this isnāt normal. this isnāt how life is supposed to feel. if you donāt think about it it canāt hurt you. I found our hearts and they were still beating. there is still time.
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@supersmartfrog
this isnāt normal. this isnāt how life is supposed to feel. if you donāt think about it it canāt hurt you. I found our hearts and they were still beating. there is still time.
Babe wake up. Would you still love me if i split myself into two people, one āevilā and one āgoodā. But actually just one who runs from pain and one who faces it. And we thought we lived in two different realities but actually one of us just succeeded in following societal rules and one failed. And it didnāt make us any happier but weāre still jealous. So now I am simultaneously the wolf and dog and the lamb and Caine and Abel and Pollux and Castor. Because this divide simultaneously protected and smothered each other. And we hated and envied and pitied each other and refused to see that we are the same person but we are and things would be better if we just accepted this but we never will and no one else will and if anyone did see all these parts of us and loved us anyways we would push them away. And this will only ever end with both of us dying but we were never really alive anyways. Okay now what if I was a worm
@rbhvleo // roberto ferri // mothering by ainslie hogarth // rainer maria rilke // ? // planet of love by richard siken // a self portrait in letters by anne sexton // indian summer by ron hicks
hey guys new diagnosis just dropped: EVIL AUTISM
Concepts to use in horror
⢠Being watched/followed. Can be used with plots like a home invasion or someone watching another person through a webcam.
⢠Losing control. Can be used with plots like possession, being forced to kill/hurt people to save oneself or a loved one, being blackmailed, etc.
⢠The nature of humanity. This can work when the āmonsterā is a human, and can call into question the concept of good and evil. Works well with the above in my opinion, as a human being doing monstrous things can sometimes lead to questions about humanity and whether humankind is good.
⢠The end of humanity. Can be cheesy (like in a lot of zombie plots), but is innately scary to a lot of people to think about. Things that seem more plausible, such as an apocalypse related to pandemics or environmental pollution, can come across in a more serious way when done subtly.
⢠Isolation. In some cases this can seem a little too convenient to the plot, but when done right isolation can up the terror of the plot, or even serve as the plot itself. Being trapped somewhere, like in the woods or in a small space, could work for this.
⢠Oneās own insignificance. Most cases Iāve seen where this works well show the characterās smallness in relation to something else. The ocean, space, cosmic gods, etc.
⢠The unknown. Often works well with the above in my opinion. The ocean and space, for example, would be good settings for this.
⢠Instinctive responses. The human brain tends to naturally react to things like violence, disease and contamination, and other things that threaten survival. Using these things too gratuitously can easily become campy or even voyeuristic and insensitive, but they can be used well.
150 Angst/Horror Prompts
āThe screams all sound the sameā¦ā
āYouāre gone⦠I watched you disappearā¦ā
āWe all watched it happened, and time stood still.ā
āIt feels as if time hasnāt passedā
āI feel stuck. And everyone is moving without me.ā
āThey keep staring at me.ā
āWhat if I never get better?ā
āWhy wont they wake up?ā
āYou said theyād come home. Where are they?ā
āI used to think I didnāt deserve love. Now I know that itās true.ā
āWe found you crying. What happened?ā
āWho hurt you?ā
āYouāre scaredā¦. and brokenā¦ā
āI donāt deserve this. I donāt deserve you.ā
āWhat did I do wrong?ā
āItās so coldā¦ā
āAm I going to die?ā
āPlease answer me.ā
āNothing ever goes right!ā
āWhy do you have to ruin everything?!ā
āWhy do you hate me so much?ā
āThings will be better this way.ā
āI swear to god if you jump-ā
āI trusted you.ā
āI never thought this would happen.ā
āThis is all my fault.ā
āYouāre the worst mistake Iāve ever made!ā
āAre you even listening?ā
āWhy are you always so sad?ā
āWhy have you been hiding this from us?ā
ā⦠Where did all of these scars come from?ā
āWere you drinking again?ā
āI gave you everything and this is how you repay me?ā
āDid I ever even matter to you?ā
āWould they even notice if I vanished?ā
āWhat if I end up being forgotten?ā
āI donāt know what Iād do without them.ā
āI donāt think I can make it.ā
āWhy are you being so nice to me?!ā
āYouāre supposed to be yelling at me! And⦠and hitting me! Why arenāt you doing that?!ā
āPlease donāt look at meā¦ā
āI never want to see your face again.ā
āYouāre dead to me.ā
āI wish I never met you.ā
āWhy do you look at me like that?ā
āI found those medical papers in your room⦠Why didnāt you tell me?ā
āAre you going to be okay?ā
āStop lying to me!ā
āPlease, just breathe.ā
āWhere did you go?ā
āI thought you died.ā
āWhy are you doing this to yourself?ā
āI just wanted to helpā¦ā
āIt hurts so much.ā
āWhy canāt I stop thinking about you?ā
āI canāt feel anything anymore.ā
āIt never mattered anyway.ā
āIāll just be forgotten.ā
āThereās too much going on!ā
āI canāt think like this.ā
āYou will never be good enough.ā
āItās okay. Theyāre gone now.ā
āWhy did they have to be so cruel?ā
āI hate you!ā
āI didnāt mean it⦠Please forgive me.ā
āGet out of my head.ā
āPut the pills down.ā
āI canāt hear you.ā
āMy eyes hurt⦠why canāt I see?ā
āBad dream?ā
āMy throat feels tight.ā
āI-I canāt breathe!ā
āPlease help me!ā
āI think I broke my leg-!ā
āQuiet- I can hear it.ā
āI want to cut your hand off so I can hold it forever.ā
āNothing could go wrong!ā
āWhere am I?ā
āWhat did you do to them?!ā
āWhere are they?ā
āWill they be okay?ā
āDonāt turn around. Itās behind us.ā
āBreathe slowly, show no signs of fear.ā
āI think itās touching me.ā
āHey, who turned out the lights?ā
āThereās something in the kitchen.ā
āDid you hear that?ā
āPlease tell me itās just you down there.ā
āIf this is a joke it isnāt funny!ā
āWhere are you? Iām scared.ā
āMy light wont work.ā
āThis is all your fault!ā
āWake up!ā
āWhy arenāt they breathing?ā
āPlease tell me this is fake.ā
"Just shut the hell up.ā
āYouāre the reason why Iām like this.ā
āI thought you loved me.ā
āIf this is what you think is bestā¦ā
āAm I just a toy to you?ā
āNothing ever mattered to me.ā
āI am damaged.ā
āThe weakest must goā¦ā
āI can hear it calling my name.ā
āI feel so sick.ā
āIām tired of living in a life where Iāll never be happy.ā
āAll I can think of are those rainy days.ā
āWhy canāt things just be the way they always have been?ā
āDo you not care anymore?ā
āI would rather die.ā
āIām tired of getting wounds that will never heal.ā
āWhy am I always so tired?ā
āIs this what sadness does to people?ā
āYou mean to say that youāve never been touched?ā
āPlease donāt touch me.ā
āIt feels gross.ā
āIt burns.ā
āStop! Turn it off!ā
āWhy are you doing this?!ā
āWhy canāt I make you happy?ā
āI donāt need you anymore.ā
āYou were never useful to me.ā
āWhy are you still here?ā
āYou have a lot of nerve showing up here.ā
āPlease donāt shoot!ā
āWhen they died, I feel as if I died with them.ā
āLife isnāt worth living without you.ā
āI need you. Why do you always leave me?ā
āI thought I told you to leave.ā
āWhy is the window open?ā
āThis was the worst mistake Iāve ever made.ā
āI had a dream where I killed you.ā
āI had a dream where I killed myself.ā
āWhy wonāt this nightmare end?ā
āGod must hate me.ā
āI think the medicine is starting to kick in.ā
āThat wasnāt there before.ā
āWho are all of these people?ā
āI donāt remember who I used to be.ā
āI deserve to rot.ā
āWe all know you hate me. Just admit it.ā
āYou promised me nothing would happen.ā
āThe creature is staring at me again.ā
āWe found you in the snow. What the hell happened?ā
āCan you hear me?ā
āWhy am I always late?ā
āThis is all my fault.ā
āThey hate me, donāt they?ā
āI just want to look at you.ā
āI donāt want to fall asleep. Iām scared.ā
Some idioms and phrases you should know about part I :
Salt of the earth: a very good or worthy person.
Gut-wrenching: making you feel very upset or worried.
Make a spectacle of yourself: to do something that makes you look stupid and attracts people's attention.
Pass muster: be accepted as adequate or satisfactory.
Putty in someone's hands: easily influenced by someone else, excessively willing to do what someone else wishes.
Look before you leap: carefully consider the possible consequences before taking action.
Set the wheels in motion : to do something that will cause a series of actions to start.
Off the books: without being included on official records.
A long Haul: something that takes a lot of time and energy.
An end in itself: a goal that is pursued in it's own right to the exclusion of others.
Night owl: a person who prefers to be awake late at night.
Kick the Bucket: to die.
Alter Ego: a person's secondary or alternative personality immediately or extremely quickly; at once.
Freak of Nature: something or someone that is unusual, rare, or abnormal in some way / To avoid attracting attention to yourself.
Words to describe someoneās voice :
adenoidal (adj) :Ā some of the sound seems to come through their nose.
appealing (adj): voice shows that you want help, approval, or agreement.
breathy (adj): with loud breathing noises.
booming (adj): very loud and attention-getting.
brittle (adj): if you speak in a brittle voice, you sound as if you are about to cry.
croaky (adj): they speak in a low, rough voice that sounds as if they have a sore throat.
grating (adj): a grating voice, laugh, or sound is unpleasant and annoying.
gravelly (adj): a gravelly voice sounds low and rough.
high-pitched (adj): true to its name, a high-pitched voice or sound is very high.
honeyed (adj): honeyed words or a honeyed voice sound very nice, but you cannot trust the person who is speaking.
matter-of-fact (adj): usually used if the person speaking knows what they are talking about (or absolutely think they know what they are talking about).
penetrating (adj): a penetrating voice is so high or loud that it makes you slightly uncomfortable.
raucous (adj): a raucous voice or noise is loud and sounds rough.
rough (adj): a rough voice is not soft and is unpleasant to listen to.
shrill (adj): a shrill voice is very loud, high, and unpleasant.
silvery (adj): this voice is clear, light, and pleasant.
stentorian (adj): a stentorian voice sounds very loud and severe.
strangled (adj): a strangled sound is one that someone stops before they finish making it.
strident (adj): this voice is loud and unpleasant.
thick (adj): if your voice is thick with an emotion, it sounds less clear than usual because of the emotion.
tight (adj): shows that you are nervous or annoyed.
toneless (adj): does not express any emotion.
wheezy (adj): a wheezy noise sounds as if it is made by someone who has difficulty breathing.
Hello! Iām writing a buddy movie type script where I want two main characters (aged within two years of each other) to develop a close bond with each other, but I also want to make it very clear that they are more like sisters than lovers. How do I write a deep, close platonic relationship like that without it sounding romantic?
How to Write a Close Platonic RelationshipĀ
Writing romantic relationships are tough, but do you know whatās even tougher? Writing close friendships.Ā
Friendships can run deeper than any romance ever could, and vary widely from person to person; this variation can sometimes make it difficult to pin down how exactly to write a close friendship, but hopefully this post will clear things up a bit.Ā
1. Accept that there are going to be people who ship them no matter what
Itās just the way things are. People who are fans of your work are going to ship whichever characters they feel have a connection, and close friendship does count as a connection.
If fans can ship two characters whoāve never even met or exchanged more than three words to each other, then they most definitely can ship people whoāve forged strong bonds like your characters have.Ā
Putting in too much effort into emphasizing how much they platonically love each other in an attempt to make sure NO ONE ships them is just going to be a waste of your time.Ā
The sooner you accept that with close friendships comes readers/watchers who will interpret such a friendship in a romantic way, the better.
2. Give them history
A majority of todayās extremely close platonic relationships were either forged under stressful extenuating circumstances (i.e. comrades in arms, apocalypse survivors, etc.) or have taken a lot of time to build.Ā
You donāt just meet someone and automatically become best friends with them. Thereās a slow progression from strangers to acquaintances to friends to best friends that may take weeks, months, or years.Ā
How did they meet? Why did they first make a connection? Have they had their ups and downs throughout their friendship or were they always pretty good at sorting out their differences?
One way to tell your audience how close your characters are references to past events that theyāve gone through/struggles theyāve faced together, and you canāt do that without showing that they have a deep intertwined history with one another.
3. Show their bond instead of talking about their bond
Instead of reiterating over and over about how they spend every moment of every day together and would trust each other with their lives, show it!Ā
If you have them hanging out in every scene and doing everything together, then you donāt really have to tell everyone how close they are because theyāll be able to figure it out for themselves.Ā
Things that close friends can do together:
Spa days
Netflix binges
Fast food/coffee runs
Long drives to nowhere
Hanging out at the park/taking walks around town
Celebrating holidays together (Friendsgiving, secret santa, etc.)
Sleepovers
Deep, philosophical conversations at 3am
FaceTiming/Texting each other any time something remotely interesting happens
Hiking
Going to the mall
Video games
Sticking together at parties
Board games
Bike rides/skateboarding
Going to the beach
Talking about their shared interests (TV shows that they got each other into, books theyāve both read, movies theyāve watched, etc.)
But itās not just hanging out that can show their bond, itās also the little things, too:
Sending each other memes/things online that pertain to their interests
Knowing the password to their phone/garage/computer/etc.
Being close with each othersā families
Knowing exactly what theyād order at a fast food/coffee place
Comforting them when theyāre upset
Sending answers to homework/always finding a way to be paired up on group projects
Having funny names for each other on their phones and a plethora of ugly photos of the both of them
Thereās a whole lot more to this, but I think I covered most of it!
Hope this helped, and happy writing!
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āle couple homosexuel interracial franƧais milieu a vingt enfantsā en fait cāest une erreur statistique. georgs d'enfants, qui habite dans une cave et adopte dix mille enfants chaque jour, est une donnĆ©e aberrante et il faudrait pas lāavoir comptĆ©
I donāt even speak French and I know what that paragraph says
tumblr ac community: omg look at how cute the museum & shops are, look at all of these customization options for everything, I canāt wait to play with my friends and make more amazing memoriesš„ŗ
twitter ac community:
Donāt forget the reddit animal crossing community, where you can find at least ten homemade froggy chairs on the front page at any time