
@theartofmadeline

Love Begins

#extradirty
YOU ARE THE REASON
PUT YOUR BEARD IN MY MOUTH
Sweet Seals For You, Always
𓃗
noise dept.
Three Goblin Art

Kaledo Art
$LAYYYTER

titsay

Janaina Medeiros
he wasn't even looking at me and he found me

★
Not today Justin
cherry valley forever
wallacepolsom

Product Placement
we're not kids anymore.
seen from United States

seen from Germany

seen from United States
seen from Paraguay

seen from United States

seen from Türkiye
seen from Brazil

seen from Germany
seen from Brazil

seen from Malaysia
seen from Brazil
seen from Paraguay
seen from Brazil
seen from Ireland
seen from Colombia

seen from Colombia

seen from United States
seen from United States

seen from United States
seen from United States
@sunpeoplenyc
A little nord electro 3 action in my bedroom
The Connection Between Music and Inward-Seeking
"Hey Benny... I wanted to come back to your original post here and ask you to share more about music and seeking, including whether that seeking can also be a focus for a band, as well. If so, what would it look like? For example, can a band cultivate self-awareness, and can that deepening of understanding actually be translated musically?"
-Paul Lichtenberg
-
Music, and seeking.
-
First of all let's talk about what seeking looks like. When we are talking about inward seeking in any context, we are talking about a sustained practice of witnessing ourselves, the movement of our thoughts, emotions, and actions, which results in the cultivation of self awareness. For me, it means frequently giving myself the time and space to converse with myself - i ask myself what I am feeling right now, trying to name my emotions that comprise my present state of being, and if it is not clear immediately (usually in the case of a negative thought, feeling, or emotion) I draw upon my knowledge of my own conditioning to trace the feeling back, recognizing it as a memory of some important fragmentation in my formative relationships and the lack that those relationships engendered.
-
Akin to seeking, music is this divine practice where the musician is constantly faced with her limitations, and draws on her education and training to become more fluent in the language, a more competent technician, well versed in her given tradition, more emotionally expressive. We aim to meet the standards created by our great teachers while also seeking and enjoying the accolades of non-musicians. Ultimately, however, I think the musicians highest achievement is to step out of the way while breaking open a portal to the ineffable, essentially cutting out the middleman between the source of creativity of which we erroneously think we are fragments. That is the great flow; that's the sound of Coltrane literally showing us the fallacy of our separateness and the truth of our unity.
-
I have a hunch that in order to achieve this the musician has to explore the self-image that they have created and sustained of themselves, asking the question "who is it that is really playing this horn?" or even more directly "is there a self that is creating this music?" And if there is, what constitutes this self?
-
When we are using the music we create as a tool of self glorification, or are bogged down by the repetitious scourge of our insecurities that arise when we approach music, it is a signal that there is a self in need of being more fully understood, more carefully sought after, and more finely articulated in order to give that self the order it needs to stand out of the way of the flow. And the only one that can know that self better is the musician herself.
-
Because this process of seeking and understanding is so important for all of is, I feel strongly about the musicians responsibility to engender a transformation inwardly and ultimately transmit that transformation outwardly. There is a great power in music to broadcast emotional and psychological states to those listening. When music speaks to a listener, either because it resonates with them or by the sheer volume of it (and i like that both music and fluids have volume!), the listener gives it their attention, and that attention creates a sort of synergy between the musicians and them. This relationship can bring the audience in touch with sadness, joy, anger or anxiety.
Julian Pacaud
Cat on a sofa. A beautifully intimate moment captured by my friend XiaoJun LuFei. We met in Beijing when I lived there from 2007-2008, making music across the city together. She's become an awesome photographer.
Sun People performs "Little Girl" @ Muchmore's in Williamsburg, May 30th 2013
Yehonatan cohen and benny oyama
Do the @esguillo shimmy!
Introducing Guillermo Ortiz, photographer extraordinaire (・・。)ゞ
I’m out from work with the flu a sinus infection/bronchitis ヘ(>_<ヘ) but that wont’ stop me! ヾ(⌐■_■)ノ♪
Time expands and contracts, like my glands. In my sneezy solace I have taken to watching talks given by J. Krishnamurti. I have never seen such attention andpenetrating insight! Here’s a song about the relativity of time.
Alien alarm clock buzzin’ in my ear
Wake me with your purring at the start of the year
Feed me with the rhythm of your otherworldly beat
One more year for me is only a day in the world where you come from
channeling a message while you’re dreaming
January, February, Spring melts into Fall
You peel back your hours as my calender falls
March remembers April may bring June’s new clarity
But what it means to me is that time’s slowly passing, time’s slowly passing
Alien Alarm clock, ringin’
On Music and Becoming My Father's Father
Hello, and welcome to Sun People Blog. I'm Benny Oyama! I am a double-hyphenated Jewish-Japanese-American musician based in New York. This is the Sun People blog, where my good friend and collaborator Amos Rose and I will be sharing our thoughts about music, recordings of songs, videos, and other things we find special, important and worth reading about.
On Music and Becoming My Father's Father
I am always refining my approach towards creating something truer, more resonant, more awesome. I am learning that composing music requires a certain surrendering to a process that is not fully conscious and cannot be accessed in a world that language creates.
For a long time, writing music in solitude had been infinitely easier than working with other people as it removes the messy (albeit highly rewarding) inter-subjective space that arises when people get together. I like to feel free to scream, guffaw, cry, and run around the house without any of the self-consciousness I might feel when I'm not alone. This is just my own thing; i'm not sure what other people do. Often my solitary writing sessions happen with the companionship of a cup of coffee or a capped mug of tea, and perhaps the orange glow of a setting sun is present and reminding me that change is a constant, and requires a constant surrendering much like the process of creation that put me in that orange room in the first place! I'm also slowly and surely learning the art of composing new music with my collaborators; but that's for another blog post.
So, even something so penetrating as music has all of this language built up around it. Some people also think of music as something transcendental; that it moves us to a place beyond language, beyond history, towards revealing a deeper reality. I think when we create music we are trying to vibrate at that fundamental level; narrative or storytelling offers the artist an opportunity to explore that vibration by rooting it in experience, delivering that experience through language, in the hopes of accessing something deeper. Simple!
I've written a song for my father, a song that was born out of the orange glow of sessions much like the ones I described earlier. It's here: "Bobby O".
I have felt sad because I recently have had to take control of my father’s finances because his ability to take care of things, following a series of strokes, is slipping away. It has been and continues to be a hard lesson in growing up and accepting a responsibility I'm not fully prepared to handle. As I issue him monthly allowances while offering a necessary reminder to him that is all he will get for the month, I am slowly becoming my father’s father, offering him the boundaries he needs right now out of love. There is no shame or guilt here - just a dutiful sense of what needs to be done.
I carry out my task with the love and gratitude of the gifts he has given me, namely his musical talent and flair for entertaining. Even as he fades, he still manages to summon forth the slickness and charm of the 50's by harmonizing acapella doo-wop with his friends during our holiday get-togethers in Riverdale and at our family friend's apartment on 123rd st. In April of 1943, my grandparents left the Japanese internment camps in Jerome and wound up a year later in Morning Side Heights where this photo was taken:
I stumbled upon this amazing photo online in a Japanese American database; I love how elegant my grandfather looks as he presents the vinyl record, as if extending his hand into the future and offering the gift of music to me through his first son, who was born just three days before this photograph was taken! My feelings these days are captured well by this photograph, and in this poem.
My father points me to the past,
He is who I became. I point my
Father to the future, I am who
He hoped to be. My mother points me
To the past, she is my longing. I point
My mother to the future, I am her joy
That speaks to love without end. We
Three together have broken the shell
Of ignorance, we have traveled far
For travelers who knew not their way.
But the wind of faith wrapped itself
Around us, its direction the dying yellow
Of leaf squeezing out its last breath. We
Gave into death as day gives into
Night, as the dreams carried us through,
As dawn billowed out of sleep. I
Found myself alone that morning,
I found myself crying out alone. But
The wind no longer blew and the leaf
No longer clung. And I am no longer pointing.
-Paul Lichtenberg
Hi folks, friends, and even foes. Welcome. I'm Amos Rose, and I'll be your host for a minute here on the great wide web. This is my first post here! We are Sun People, and in no time at all you'll be asking yourself where we've been all your life. If you haven't already, check out Benny's video below and stay tuned for more...we're just getting started. Literally...this Tumblr is only a few weeks old. And we're gonna print up our debut album, release a music video that we made with our amazing and talented friends, and hold awesome events right here in good old NYC.
Being here is quite the shift for me. I lived in Rochester, NY for 10 years where I was close to many people I care deeply about. For now I will just mention the fantastic musicians with whom I conversed and created. Through these conversations, along with my own meditations, I learned a lot about how I want to live my life, and of the awareness I want to foster. Since I have been here in NYC, I have been learning quite a bit as well...drastic changes and difficult situations tend to teach you a lot, hehe. I have been thinking a lot about my time back in the Roc city with my brother Danny Rose who played drums on our upcoming album, and other former bandmates Chris Coon (keys), and Joe Bushen (bass), who are also on the album. As we update our website, we'll include links to their current projects, which range from awesome to clever. I miss hanging out with them and playing, And I miss the whole scene. Too many people to name right now, but Rochester...I love ya. One fellow, Joel Dow, who's got a great swashbuckling old-timey alley cat band called The Pickpockets, made this mirror necklace. I have worn it continuously for almost two years. It reminds me that everyone we meet is a mirror to help us discover more about ourselves. Thanks Joel.
I think that in our relationships with others, we see ourselves, our ideals, beliefs, actions, and goals in a different light. I mean of course we see the other person with their whole thing. But often, and I think more often the closer we get, when we feel things about them, we are really feeling things about ourselves, and when we say things to them, we are often just talking about ourselves. Rather, if we listen to ourselves when we have intense emotions...there's just a lot to learn there. It's as easy as breathing to slip into such a mode, and much more difficult to remember to observe ourselves at those slipping points. These modes are the first things we ever learned; they are the patterns and roles our parents taught us without realizing it. That's where each of us is coming from. These underlying roles define our comfort zones, and when we get uncomfortable, we act out. When we act out, we gift ourselves with the opportunity to ask about the situations that trigger us, and we get to ask, "why?".
In our relationships we are mirrors for each other. The more we share with someone, the clearer and closer the view in the mirror. If our friends are mirrors, then our best friends are the closest mirrors for each other. In the closest mirrors, we see all the details, the good, the bad, and the ugly.
On the other hand, we can, and must, be our own mirrors. Ideally we can notice our triggers before they lead us to act in ways we don't want. And ideally we can dig the treasures out of our unconscious. For me, I want to act out of love to all peeps. But I have a lot of trouble with it. It takes a LOT of conscious observing and looking around. That's what this mirror I wear means to me.
So to all I meet, and to all who I have met, I want to thank you. The time spent simply being friends or conversing is often enough to start a whirlwind of thoughts for me, and often it helps me to learn important things about myself.
Check us out at Muchmores at 9pm, Thursday May 30th!