Today's Document
oozey mess
we're not kids anymore.
#extradirty
Love Begins
Cosimo Galluzzi
JVL
if i look back, i am lost
tumblr dot com
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h
occasionally subtle
izzy's playlists!
pixel skylines
Not today Justin
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Three Goblin Art
Sweet Seals For You, Always
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ojovivo
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seen from Liechtenstein
seen from Greece
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seen from Germany
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@suddenoflight
The first thing Snape asks Harry is “Potter! What would I get if I added powdered root of asphodel to an infusion of wormwood?” According to Victorian Flower Language, asphodel is a type of lily meaning ‘My regrets follow you to the grave’ and wormwood means ‘absence’ and also typically symbolized bitter sorrow. If you combined that, it meant ‘I bitterly regret Lily’s death’.
A playlist on Spotify
Sometimes I wake up with the melody of a song played in my mind, just like the soundtrack of the wake-up scene, which makes the morning better and/or makes the day less suffered. And I noted some of these songs in the linked playlist.
junjun
Kurt Cobain listed these as his Top 50 albums in his journal, probably sometime in 1993. The playlist below includes a song from each album, two songs from a few of the albums.
Iggy & the Stooges – Raw Power (1973) Pixies – Surfer Rosa (1988) The Breeders – Pod (1990) The Vaselines – Dying for It (1988, listed as Pink EP) The Shaggs – Philosophy of the World (1969) Fang – Landshark (1982) MDC – Millions of Dead Cops (1981) Scratch Acid – Scratch Acid (1984, listed as 1st EP) Saccharine Trust – Paganicons (1981, listed as 1st EP) Butthole Surfers – Pee Pee the Sailor (1983) Black Flag – My War (1984) Bad Brains – Rock for Light (1983) Gang of Four – Entertainment! (1979) Sex Pistols – Never Mind the Bollocks, Here’s the Sex Pistols (1977) The Frogs – It’s Only Right and Natural (1989) PJ Harvey – Dry (1992) Sonic Youth – Daydream Nation (1988) The Knack – Get the Knack (1979) The Saints – Know Your Product (1978) Kleenex – “anything by:” (1978-1983, possibly referring to 1993’s Kleenex/LiLiPUT compilation) The Raincoats – The Raincoats (1979) Young Marble Giants – Colossal Youth (1980) Aerosmith – Rocks (1976) Various Artists – What Is It. (1982, erroneously listed as What Is This?) R.E.M. – Green (1988) Shonen Knife – Burning Farm (K Records version, 1985) The Slits – Typical Girls (1979) The Clash – Combat Rock (1982) The Faith/Void – The Faith/Void (1982) Rites of Spring – Rites of Spring (1985) Beat Happening – Jamboree (1988) Tales of Terror – Tales of Terror (1984) Leadbelly – Leadbelly’s Last Sessions Volume One (1953) Mudhoney – Superfuzz Bigmuff (1988) Daniel Johnston – Yip/Jump Music (1983) Flipper – Album – Generic Flipper (1982) The Beatles – Meet the Beatles! (1964) Half Japanese – We Are They Who Ache with Amorous Love (1990) Butthole Surfers – Locust Abortion Technician (1987) Black Flag – Damaged (1981) Fear – The Record (1982) Public Image Ltd – The Flowers of Romance (1981) Public Enemy – It Takes a Nation of Millions to Hold Us Back (1988) Marine Girls – Beach Party (1982) David Bowie – The Man Who Sold the World (1970) Wipers – Is This Real? (1980) Wipers – Youth of America (1981) Wipers – Over the Edge (1983) Mazzy Star – She Hangs Brightly (1990) Swans – Young God (1984, erroneously listed as Raping a Slave)
在金曲獎頒獎典禮即將到來、金音獎亦開放報名之際，不知道各位獨立樂迷的心情是「期待萬分」還是覺得「與我無關」呢？ …
獨立音樂的「獨立」是什麼？ 以前還不太了解的時候脫口而出「雖然比起『主流』有著較少的資源，卻能恣意地保有自己想要表達的事情。」 這幾年當了更久的樂迷(嗚嗚)之後，回想起來覺得當時真的是定義得很狹隘啊！ 獨立會不會變成主流，隨著時代變遷這答案不會固定，況且獨立也不是跟著主流比的，而是那個創作自己的意識有沒有好好地被保留、被傳達的不是嗎？ (自己打自己臉)
過去的歌曲會令我們心潮澎湃，穿越回往日的歲月中。蒂芙尼・詹金斯（Tiffany Jenkins）在文中探討了當人們陶醉於音樂時，其大腦皮層裏都發生了些什麼。
(via https://www.youtube.com/watch?v=_l09H-3zzgA)
聽說The Strokes 要出新作品了！ http://consequenceofsound.net/2015/12/the-strokes-are-back-in-the-studio-recording-new-music/
(via https://www.youtube.com/watch?v=bjSrmCQSDHs) 剛才看到蜷川實花與默田水族館合作的「水母萬花筒隧道」宣傳影像 色調依然鮮豔如往昔 水母透明又帶藍粉漸層實在太夢幻 讓我想起同樣也是甜美又夢幻的 Circle on the Snows 前奏 (我就是個喜歡大七和弦的人)
後龐克復興樂團的柔情時刻
這個歌單起因於聽到 The Vaccines 新專輯的這首 (All Afternoon) In Love
歌裡用了之前少見的鋼琴，以慢版節奏輕柔地的唱著 聽起來確實有種陷入愛河時，整個畫面都打著柔光，時間看起來也過得比較慢的感覺 與我原先對 The Vaccines 那種直率、節奏明快的印象 (https://youtu.be/uQKjI6395iU) 截然不同 而這種反差也能在其他後龐克復興樂團看到 讓人不禁想問：為何這些後龐克樂團一唱起情歌都這麼柔情呢？
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開了另一個帳號專門放歌單，獲得最棒的Feedback也是歌單
Z: Zenegeist識你佳 M: Michal A: Adam R: Ryan 1. The Bilinda Butchers’ first EP was released in 2011. When and how did you first meet each other? What made you guys decide to make music together? (Z: The Bilinda Butchers在2011年推出首張EP(更正，是2008年才對),你們最初是怎樣認識的? 甚麼原因驅使你們一起創作?)
M: Adam and I...
又到了一年一度黏在電腦前 COACHELLA 直播的日子。 還記得第一年看的時後 YUCK 的 Daniel 還在，而那年的 Tune Yard 還有今年的 Belle & Sebastian、St. Vincent 在今年的二月中也都到了台灣演出。 RIDE什麼時候才要跟進呢？(敲碗) 還有去年末宣布了又取消來台的 The pains of being pure at heart 何時會再來呢？
Alex Turner - Submarine (Full Album) 獨處時很喜歡聽的專輯之一 I got million things that I need to do, but they all secondary.
Found this song list from the article posted by Pitchfork last year. It's always a good way to know other bands from other's song lists, and then create our own.
Soundtrack to Hope Larson's comic, Solo (http://www.solocomic.net), curated by Michael Stock, DJ of the Part Time Punks radio show on 88.9FM in Los Angeles since 2006 and DJ/promoter of the popular Part Time Punks club night at The Echo in LA since 2005. Since 2008, Stock has been recording radio sessions with his favorite artists, obviously/shamelessly inspired by his hero, John Peel. Like John Peel’s legendary “Peel Sessions” for the BBC, the Part Time Punks Sessions are a hybrid mix of live and studio—meaning an afternoon of free recording time in the studio usually yields four tracks (with multiple takes and minimal overdubs).
“Wide Awake” was the reason why Apple Orchard came into existence. Manila’s Definition Records included the track in the now much sought-after Filipino compilation, Mutual Admiration Society back in 2
有機會去菲律賓玩的話一定要先查好瞪團的演出資訊
Pizza time! What a Nightmare, Charlie Brown (1978)
