Photograph of Gagauz families from Moldavian/Ukrainian Soviet Socialist Republics and People's Republic of Bulgaria during the 1960/70's - Colorized by Simon Stamatov
The Gagauz are a Turkic-speaking people whose origins lie in the historical interaction of native inhabitants of the Black Sea region, who were either assimilated or intermarried with Oghuz Turkic peoples.
Many scholars believe that the Oghuz Turks in question were the Pechenegs, who entered Eastern Europe via the Eurasian steppes of Ukraine. While most Pechenegs assimilated into the surrounding Slavic (Kievan Rus’ and Bulgarian), Hungarian, and Romanian populations, some groups preserved their distinct identity and language, absorbing local inhabitants into their communities rather than disappearing entirely. The Gagauz are thought to descend from these latter groups, who eventually settled in the Balkans, particularly in what is now Bulgaria.
Unlike most Turkic-speaking populations in Eurasia who are Muslim, the Gagauz are a predominately Eastern Orthodox population, similar to the Chuvash of Russia.
In the 18th and 19th centuries, many Gagauz migrated northward into southern Moldova and southwestern Ukraine, often encouraged by the Russian Empire to settle in newly acquired lands in Bessarabia. The majority of them now live in Gagauzia, a region of southern Moldova.
rezil rüsva şeyler.. cinsel pornoyu kaldırdı, yerine koydukları; en sığ aptallıklar.. propaganda.. dezeformasyon, bilgi bozgunculuğu, sıradanlaştırma, tecrit politikaları, izolasyon, yankı odası, dürtüler ve içgüdüler ve tatmini.. kısırlaştırma algoritması..
bilgi yok, bilim yok, tarih yok, edebiyat yok, teknik yok, eğlence yok, gülmece yok, sanat yok, zenaat yok, erdem yok, düşünce yok, zeka yok, akıl yok, estetik yok, özen yok, üretim yok..
müzeler bile elindeki envateri paylaşmayı kesmiş..
sonra gel premiyer ol, üstüne para öde.. hele manyak bir laf, ateşle koymuşlar, ateşi dibinize koymusunuz zaten, kendinizi yakıyorsunuz..
ha bunlara inanmıyorsunuz, yaşadıklarınızı değerlendirip farkedemiyorsanız, bi zahmet yapay zekalara sorun, tumblr'in hallarını..
Carpet. 15th–16th century.
Credit line: Gift from the Collection of Hillary Black Dumas and Dr. D. Gilbert Dumas, 2009
https://www.metmuseum.org/art/collection/search/456971
Uşak Halısı.. Yıldızlı halıları.. batı konaklarının saraylarının halıları.. Selçuklu ticaret yollarının ipek ve el yazmalarından sonra en değerli emtiası..
Late Roman stone mosaic from the Greek city of Halicarnassus, Caria (modern Bodrum, Turkey), dated 4th century AD, now in the British Museum. A coloured laurel wreath encloses a Greek inscription with the following words:
When the Workers’ Library first opened in 2018, the collection housed over 6,000 books that were rescued from trash bins. Now it houses over
"In 2018, sanitation workers in Çankaya, Turkey, began setting aside books that they pulled from trash bins on their night shifts — first for themselves, then for their family and friends.
Over time, as the collection grew, the workers began storing them in the sloping hallways of an abandoned brick factory, which also serves as the headquarters for the city’s sanitation department.
In 2018, the “Kitap Okuma Salonu,” (Workers’ Library) collection was officially designated as a public library for the people of Çankaya.
“We started to discuss the idea of creating a library from these books,” Çankaya Mayor Alper Tasdelen told CNN when the library first opened. “And when everyone supported it, this project happened.”
“On one hand, there were those who were leaving these books on the streets,” Tasdelen added. “On the other hand — others were looking for these books.”
In its first year, the library housed over 6,000 books.
Today, it’s home to more than 40,000.
When the number of books began exceeding the amount of shelf space at the library, the workers transformed one of their garbage trucks into a mobile library so that they could bring the excess books to local schools and prisons.
“Village schoolteachers from all over Turkey are requesting books,” Tasdelen said.
The collection has grown so large in recent years that the city hired a full-time librarian to help tend to the books and facilitate loans on a two-week basis.
In January, the Spouses of Head of Mission committee (a group of 12 women, who are the wives of ambassadors from 12 countries) visited the Workers’ Library and added to the collection’s foreign language section by donating recycled books “from the garbage to the library.”
The books were published in more than 13 different languages, in honor of the committee’s home countries.
According to the Turkish outlet Anka Haber Ajansi, SHOM Green Group Coordinator Kaire Jürgenson said that they “appreciated those who contributed to the establishment of the library” and emphasized that “this valuable work should be announced to more people.”
On a given day, the library is filled with municipal employees, their children, and students from local schools as they leaf through countless books and read quietly at assorted tables.
For the sanitation workers who operate out of the brick building, the library has long served as a home away from home.
“Before, I wished that I had a library in my house,” Serhat Baytemur, a garbage collector, said in a press statement. “Now we have a library here.”"
Nanban lacquerwork coffer, Unknown Artist
Made in Japan, late 16th-early 17th century
Stand is European, c.1610,
Wood covered with plates of shell held by gilt-copper rivets, black & gold hiramaki-e, 85.2 x 116.5 x 45 cm.
Victoria & Albert Museum
Chests were one of the most exported Namban items during this period (V&A). This particular coffer, or chest, is an interesting and somewhat different item from the other chests, due to the nature of the pearl work on the exterior. It resembles fish scales, and takes its influence more from Chinese and Korean traditions than original Japanese pearl work (V&A).
Ne gözel la! japonlar da bizim Türk Sedef Kakma Sanatını biliyorlarmış..
şaşırmamak gerek alt kültürlerde bizim kültür yansımalarımız, olağan..
olağan olmayan bu moronların japon sanatı olarak çarpıtmaları.. deniz kabuklarını balık pullarına benzetmeleri..
tıpkı Uygur'un kadim Kera/Gera sanatını batı keramik, yazım sıkıntılarıyla ceramic-seramik kağrışıkları, bize de sanki çinli maolarınmış gibi çağrışım yapan adı çini dedirtilmesi gibi..
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