I finally got around to reading the Magician’s Nephew, and I really just had to draw Polly and Digory, floating through the pool between worlds.
Sweet Seals For You, Always

❣ Chile in a Photography ❣

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if i look back, i am lost
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we're not kids anymore.

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@susanshorn
I finally got around to reading the Magician’s Nephew, and I really just had to draw Polly and Digory, floating through the pool between worlds.
disney or dreamworks? autumn or spring? tea or coffee? late nights or early mornings? sweatshirts or sweatpants? fruits or vegetables? pens or highlighters? pastel or pale? deep sea or outer space? glitter or confetti? holding hands or cuddling? glass or metal? roses or tulips? heartbeats or soft breaths? luxury or comfort? medieval times or renaissance? hogwarts or narnia?
gentle
She is not gentle. She is angry, she is rage, she is the storm itself.
But she is valiant standing alone, when people say her family is survived by her alone.
She is not gentle. She is screaming, she is crying, she is a mess.
But she wants justice and doesn’t feel as though losing her family is just.
She is not gentle. She is falling, she is sinking, she is alone.
But she is magnificent as she carries on and does her family proud.
are you a peach or cherry person ? ice coffee or ice tea ? sleeping in or waking up early ? lipstick or lipgloss person ? daydreamer or planner ?
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THE CHRONICLES OF NARNIA by C.S. Lewis
“The great thing to remember is that though our feelings come and go God’s love for us does not.”
― C.S. Lewis
once a king or queen of narnia, ALWAYS a king or queen of narnia
Once is Always
The first day back in England, every one of the Pevensie children managed an extravagant fall.
Their legs are shorter than they should be, but they can’t say this out loud.
Weeks go by. Eventually, they all relearn how to walk.
But there are other, stranger things they can’t relearn.
Like how:
Lucy is eight.
Lucy is twenty-three.
She can’t remember how to be small and unimportant, or how to play children’s games. Fifteen years in another world have left her used to being listened to, relied upon. The horrors of war are far less frightening than the horror of ignorance, of tiny uncalloused hands. Or waking in the night remembering the culture, the world she left behind.
Like how:
And Susan is twelve - nearly - thirty.
With small children of her own under her care. She can’t forget the feel of them growing inside her.
She can’t unlearn the way her ears are always listening for them. Years later she is still celebrating birthdays for people who live only in her memory, only knee high. At night she’d kept awake wondering about the strangers she gave birth too.
So she keeps trying to forget.
For the boys it is different. But not better:
Peter is thirteen and full of anger. The adults call it puberty. The adults don’t realize the shadow in his eyes is the same shadow in the eyes of returning soldiers. High King Peter, with so many lives under his command now commands nothing, and knows nothing. Responsibility and questions weigh on him.
But Edmund wakes up one day and realizes that after so many years no stranger can ever go to war with him about a child betraying his family for roses and sugar. His worst mistake weighs only on his mind now. And somehow, it’s this small silver lining that lets him pull their family back from the brink. He is no longer the broken one, no longer haunted by a child he no longer is.
Even so.
The Pevensie’s are adrift in a world of smoke and debris, and the rolling empty countryside. The war here is not fought with swords and fangs, but gas, and fire from above.
A fate worse than death is not being turned to stone.
There is no Lion coming at the eleventh hour to save them all. No lion except the one they carry inside themselves.
And that would have to be enough.
So each Pevensie found a way to matter, to change, to save.
And a little bit of Aslan crept in around the corners when they needed him most.
There was a snap and a growl to Lucy her mother had never seen.
A spine of unyielding stone in Susan.
A soft listening silence in Edmund.
And in Peter a flash of fang, and reckless hope.
The Pevensies are not in Narnia.
So they took part of it with them.
“Yes,” said Caspian with a sob,
“but this is sooner.”
This just broke my heart, because I haven’t read the books in so long that I don’t really remember them, so I just have the movies (which I’ve been obsessively watching for the past week) to go on, and the contrast between the quote in the caption and Caspian in the movie is so strong and now I want to cry.
Ok but I’ve been binge watching the Narnia movies again, after not having seen them for a long ass time, and now, being a little older and (hopefully) a little more mature than I was when I first saw them, I always feel physically sick when I see the Pevensies being children after The Lion, The Witch and The Wardrobe because they just aren’t anymore and I can’t even begin to imagine what it must be like, to grow up as kings and queens, respected and important, and full of duty, only to go back to being 8 years old (in Lucy’s case).
They didn’t remember England, or the wardrobe, or their old lives, they were Narnians and they were pushed back, not only into a world that was bound to make them miserable, but also into bodies that couldn’t reflect what they’d been through.
Just imagine Peter, waking up in the morning, not remembering that he isn’t the Magnificent anymore, imagine him subconsciously reaching for something to trim his beard, only to remember that it isn’t there anymore, to expect old battle wounds to hurt until he realises that they can’t because he doesn’t have them.
Or Edmund, who left England a stubborn selfish little boy who only wanted his mummy back, and came back the Just, the redeemed traitor, the diplomat, the man, having to resort to being ten years old and probably not even allowed to peek at a newspaper because he’s just a child after all. He plays chess, incredibly well, he doesn’t mock his siblings anymore and all the friends he knew when he was still a boy are either irritated at his behaviour or too childish, too selfish for somebody who knows very well just what selfishness can do, who has a part of the White Witch in him, always.
Susan forgets, we all know that. She must’ve lain awake at night, remembering just what it felt like to cover pain and viciousness and gore with a smile and a blush, remembering being the Gentle, but never in war. She must’ve cried for all the lost years, for all that she learnt and that she can never forget, for all that she has accomplished, that will bring her nothing in this world that doesn’t feel like hers. So she sits down in front of a mirror, talks herself out of believing, telling herself that it wasn’t real, that it was just a dream, that this Narnia her siblings talk about is nothing but a game. The truth is too terrifying, to devastating to face.
Lucy, little Lucy, who grew up under Mr Tumnus’ smiles and Aslan’s approving gaze, who was loved by all, who did learn how to rule, how to negotiate but who never forgot just what it means to be a queen of Narnia, this girl who matured into a woman, who had a woman’s mind and body and a queen’s grace, she who they called the Valiant, the lion’s daughter, she shrank into herself, into a child, younger than even her siblings. She remembers, clearest of them all, she is the only one who still knows Mr Tumnus’ face, still knows Aslan, but she is just a girl, a pretty little thing who will never be the queen she was, who will never be the woman she was because queenship forms a person in ways no schools can.
They must’ve been devastated when they tumbled to the floor, short and small, and there’s a war they have no control over and Lucy is small, Edmund is skinny, so skinny and Peter and Susan have lost their glow and they’ve changed, they’ve changed so much. (The first time, somebody calls them by just their names, they feel invalidated and small. And offended. They’re kings and queens, they’ve earned their titles and now they have to sit in a dim room filled with children and listen to teachers, have to allow themselves to be insignificant and nothing more than what they were when Lucy first stepped into Narnia - frightened children in the middle of a war they wish was never there in the first place)
And therein was the tragedy of Narnia.
Narnia was a place that swallowed 4 children, taking them away from a war and put them in another war that was so much easier to understand.
It gave them a war that was blank and white and simple, and they won it.
And then they grew up.
And slowly that was they can from became a dream, or a dream within a dream.
Have you ever had a nightmare and woken up and just been in such complete panic? The feeling of realizing that it was all a dream is exhilarating, and the relief you feel as the panic drains out of you.
Imagine that in reverse.
Everything had faded.
And suddenly it was back and they were back and everything they had learned and earned in the other world had meant nothing because no one knew, no one would believe them.
The clock had reversed and it was horrible.
And they got to go back is what makes it worse. They had the taste again, they were home! And then it was ripped from them and Peter and Susan got told that they would never get to come back.
Can you blame them for hurting?
It’s like getting a bite when you used to get the whole cake.
And imagine that pain, Aslan saying that their time is up, that they are done.
Can anyone blame Susan for forgetting? Wouldn’t you try to forget too?
the valiant
Quite a while ago, someone messaged me to tell me that in the Bible the number 7 represents completion.
This number appears a lot in Revelation. Seven churches, seven lampstands, seven seals, seven spirits of God, seven angels, seven trumpets, etc… of course, this is the last book in the Bible. We can see how this means that everything is complete.
So when I was searching for parallels in The Last Battle, the Seven Friends of Narnia stand out. There they are: Seven. The seven friends. The seven churches. The seven lampstands. And it just seems so clear that this is what the seven friends are meant to represent!
But when these 7 stand there; 7, in completion; I can’t help wondering what about Susan?
So I looked it up. Do you know what the number 8 represents in the Bible? Do you have any idea?
New beginnings. Resurrection. Regeneration. New life.
Susan is the 8th. Don’t let anybody EVER say that there’s no hope for her; or no plan for her; or no purpose for her. Yes, the Seven stand in completion, but after the end, God makes all things new.
I think it's also interesting to note that Susan's crown (in the movies) was decorated with Daffidols. Daffodils symbolize rebirth and new beginnings, which I think ties in perfectly with this post.
my four moods; presented by the Pevensies
they used to dance
it bothers me so much how people continue to hate on Lucian shippers because of the age gap, there are much worse ships out there with bigger age gaps then 6 years. You may not like Lucian, but please respect our right to ship fictional characters. I only ship them because it would’ve been interesting to see a romance on the dawn treader and I can imagine how it would play out but I don’t actually think that Lucian should be canon but it’s fun to just imagine it
This is a little hard to understand so allow me to translate it.
“It bothers me so much that people continually call out my romanticization of a pedophilic ship because of the legal and moral reasons it shouldn’t be a thing, because some people ship worse age gaps and things that are even less healthy. You might not like Lucian, but respect my right to romanticize a gross, awful thing that does effect real children everyday. I only ship them when the actors portraying them were 13 and nearer 30 than 20 because it would have been interesting to see a romance play out VOTDT and I can imagine how Caspian would take advantage of a 13 year old. I don’t actually think that they should be together, but it’s fun to imagine it.”
I kinda agree with you except for the pedophilia thing because technically it would be classed as Statutory rape if they were together, not pedophilia. I 100% agree with you I just don’t like how people are throwing that word around so much when it refers to adults being sexually attracted to prepubescent children, which Lucy isn’t in VOTDT movie. Statutory rape can be a consensual relationship between a minor and an adult but because the minor isn’t mentally able to consent at their age it’s classed as Statutory rape, that’s just a quick definition. If I got this wrong pls tell me because this is what I was told at school so if I’m wrong I want to know 👍🏻
At 13, many girls are still prepubescent, so it could be pedophila, otherwise it would be ephebophilia. However, “…the term pedophila is commonly used by the general public to refer to any sexual interest in minors below the legal age of consent…” and pedophila still can fall under statuary rape.
The reason I didn’t use the term ephebophilia is because it’s not as well-known and I didn’t want people to argue “but it’s not pedophila so it’s not that bad!”
perhaps Jessie went off