#jumpsuits

[afrodesiacworldwide]

Neshomeleh

[annett85]

Basegame Layer * Jumpsuits

Mesh by EA

Edited & Recolors by Annett85

Basegame compatible

20 Swatches

1 File

Edited version of the jumpsuits from 2016.

FREE DOWNLOAD

[beautifulbitch-3]

[lamaisongaga]

LADY GAGA ATTENDS WEDNESDAY GRAVEYARD GALA

Last night, Lady Gaga once again proved her reign as pop’s most fearless fashion sorceress as she arrived at the Wednesday Graveyard Gala which was held at Guastavino's in New York City.

She was styled by Hunter Clem for the occasion.

Gaga donned an otherworldly creation from emerging designer Anton Femia, a graduate of Central Saint Martins. The look, aptly titled The Fly Witch which hails from his "A Walk in the Forest" graduate collection, blurred the line between couture, costume, and performance art — a spellbinding ode to Gothic surrealism.

The dramatic all-black jumpsuit fused velvet corsetry and sheer organza harem trousers, sculpted with architectural precision. The bodice was studded with gilded keyhole motifs, like relics torn from a haunted château, while oversized puffed sleeves and ruffled cuffs exaggerated its shadowy silhouette. The pièce de résistance: a pair of sculptural, iridescent fly wings attached at the back, turning Gaga into a living insect deity gliding through the night.

For his CSM graduate collection "The Venice of Essex", emerging designer Matthew David Andrews transformed a tale of storm and flood into sculptural fashion theatre. Inspired by the catastrophic 1958 storm that submerged the town of Wickford, Andrews reimagined survival, spectacle, and community through exaggerated silhouettes and surreal adornments.

At the heart of this vision are his umbrella-inspired hats, developed in collaboration with Jenny Beattie Millinery. One standout piece features a sweeping black satin crown with arched points that recall an inverted umbrella caught in the gale. Perched atop sits an olive-green veiled pillbox, cinched with a bow of vintage-print newspaper, as though salvaged from the floodwaters. The veil’s delicate pom-poms blur the line between protection and decoration, echoing Andrews’ tension between catastrophe and carnival.

Much like the show’s narrative — a small town navigating survival during a torrential storm — the hat encapsulates a duality of fragility and defiance. The umbrella silhouette shields while simultaneously failing to protect, an ironic gesture that mirrors both the absurdity and resilience of English seaside life.

Doesn't this remind you of her early umbrella-shaped headwear moments from the past like here and here?

The second I threw an eye on these Marc Jacobs Fall/Winter 2025 boots, I knew Gagaloo couldn‘t wait to get her little hands on these beauties.

[hooked-on-elvis]

"You talk about getting dressed fast, Lord, have mercy!

It's hard to get into a one-piece suit without hurting yourself."

— Elvis Presley

Page from "Elvis Fashion: From Memphis to Vegas" by Julie Mundy (2003)

@eapep thanks for helping me catch on my reading of this book. You're precious. ♥

[justseventeen]

February 1985. 'Do you Jou Jou?'

[thetaoofzoe]

Take My Poll!!

Which suit is your LEAST favourite?

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Voting ended onMar 8