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dappermouth

Pale light and the sound of crickets, searching in the muted dark

artist-schiele

Hindering the Artist is a Crime, It is Murdering Life in the Bud, 1912, Egon Schiele

Medium: watercolor,paper

https://www.wikiart.org/en/egon-schiele/hindering-the-artist-is-a-crime-it-is-murdering-life-in-the-bud-1912

artist-luca-giordano

Heraclitus and Democritus. Right Panel, 1650, Luca Giordano

tamara-de-lempicka

Portrait of Marjorie Ferry, 1932, Tamara de Lempicka

artist-hodler

The Turner Banquet, 1878, Ferdinand Hodler

mia-paintings

The Choir in the Capuchin Church on the Piazza Barberini, Rome, François-Marius Granet, c. 1815-1830, Minneapolis Institute of Art: Paintings

Unsigned Size: 51 ½ x 40 ¾ in. (130.81 x 103.51 cm) (sight) 52 1/8 x 41 3/8 in. (132.4 x 105.09 cm) (canvas) 63 x 52 x 4 ¼ in. (160.02 x 132.08 x 10.8 cm) (outer frame) Medium: Oil on canvas

https://collections.artsmia.org/art/4382/

sandmandaddy69

William Blake

trefoiled-deactivated20260516

by Marcin Górski http://flic.kr/p/bPkoWX

phantastische-illustrationen

Mariusz Lewandowski

cma-american-painting-sculpture

Storm in the Mountains, Frederic Edwin Church , 1847, Cleveland Museum of Art: American Painting and Sculpture

Dominating this composition is a lightning-blasted tree embodying nature’s awe-inspiring power and endless cycle of life and death. A popular motif because of these associations, the blasted tree was favored by many landscape painters like Church and his teacher Thomas Cole. Notice the strong similarity between this tree and the one appearing at lower left in Cole’s View of Schroon Mountain, on view nearby. Size: Framed: 98.7 x 86.4 x 9.2 cm (38 7/8 x 34 x 3 5/8 in.); Unframed: 75.5 x 62.8 cm (29 ¾ x 24 ¾ in.); Former: 94.5 x 81.5 x 9 cm (37 3/16 x 32 1/16 x 3 9/16 in.) Medium: oil on canvas

https://clevelandart.org/art/1969.52

books0977

Woman from St. Jean de Luz (1866). Eugene-Emmanuel Amaury-Duval (French, 1808-1885). Oil on canvas. Palais des Beaux Arts de Lille.

Unlike his master Ingres, who liked to paint “mature” subjects, Amaury-Duval chose very young women as his models, whose portraits he painted with clear outlines and pastel colors, as here. The psychological dimension of the model is almost absent. The painter has kept a certain distance from the young woman, who shuns his gaze and that of the spectator.

timotaychalamet

Fallen Angels (1995) dir. Wong Kar Wai

mia-paintings

Self-Portrait, Jean-Frédéric Bazille, 1867-1868, Minneapolis Institute of Art: Paintings

Portrait of a man; self portrait of Jean-Frédéric Bazille Size: 21 ¼ x 18 1/8 in. (53.98 x 46.04 cm) (canvas) 20 ¾ x 17 ½ in. (52.71 x 44.45 cm) (sight) 29 ¼ x 26 x 3 in. (74.3 x 66.04 x 7.62 cm) (outer frame) Medium: Oil on canvas

https://collections.artsmia.org/art/1480/