somethings

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[dappermouth]

Pale light and the sound of crickets, searching in the muted dark

[artist-schiele]

Hindering the Artist is a Crime, It is Murdering Life in the Bud, 1912, Egon Schiele

Medium: watercolor,paper

https://www.wikiart.org/en/egon-schiele/hindering-the-artist-is-a-crime-it-is-murdering-life-in-the-bud-1912

[artist-luca-giordano]

Heraclitus and Democritus. Right Panel, 1650, Luca Giordano

[tamara-de-lempicka]

Portrait of Marjorie Ferry, 1932, Tamara de Lempicka

[artist-hodler]

The Turner Banquet, 1878, Ferdinand Hodler

[mia-paintings]

The Choir in the Capuchin Church on the Piazza Barberini, Rome, François-Marius Granet, c. 1815-1830, Minneapolis Institute of Art: Paintings

Unsigned Size: 51 ½ x 40 ¾ in. (130.81 x 103.51 cm) (sight) 52 1/8 x 41 3/8 in. (132.4 x 105.09 cm) (canvas) 63 x 52 x 4 ¼ in. (160.02 x 132.08 x 10.8 cm) (outer frame) Medium: Oil on canvas

https://collections.artsmia.org/art/4382/

[sandmandaddy69]

William Blake

[trefoiled-deactivated20260516]

by Marcin Górski http://flic.kr/p/bPkoWX

[phantastische-illustrationen]

Mariusz Lewandowski

[cma-american-painting-sculpture]

Storm in the Mountains, Frederic Edwin Church , 1847, Cleveland Museum of Art: American Painting and Sculpture

Dominating this composition is a lightning-blasted tree embodying nature’s awe-inspiring power and endless cycle of life and death. A popular motif because of these associations, the blasted tree was favored by many landscape painters like Church and his teacher Thomas Cole. Notice the strong similarity between this tree and the one appearing at lower left in Cole’s View of Schroon Mountain, on view nearby. Size: Framed: 98.7 x 86.4 x 9.2 cm (38 7/8 x 34 x 3 5/8 in.); Unframed: 75.5 x 62.8 cm (29 ¾ x 24 ¾ in.); Former: 94.5 x 81.5 x 9 cm (37 3/16 x 32 1/16 x 3 9/16 in.) Medium: oil on canvas

https://clevelandart.org/art/1969.52

[books0977]

Woman from St. Jean de Luz (1866). Eugene-Emmanuel Amaury-Duval (French, 1808-1885). Oil on canvas. Palais des Beaux Arts de Lille.

Unlike his master Ingres, who liked to paint “mature” subjects, Amaury-Duval chose very young women as his models, whose portraits he painted with clear outlines and pastel colors, as here. The psychological dimension of the model is almost absent. The painter has kept a certain distance from the young woman, who shuns his gaze and that of the spectator.

[timotaychalamet]

Fallen Angels (1995) dir. Wong Kar Wai

[mia-paintings]

Self-Portrait, Jean-Frédéric Bazille, 1867-1868, Minneapolis Institute of Art: Paintings

Portrait of a man; self portrait of Jean-Frédéric Bazille Size: 21 ¼ x 18 1/8 in. (53.98 x 46.04 cm) (canvas) 20 ¾ x 17 ½ in. (52.71 x 44.45 cm) (sight) 29 ¼ x 26 x 3 in. (74.3 x 66.04 x 7.62 cm) (outer frame) Medium: Oil on canvas

https://collections.artsmia.org/art/1480/

[artist-rubens]

Night Scene, 1617, Peter Paul Rubens

Medium: oil,panel

[mschristinamaria]

“Specialists in Sex: Orchids” by Irving Penn for US Vogue, December 1970

[artist-rubens]

Night Scene, 1617, Peter Paul Rubens

Medium: oil,panel

[madatmost]

europa, irkus m. zeberio 2015