Read instead !
sheepfilms
No title available
art blog(derogatory)
DEAR READER

izzy's playlists!
almost home

ellievsbear

Love Begins
NASA

PR's Tumblrdome
RMH
let's talk about Bridgerton tea, my ask is open

pixel skylines
No title available

Product Placement
Sweet Seals For You, Always
Game of Thrones Daily
"I'm Dorothy Gale from Kansas"
PUT YOUR BEARD IN MY MOUTH
Mike Driver
seen from Türkiye

seen from Australia
seen from Chile
seen from United States
seen from Ireland

seen from United States
seen from Finland

seen from Australia
seen from Finland
seen from Italy

seen from Malaysia
seen from Portugal

seen from Malaysia
seen from United States

seen from Malaysia
seen from Vietnam

seen from Spain

seen from United Kingdom

seen from Türkiye
seen from Türkiye
@subtlekollektiv
Read instead !
A meditative accordion concert by Pauline Oliveros (born May 30, 1932, Houston, Texas).
Pauline Oliveros is an American accordionist and composer, and a central figure in the development of post-war electronic art music.
Above piece is Pathways to Grandmothers, and was Broadcast on KPFK, Close Radio, on January 5, 1978. it consists of two parts, Part 1 (1 hour and 14 minutes) and Part 2 (15 minutes and 24 seconds).
(via ubuweb)
Perfect blur ... Hell Broke Luce by masLucena
(via flickr)
NOISE WAR
Glitch art installation: data.path by Ryoji Ikeda
Perfect blend of audio-visual:
"One of Japan's leading electronic composers, Ryoji Ikeda (born 1966) manipulates sound in various "raw" states, often using frequencies at the very limits of human hearing. Occupying a unique soundworld between ambient electronica, sinewave noise and glitch beats, Ikeda's music has expanded into art contexts more extensively than any of his contemporaries."
solo exhibition 26 SEP 2013 -- 5 JAN 2014 Espacio Fundación Telefónica, Madrid, ES
Glitch art in music: data.matrix by Ryoji Ikeda (2005)
As JM Bell put it
"some call this ultraminimalism. me, I just sit back and enjoy" ...
Label: Raster-Noton, CCI Recordings Catalog#: R-N 068, R-N 068
Rn4-09 by Aoki Takamasa (2009) looks like a good entrance after a 5-month break, don't you agree?
Oh, yes, we are back ...
Just look at this fantastic poster. And by the way, if you are around Cambridge MA, come hear what's on the poster ... this Thursday.
LIGHT by Ekincan Sener (2014)
Vīšüäłž
Visualize.
Top image is from 2009 self-titled CD by Emptyset. Bottom one is "extraterrestrial" by exclu.
Musicless Musicvideo / THE PRODIGY - firestarter. by Mario Wienerroither
The Prodigy's video for seminal '90s dance hit Firestarter was always unsettling. But remove the music, replace the siren-like samples, and strip away the cycling bass loop, and you're left with something even weirder.
(found via The Verge)
Because I love them :F
Book Machine project with OneStarr Press at Centre Pompidou, Paris (2013). By Mika Tajima:
The Book Machine project deals with production after writing — post script. These are the immaterial activities that follow the labor of writing: design, communication, discourse, and knowledge production. What is materialized from these labors is a book presented in a physical structure all shaping the encounter with the contents of the publication.
See (and read) more here.
Kaoru Abe | Solo Alto Saxophone | Winter 1972 | Originally released as bootleg LP in 1974 | PSF Records | 2004
The toast or terror of the 1970s Tokyo jazz underground, depending who you ask.
Mum's only looking for her hand in the snow... by Yoko Ono.
John Cage 7 Compositions for Piano @ 2 (Remix) by navasse. A mashup of John Cage compositions:
Music for Piano 20: 2:33 Music for Piano 85: 2:16 Totem Ancestor: 2:20 A Room: 2:26 Tossed as it is Untroubled: 2:31 Tripple Paced: 2:25 The Unavailable Memory of: 2:22
This is part of a series of remixes of John Cage piano compositions, performed by Steffen Schleiermacher. Listen to the rest at the Remix Theory.