishing that there is a specific clause on page 2 that states:
"NON-DISPARAGEMENT The Founders agree not to make any disparaging or derogatory remarks, comments, or statements about the Company, its products, services, employees, subsidiaries or affiliates, whether orally, in writing, or through any other medium." Now, take a look at the following replies written by the Pucca World team on Twitter...
While past reporting confirms disputes around Pucca’s business dealings, there is no publicly verified outcome establishing criminal wrongdoing as far as I could find. So presenting such allegations as fact (e.g. "embezzlement" or "potential imprisonment") goes beyond reported disputes and may be considered defamatory or, at minimum, clearly disparaging. These statements being made about Bu go far beyond referencing past accusations of misconduct and include serious allegations, for which there appears to be no publicly verified evidence of!
To add to this, under South Korean law, even true statements can constitute defamation if they harm someone’s reputation. A defense only applies if the statement is both true and made solely in the public interest (Criminal Act Articles 307–310).
To summaries, the "Founders Agreement" Komal presented as “proof of ownership” is already of questionable legitimacy, yet the actions of those working for/with Pucca World prove to further undermine it. The agreement specifically includes a non-disparagement clause between founders, but they have repeatedly made public statements attacking Kim Bu-gyeong's character. Meaning that even if we were to take this so-called contract at face value, they themselves do not appear to be adhering to its own terms!
But okay... Let's pretend for a second that Pucca World is legit. Let's pretend that it is VOOZ posting these shorts on Tiktok, Twitter or Instagram. What would that mean? Nothing. Even if we suspended our beliefs and all collectively decided that Pucca World was actually the legal owners of Pucca's IP they still would not be allowed to post as they are currently on their socials! The IP is once again frozen by the Korean courts due to continued unpaid debts. Meaning either which way you look at it, this content is not permitted. A trademark under court seizure cannot be advertised, commercialised, sold or bought. It is frozen. No money can be made. No transfers. Nothing. Literally nothing. The IP is at this point being used as collateral by another creditor/company in order for VOOZ to pay off their debt. Simply put, Pucca is being held hostage by the courts until VOOZ pay up.
♡ Pucca X Dimsum Pop-up collaboration with Chef Jung Ji-sun. Based on the evidence we have, this event was not held with VOOZ's permission. Given that the event took place between Jan 30–Feb 1, 2026 and the recent trademark seizure was also registered on Jan 30th, 2026 I can say for sure that legally speaking, this event was not allowed. Again any IP under court seizure cannot be used commercially at all. This event was held to promote Pucca and a celebrity chef was heavily involved with both the marketing and event activities/merchandise. Said merchandise is not allowed to be sold! Literally on the first day of the event, the seizure was in effect! That isn't a rough estimation either as the KIPRIS website literally states that.
As for the legitimacy of this event prier to the seizure... I doubt it was something VOOZ considered. The last seizure was lifted back in 2024 but VOOZ didn't regain the full transfer of Pucca's trademark until late Dec 2025 so the possibility of this event being legit is small in my opinion. The rights transfer back to VOOZ was registered DEC 24, 2025 with this collaboration being announced approximately a month later on JAN 21, 2026. I am having a difficult time imagining VOOZ planning this event so soon after they regain control of Pucca's IP. The announcement itself doesn't mention VOOZ at all in the article, instead quoting "the Pucca IP" for a statement on the event... Very dubious if you ask me. Again this is just speculation on my end but based on the evidence we do have... This event and the selling of Pucca merchandise from it, was absolutely not permitted by the Korean courts and is very sketchy at best (and outright illegal at worst).
♡ The "official" Pucca discord advertised by Pucca World it is a place full of crypto losers who outright mock and insult both new and long-term fans who actually care about Pucca. See the Pucca subreddit for proof of this as I pinned the screenshots of their replies showing clear contempt for both Pucca and the fanbase. You will only find crypto jargon and web3 circle-jerking from a bunch of lonely, deeply insecure, often middle-aged men who want to exploit Pucca and her brand as much as possible until VOOZ can do something about it. Which unfortunately, won't be anytime soon as their debts seem to be very, very high.
♡ Do I think Pucca will ever come back the way she did 10-15 years ago? No. No I do not. I think if VOOZ are to ever pay off their debts and regain full control of not just Pucca, but also the socials associated with the brand then Pucca in some official capacity can absolutely come back. Hopefully with another season to revive the franchise...
Do I think that after all of this is done and dusted with, Pucca will have a renaissance? No. The Pucca I loved has long since been dead for over 10 years now. With the change to both the character design and the overall look/lore of the show, Pucca as she once was is categorically no more. I don't envision VOOZ reversing that anytime in the future regardless of the current legal issues happening now. I think they will double down on the new, bloated, uncanny proportions of Pucca and in turn continue to drift further and further away from Pucca's original identity. It will of course be better than nothing and I will still be a fan who loves and cherishes Pucca... But it won't be the same. (I have a personal theory that once VOOZ decided to partner with Disney back in 2003, they effectively began the (almost inevitable) decline of Pucca as a result of that decision- despite how beneficial I do recognise that licensing agreement being at the time. I can go further into this theory if you or others are interested in this take but for now I've written enough haha!)
I apologise for the absolute novel I have given you as a response but I did think it was necessary for me to be as thorough as possible when answering your questions. This also isn't even everything that has happened in the past 4 or so years, believe it or not! /).(\ If you have any more questions please feel free to send them my way (keeping in mind the general disclaimer of my replies being non-official speculations) and I will do my best to answer them with as much supporting evidence as I have/can find!
ദ്ദി(ᵕ„• _ •„)
❤︎ Pucca Power Up (2011) - Garu’s Backstory Cutscene ❤︎
Here is the alternative backstory of Garu’s father and how he died.
Originally, back in 2006, Garu’s father died (seemingly due to exhaustion) as a result of trying and failing to compete in the martial arts tournament hosted in Sooga Village. Garu is shown to be either/around his actual age of 12 years old in this version as he communicates with his father a final time and vows to take on the tournament in order to honour his dying wish.
In September 2011 (idk why but I could have sworn this game came out in 2007!?) the canon is re-written for the Nintendo DS game Pucca Power Up as we are shown Garu ruminating on the traumatic memory of his father’s death, that took place years earlier. However, this backstory retcons the original narrative given to us 4 years prior by showing us that Garu was actually a witness to his fathers murder at the hands of a masked ninja (who is speculated to be Tobe’s father, by fans).
Which backstory do you guys prefer? Personally I think this narrative is better as it adds a lot of layers to Garu, whilst also depicting the emotional weight of his tragic origins, that the original couldn’t quite capture. The heartbreak of the original death was lost due to the overall comedic nature of the comic, whereas this cutscene really allows the loss to sink in for a moment… before undercutting it with Pucca’s usual slapstick humour.
In terms of the first narrative, Garu’s core motivation originating as something he was asked to do doesn’t really allow for the unimaginable trauma of witnessing his father’s death to sink in (both for Garu and the audience). In the comic, Garu’s heartbreak is quickly replaced with the solemn acceptance of honouring his father’s dying wish. This in turn, reframes the emotional impact of the scene so that it becomes an unfortunate yet morally noble moment for Garu. Here, he is framed more as a passive protagonist which, in itself, does not align with who we know Garu to be.
In my opinion, this narrative framing puts Garu in a type of glass box. He goes along with the events unfolding around him yet due to his apparent lack of agency and his overall (seemingly) indifferent attitude towards them, he is reduced to a supporting role in his own narrative. Such a protagonist doesn’t work for Garu as passive protagonists are known to stand helplessly aside while more capable characters (Pucca) take care of business. They offer little support in dealing with situations and once the conflict is over, all they can do is await further instructions to progress the plot. This results, more often than not, in characters appearing helpless, subservient and weak. Garu is none of those things.
With the retcon above, those brief moments of Garu’s quiet rumination before and after the cutscene go a long way in depicting just how traumatic witnessing his father’s death was and just how much it impacted Garu’s life. Even years later he is still replaying the devastating event each time he picks up his katana. We know Garu trains daily. Which means that every single day he is reliving what happened… Reliving his father’s final moments… Reliving how he felt as he watched him fall… Reliving the suffocating quiet that lingered after the chaos… Reliving the primal fear growing within as he realised his only protector was gone and he was alone… Over and over and over again. We see how Garu is haunted by the eyes that met his gaze, scorching them into his mind forever. We see how Garu can still hear the maniacal laugh that echoed throughout the walls of his former home. A laugh of victory from a man who revelled in Garu’s grief. We even see little Garu as all he can do is watch helplessly as his family and childhood are taken away forever… Recontextualising his backstory in this way allows for the devastating heartbreak and vengeful resolve Garu fostered at the core of his motivation to sink in with the audience.
This narrative reframes Garu’s long-standing determination to restore his family’s honour as something he chose to do as a way to posthumously respect his father and seek retribution for his murder. Garu is no longer a helpless little boy at the mercy of a man who has shown, so clearly, his willingness and ability to take a life. Garu is not passive in this story. He has chosen to shoulder this burden in hopes of seeking justice and to regain his (and his family’s) honour. As a result, this framing effortlessly emphasises the resilience, loyalty, and perseverance of Garu’s character.
In my opinion, this retcon is a great example of why “show don’t tell” is a much better writing technique for depicting the complex, emotional depth of what makes Garu who he is. The decision to utilise this principle specifically for his backstory was both absolutely necessary and absolutely the right move from VOOZ!
ദ്ദി ˉ͈̀꒳ˉ͈́ )⟡ ݁₊ .
I would like to add that this is the most serious scene in the game because the game itself is like watching a Pucca short but with a story. I think it also gets darker when, in the later levels, Tobe decides he's going to kill Garu and lets you know with a gesture. At that point, Tobe was already destroying the entire Sooga village, and Pucca's only option was to save Garu and the village because Mio (Garu's cat) told her to. I say this because it's the first time in the Pucca franchise that a story has been taken seriously, and even somewhat darkly. Tobe is more relaxed in the series, but in the game he directly wants to kill Garu. The game isn't exactly disturbing or anything; it just has its silly moments, like in Pucca's dream level, it's just those details that catch my attention
By the way, I think I recorded that video myself haha, I did it from an emulator!
❤︎ Pucca at the Seoul Character Fair (2003) ❤︎
On July 16th, 2003, VOOZ Co., Ltd. participated in the Character Fair being held at the COEX Convention Hall in Seoul, South Korea.
The main theme colour for this event was red and so VOOZ decorated their booth with a Chinese festival street motif and cute, Pucca themed interior designs! The booth also featured a wide selection of Pucca merchandise on display, showcasing a diverse range of products that had started to export globally!
Several newly introduced characters (likely, Abyo, Ching, Ssoso, Tobe and Chang) were presented following VOOZ’s merger of Abyo Dragon Boy and Pucca. After VOOZ licensed with Fox Kids (JETIX), they abandoned their previous plans for Abyo Dragon Boy as a separate IP and instead opted to fold the characters into the world of Pucca in order to create one cohesive series. This merger also allowed them to provide a variety of characters that both padded out the main cast and expand the world/story for the upcoming Tv animation!
(ㅅ´ ᗜ `) ⊹₊⟡⋆
❤︎ Pucca Playing Cards (2008) ❤︎
This playing card set was released in Argentina in 2008 and features little biographies of the main cast of Pucca!
The back of each card also includes smaller images that fit together to create a Pucca jigsaw puzzle!⊹₊⟡⋆
I think I'll be moving here and bringing new things, so if you see me posting my art here more often, that's why
Btw I don't think it'll have a lot of Pucca stuff, but maybe a few little things. It's just that I've started getting interested in other things
❤︎ Pucca Character Profiles - Spanish Version ❤︎
❤︎ Sooga Village ❤︎
I translated the pages for Garu’s House and The “Turtle” Martial Arts Hall
A little rant about Pucca’s redesign
(ᵕ—ᴗ—)
Rather than representing a living design, I think it looks like a one-of-a-kind design, similar to Sanrio's designs but with its own twist. Previous designs were already minimalist, but they worked Very well, because it perfectly expressed the character's personality. Also, keep in mind that there was a difference in proportions and height. That detail was lost in the 2014 redesign, and that's why which looks monotonous and boring
❤︎ 鬼马卜嘎传奇 - 中国娃娃 (The Legend of Mischievous Pucca - China Baby) (2002) ❤︎
Here is something very special I’ve been wanting to show you all…
TITLE: 鬼马卜嘎传奇 - 中国娃娃
TRANSLATION: The Legend of Mischievous Pucca - China Baby
This officially licensed Pucca book was published in China in June 2002. It is a prose novel featuring grayscale Pucca illustrations taken from the flash vector images released by VOOZ between 2000-2001. The book is structured like a *wuxia(武俠) light novel and is divided into four narrative parts. Written by Kim Sung-ae (translated to 金圣爱) and published by New World Press, this book - although not authored by Pucca’s creator Kim Bu-gyeong - represents one of the earliest narrative expansions of the Pucca IP and offers rare insight into how the character was localised and interpreted during Pucca’s first international growth phase.
*Wuxia(武俠) = A popular Chinese genre of martial arts fantasy, focusing on chivalrous wandering warriors and epic, fantastical adventures with legendary heroes. This style of writing often borrows from Daoist and Buddhist mysticism.
Much like the Flash animations (and later the TV adaption) this book presents Pucca as the central figure in a long-form comedic adventure that blends romance, martial-arts parody, and everyday chaos. At its core, the story follows Pucca, a bold, impulsive, and fiercely affectionate girl whose single-minded devotion to Garu repeatedly throws her into absurd, and sometimes dangerous, situations.
As we know, Pucca’s love is never portrayed quietly or gently; instead, it is overwhelming, disruptive, and unstoppable, often clashing with Garu’s strict ninja discipline and emotional restraint. This book is loyal to the narrative framing of Pucca and the overall dynamic between her and Garu. In fact, given the (albeit rough) translations of the chapter titles, this book is possibly one of the first long-form Pucca stories licensed by VOOZ! It also seems to delve into both Pucca and Garu’s background before they met. It is important to remember however that although this books is officially licensed by VOOZ, Kim Bu-gyeong himself did not write this story. This is an adapted version of Pucca and Garu’s love story, retold by the author of this book, Kim Sung-ae (김성애). I cannot know until it is translated how different (if at all) this narrative will be compared to other, later released Pucca books however given the chapter titles, it does not seem to take too many liberties with the overall story. With part one centring around Garu and his backstory, part two centring Pucca (with mentions of her father) and parts three and four focusing on their adventure together after meeting. The story is still something I personally cannot wait to uncover!(˶ˆᗜˆ˵)
This book is also a notable artefact for Pucca History as it portrays Pucca before her later global softening into a mostly gag-based mascot with the tone being an early-2000s East Asian rom-com adventure and not a Western child-focused, slapstick comedy.
While researching this book I found multiple listings of it in Chinese libraries with the added note “只显示在馆” (displayed at museum) meaning the book was unable to be loaned out. Naturally this piqued my interest…
When a Chinese library or archive lists a book as “on display at museum,” it usually means the book has a cultural/historical preservation status or the book is no longer treated as a normal circulating item. Instead, it’s considered a representative of a specific cultural moment, part of a notable publishing wave or tied to a historically influential IP. Considering the publication date of this book (June 2002), this suggests that some early Pucca material is being preserved as part of early-2000s East Asian pop culture history. Meaning the book could potentially be considered a historically significant early artifact that is especially valuable as it documents Pucca’s experimental, pre-standardised era.
This book was also released alongside another Pucca book in and around 2001-2002. Due to the age of both books, little to no information can be found about them online so the contents of these books is yet unknown…
Given how little is known about them and taking into account their rare, potentially historical significance, I was extremely eager to get my hands on these books! Thankfully I eventually found a copy of 鬼马卜嘎传奇 - 中国娃娃 (as pictured above) and have recently acquired the other, slightly more elusive Pucca book…
ꉂ(˵˃ ᗜ ˂˵)
So… what is the point of this post? Why am I rambling about old, Chinese-exclusive Pucca books?
Well…
Given how old these books are and their “display only” status in Chinese museums it’s not a stretch to imagine the value of owning such items. I believe these books could potentially be some of the first (if not the very first) officially licensed Pucca books released. Pucca was created in 1999 with the first Flash animation being released in 2000. Official merchandise was being sold by VOOZ via postnut as early as August 2001. VOOZ then expanded their marketing to China and other overseas countries but that first step into the Chinese market is vastly underreported in interviews. These books were published June 2002 meaning they could very likely be the first Pucca books to be officially released by VOOZ. I can’t yet say that with absolute certainty as I have not been researching this specific developmental stage of the brand for very long. If I am wrong, I will absolutely amend that statement. If I am correct… My archive owns a very important artefact of Pucca history and I could not be happier!(˶ᵔ ᵕ ᵔ˶)
My hope is to have these books professionally translated so that the English text is as accurate to the original as possible. I will be doing my own rough translation so that I can have a general idea of what the story entails but as I, unfortunately, do not speak Chinese the end result will more than likely not be 100% accurate until I can find a professional to assist me further. Once the books are translated I will be uploading them as a PDF to here or (if I ever finish creating it) my website so that fellow fans can appreciate the historical context of these stories and allow them to step out of obscurity!
Please let me know if any of you are interested in the rough translation I will be doing, with the added knowledge that it won’t be 100% accurate/).(\ If you are I am more than happy to post it as well (until I can pay a professional to correct my less than amateur attempt haha)
ദ്ദി ˉ͈̀꒳ˉ͈́ )✧
Something that has been upsetting me for a long time in the Pucca fandom is the misinterpretation of the Pucca character. I mean, yes, at least as shown in the Jetix series, there are questionable scenes from her, but that does not encompass her entire personality. The idea was to create a character who broke the stereotype of a girl who is submissive to men (a stereotype that is deeply rooted in Korean popular culture, see K-dramas) and who resolves conflicts with intelligence and a bit of violence, showing that she is capable. She likes to cook and wear makeup, even though she's not very good at it, and she dresses however she pleases. I think she's a very fun character for the context in which she was created, and I feel that she's not given the credit she deserves and is only seen as a crazy stalker. In fact, not even all the episodes are about Pucca chasing Garu...
The fact that she doesn't know how to cook but still enjoys doing it strikes me, because her entire family lineage (her ancestor, her grandmother, her uncles, and her father) are professional chefs and masters in the field, and she can barely fry an egg, but she likes to get involved in that area, probably because she has a lot of respect for her uncles/guardians. She also has an artistic touch when it comes to drawing, although when it comes to makeup, it's clear that she doesn't understand it very well. And can we talk about her friendship with Ching? I think it's one of the most beautiful things about the franchise.
I point this out because, in the part of the fandom that I am (or was) a part of, there was a very mistaken idea about Pucca, and I think that it persists today, and they prefer the fanfic version that is literally the opposite of what makes her interesting apart from her relationship with Garu. I've seen it so many times that it tires me.
Anyway, I adore Pucca, and she deserves more credit for who she is.
THIS!!!!!!! THIS RIGHT HERE!!!! i couldn't have said it better myself, thank you op. i need more people to understand that she's very unique in her own way instead of just being some one-sided mary sue protagonist idk haha. yeah, she's got that girlboss in her but she's also got her imperfections....those parts of her character is what makes her so fun and likeable, not only that but SHE HERSELF is genuinely just so fun if you ignore the whole chasing around garu stuff. a lot of people failing to see that and hating her just because of the fact that all they see is her only character trait being having an obsession over garu saddens me sm.
I'm glad to know I'm not the only one who thinks this! I've seen that many people either have a very negative (and exaggerated) view of what Pucca is, or write her in fanfiction as the complete opposite, removing her tomboy side and turning her into someone who suffers for love and whose world revolves around getting attention. It got to the point where it frustrated me so much that, while talking with some friends, I had to get this off my chest somehow.
I like how versatile she can be, both in animation and in merch. She can be a very cute character, but also active and independent in her own right, and Garu complements her aesthetic and essence.
Something that has been upsetting me for a long time in the Pucca fandom is the misinterpretation of the Pucca character. I mean, yes, at least as shown in the Jetix series, there are questionable scenes from her, but that does not encompass her entire personality. The idea was to create a character who broke the stereotype of a girl who is submissive to men (a stereotype that is deeply rooted in Korean popular culture, see K-dramas) and who resolves conflicts with intelligence and a bit of violence, showing that she is capable. She likes to cook and wear makeup, even though she's not very good at it, and she dresses however she pleases. I think she's a very fun character for the context in which she was created, and I feel that she's not given the credit she deserves and is only seen as a crazy stalker. In fact, not even all the episodes are about Pucca chasing Garu...
The fact that she doesn't know how to cook but still enjoys doing it strikes me, because her entire family lineage (her ancestor, her grandmother, her uncles, and her father) are professional chefs and masters in the field, and she can barely fry an egg, but she likes to get involved in that area, probably because she has a lot of respect for her uncles/guardians. She also has an artistic touch when it comes to drawing, although when it comes to makeup, it's clear that she doesn't understand it very well. And can we talk about her friendship with Ching? I think it's one of the most beautiful things about the franchise.
I point this out because, in the part of the fandom that I am (or was) a part of, there was a very mistaken idea about Pucca, and I think that it persists today, and they prefer the fanfic version that is literally the opposite of what makes her interesting apart from her relationship with Garu. I've seen it so many times that it tires me.
Anyway, I adore Pucca, and she deserves more credit for who she is.
Sorry not an info but it is really funny how abyo's character of being self centered kung fu guy makes sense when you realize he was supposed to be the main character of his own series. They didn't tell bro he's no longer the main character and he didn't get the memo and still acts like the world revolves around him
HELP THATS A REALLY FUNNY CONCEPT
Abyo seems just stupid enough to not understand such a thing💔
Also I'm very chill with asks like this, they're very funny.
That makes perfect sense.
Long time no see. I made these redesigns of the MLP girls.
I based it on the designs made by the artist Egito Junior hehe
This is how it feels to be new at your job
she's so funny why does the camera just snap back to her face like she wants to kill me