trying on a metaphor
untitled

Janaina Medeiros
RMH

Origami Around
almost home
đŞź

oozey mess

Love Begins

JVL
I'd rather be in outer space đ¸
h
$LAYYYTER
occasionally subtle

if i look back, i am lost
let's talk about Bridgerton tea, my ask is open

titsay
wallacepolsom
Stranger Things

romaâ

seen from United Arab Emirates
seen from United States
seen from Argentina
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from China

seen from United States
seen from United States
seen from Singapore
seen from United States
seen from United States
seen from United States
seen from United States
@superfluisms
Octavia E. ButlerÂ
A tiny home by The Tiny House CompanyÂ
Katsushika Hokusai
more
Morocco.El Kelaa.Valley of Rose.1981
White liberals have long imagined Oregon as a kind of haven. Portland has now largely replaced San Francisco as the destination of choice for White youth with West Coast dreams of alternative living. But it is also where the White liberal imagination becomes a libertarian one: implicitly, it imagines a place free of people of color and therefore pregnant with the possibility of social harmony. But Oregonâs Whitenessâand, particularly, its non-Blacknessâwas the product of deliberate, violent exclusion; founded by White supremacists before the Civil War, by the 1920s the state boasted the largest Klan membership west of the Mississippi. Klan campaigns often chose Catholics as their immediate targets, because Blacks were not allowed to reside in Oregon until 1926.
The White nationalist movement that emerged in the last decades of the twentieth century grew across the country. But it was Oregon, Washington, Idaho, Montana, and Wyoming that neonazis in the 1980s carved out as the territorial boundaries of their future Whites-only state, a region that self-identified âAryansâ from around the country began to colonize with nothing short of White national sovereignty as their goal. âOurselves alone willing,â declared White nationalist leader and Aryan Nations organizer Robert Miles, âwe shall begin to form the new nation even while in the suffocating embrace of the ZOG.â In White nationalist parlance, the United States is the ZOG, or Zionist Occupied Government. It was in the Northwest that the nascent militia movementânotorious in the 1990s after standoffs between White nationalist compounds and the FBI in Ruby Ridge, Idaho and Waco, Texasâdeclared war on their country loudly enough they could no longer be ignored.
Ironically, then, if I had moved to Oregon to get away from the unpromising life expectancy for a Black male punk in southern California, the people who had decimated urban life in my home state had gotten there first. In 1978, Californiaâs White conservative voters passed the infamous Proposition 13, which cut taxes and slashed social services, turning the state into a laboratory for the Reagan revolution. Poverty and drug crime increased, and the same White folks who had gutted Californian cities in their flight to the suburbs after World War II now fled up the coast. I arrived in liberal Eugene in 1986, walked into workplace after workplace, and despite my resume, my smile, and my charmâfunny, but no one was hiring. I didnât understand Oregon yet; I thought it was just me.
Eric Ward, âSkin in the Game: How Antisemitism Animates White Nationalism,â Political Research Associates (x)
Are we there yet?
âWe are young and life is long.â
Yayoi Kusama, in font of one of her âInfinity Netsâ paintings. Stephen Radich Gallery,New York, Â 1961
more
Mexican embroidery skirt map, Naomi Wilkinson
The Magic Hour, 1924, Coles Phillips
James Baldwin, Joan Baez, and James Forman (left to right) enter Montgomery, Alabama on the Selma to Montgomery march for voting rights, 1965.
Photo credit: Does anyone know who took this picture?
Sam Taylor-Wood - Bram Stokerâs Chair, 2005
Kyle Sipple
two pieces of mine âbecause i wanted them to last foreverâ on the left, and âbecause nothing ever doesâ on the right. both 48"x60" on their way to San Francisco for the Inaugural opening of Cordesa Fine Art.
www.jenmann.com
Georgia OâKeefe, Portrait of Paul Strand, 1917
Harp Mountain, Alaska