I think the main thing that bothers me about a lot of more modern Sherlock adaptations is that they don’t let Sherlock & John act affectionate with eachother.
All queer-coding aside, they’re supposed to be extrenely tight and close best friends— and I really hate it when adaptations don’t show that enough. It doesn’t have to be queer necessarily, I just want to see them act like best friends.
Especially looking back on BBC Sherlock— while I enjoy watching their bickering dynamic, I feel like they don’t get enough time to actually act like friends or have enough genuine moments together. Despite everything they go through together.
This is why I’ve been loving Sherlock & Co— because I feel like they have a much more balanced dynamic between the two of them. They argue and bicker, but they’re also developing a very close bond with one another— one that is rather affectionate and sweet sometimes, and above all else— they have a lot of loyalty to one another. They have their messy moments, but they’re also giving time in between to let their friendship actually exist and breathe.
not sure why my sherlock obsession is coming back but it's stronger than ever. and lately i've been thinking about the s5 mofftiss said they had planned and were just waiting for benedict and martin to return to start writing the scripts. i kinda want to know what the plot was about because now there's rosie. we were going to see more parentlock and i can't stop thinking about that like OMG GIVE IT TO MEEEEE
ok i'll bite. not trying to be controversial or anything but i'm just really curious: does benedict cumberbatch have some kind of "no kissing" rule when he plays queer characters? i noticed he played several gay characters but he has never kissed a man on screen. which is totally okay if he does, some straight male actors who are married won't kiss another woman, for example.
sometimes i think i need a bbc sherlock s5 but in fact i just miss benedict and martin interacting. and by the way ben has been talking about him, i think he misses those times too...
but you have to admit they're doing a terrific job avoiding public interactions or even being seen in the same place since 2016 lol
Nicholas Galitzine and his team have definitely decided that going mainstream is the goal and anything that they control will not "remind" people of his most famous queer role. Least he loses the newly acquired wine mom demographic and potentially the possible dude-bro one (that is expected with the new role that was just announced.
For more in- depth thoughts, you can read the below, which goes over why and how you can still enjoy the sequel (I plan to do that), even if you don't like the current events.
At least now people can't hide behind the "social media'' clause because of another production when there were questions why he isn't announcing the sequel on his social media. Even if casting announcements on an actor's own socials are never part of what is considered promotion for a project (trade announcements are, but that is done by the studio), actors WANT to do them as it's announcing they are booked and busy, thus it is part of their professional branding.
Thus when they don't do it, people who are familiar with the industry take notes.
Does it mean most people online will do a nuanced discussion on why the only white, straight and male actor from the main cast of a queer com-rom has decided not to put the trade announced sequel anywhere on his socials?
No, people will either do the simplifications of "He loves RWRB, why does it matter if he hasn't posted on Instagram on it" (the majority) or "He is homophobic and needs to be recast" (a very small minority) camps.
The first camp loves the movie and has an emotional attachment to the character, which quite often transfers to actors. But in their wish to spare their own feelings they will try to silence the voices of people who are right to ask the valid questions on how an actor is using his own social media to highlight the work they WANT highlighted. And how they can ignore the work they DON'T want highlighted.
This isn't speculation. This is how Hollywood works and there social media isn't used the same way normal people use it. It is a work tool.
The second camp will boil the whole situation down to personal homophobia and call it a closed case. Which is as bad as the first camp, as this just makes the first camp and pure NG fans defensive (as NG personally hasn't shown any signs of that) and stops any possible valid discussion.
As I mentioned in a previous post shortly after the sequel was announced, his team's strategy has been obvious for months, but they really f***ed it up in May.
They could have shared 1-2 stories about the announcement (even if grid is some standard, as shown yesterday) and they could have avoided 90% of the issue by doing the bare minimum. They *decided* to not even do that. Which spells things even more clear out.
Wine moms and dude-bros are more valuable than queer people. And most likely in terms of possible money they are not wrong. Those demographics aren't also known for being very rainbow friendly. Why do you think it is so hard for out actors to get roles in movies targeted at that demographic?
So NG and his team did the simplest of maths equation and came up with = don't highlight anything RWRB related on your socials so as not to scare out those two pools. The M&G finale story isn’t queer focused so that was approved (and further showed there is no social media clause for other projects, as that falls under the umbrella of promotion).
This is the same thought process that keeps *actual* queer actors in the closet. So I'm not surprised that the team of a straight actor is operating under the same assumption in terms of personal branding.
Does this excuse the handling of RWRB? No, and thus I don't care much about his other projects. Which I have the right to do.
Does it lower my excitement for the sequel? No, as he is a good actor and I care about Henry, not about NG (because of his own actions). I care way more about the RWRB story than I do for an actor who is just doing his job.
For the people that feel hurt by his actions and this is making it difficult to be excited for the sequel, I am truly sorry and I hope by the time when the sequel comes out and the contractual part of the promotion is here you will be able to find a way to enjoy the project itself.
For the people that claim to love RWRB and are dismissing any valid criticism towards how NG is using his work tools to treat a project you claim to love, you sound a little like the people in a relationship who claim you are ok with being the secret partner. Some really are. But most? Just use it as an excuse not to have to look the truth in the eyes, as that will hurt them.
For the people who love NG and just look at RWRB as one of his jobs, you actually have no staks in this specific discussion, you are winning. Unless you are one of the few morons who go out of their way to shit on RWRB and its fans and are purposely going into those spaces to be nasty. Then you can jump off a high place. Or the ones who take any, even valid, criticism of their *fave* as a personal attack. You can touch some grass.
Just needed to vent a little bit as I was getting fed up with people on Twitter from the first camp moaning how social media doesn’t matter and all should just look at the good stuff.
Lastly, for anybody asking, but why did he sign on for the sequel if he and his team think like this? Because most if not all studio films have a possible sequel clause in the contract for any film and as long as the studio wants to do so and fulfils some mentioned in the contract obligation (could be money, could be script), they have a pretty easy way of getting actors back.
I hope they realize how completely different filming is going to be for the sequel. Anything shot on location anywhere is going to be utter chaos. The fandom travels. It will be much more difficult to contain.
in 30 years or so, during an interview with nick revisiting his most iconic early roles, they'll show him little snippets of rwrb amongst others.
naturally there will be a comment on the chemistry between him and taylor on and off camera and nick will get this melancholic and fond look in his eyes, his smile still boyish and somehow even a bit shy, unusual for a man his age, but he will have grown into the unique masculine softness that defined his career at the end of his 20s.
"I actually had a bit of a crush on him back then.." he'll admit and giggle, one hand covering a bright blush on his wrinkly cheek as he rests his head on it and we will all collectively lose our minds.
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