Governments should not do war crimes. This should not be a controversial thing to say.
The Bright Sessions
cherry valley forever
Phantogram Three

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todays bird
tumblr dot com
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hello vonnie

Kiana Khansmith

PR's Tumblrdome

@theartofmadeline
Sweet Seals For You, Always
★
Noah Kahan

#extradirty
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Fai_Ryy
macklin celebrini has autism

Game Changer & Make Some Noise
Cosimo Galluzzi
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@sweetdreamspootypie
Governments should not do war crimes. This should not be a controversial thing to say.
that anon calling Soos “nonbinary with left bro” is still stuck in my mind
By Ellen Jareckie
people have this tendency to view the wheel as a benchmark of human development.
and i feel like people forget just how many parts of the world didn't use wheels consistently until the last couple of centuries
like. not because they were "primitive" or hadn't thought to invent it, but because there are terrains and regions where wheels just aren't useful. in deserts. on islands. in places with a lot of bog or heavy snowfall.
in the upper pennines, wheeled carts only came into common use when the coal industry grew in the 18th century and the gravity train was developed. until then, roads were too hard to maintain and most people just used horses, mules, or sleds for heavy transport.
in argyll and the west of scotland, where mountain terrain hits the coast and where the lochs mean that there is a lot of coast, it is much easier to use boats and rafts than to try to transport freight overland. so small freight was similarly carried by livestock or dragged, and only as far as the nearest body of water.
in the southern fens (before they were drained) rafts were more common than carts, usually being dragged over mud and bog rather than floating in deep water.
and it is relevant to note that all of these were in England and Scotland, places which had, on aggregate, been using wheels since the neolithic. none of these places failed to invent the wheel. they just uninvented it. because it was useless. other cultures in broader terrain areas (like the steppes, or the deserts, or the Arctic) may never have invented the wheel at all, bc, like, why would you? it's useless.
and. idk. i think about that a lot when people talk about progress and universal human development. it puts me in mind of a book from the 1860s i read that was like "and those backwards people in subsaharan africa haven't even thought to invent doors! on an unrelated note all the houses we, the Enlightened Whites, build in the area are unbearably hot and full of flies. wonder what that's about." like. wow. you really are just of the belief that the ideal technological development looks the same wherever you are, huh?
The wheel is invented by most human cultures.
They used it for pottery. They used it for children's toys. They used it for spinning thread. They used it to turn a spit while cooking. They attached it to a box with handles and used it to carry supplies to and from the battlefield. They stuck it in water and used it to power a mill. They made it out of rock and spun it to sharpen blades. They made them tiny and put them on necklaces.
The wheel's a very useful device and it got invented for a thousand purposes, some common to many cultures, some limited to just a few.
They didn't use it for transport until they they had roads.
And a lot of terrain does not take well to roads, not without a whole lot of time and money being spent by someone other than local farmers. You need a whole lot of people using the exact same route, over and over, to justify the hassle and expense of building & maintaining a road that's faster to navigate with wheels than by either loading your stuff on a string of donkeys, or dragging it behind them on a blanket stretched between two poles.
They didn't "fail to invent the wheel"; they failed to invent the ox-drawn cart. Because they had nowhere to use it.
latent weeb knowledge will get you places
*meows loud as fuck to no avail*
did you have to use that photo for that
i mean good on them...? still paired with that image thats uh. interesting
I respect the fuck out of this. The whole site is trying its hardest to go against every selling point the dog robots have as its selling points.
The dog robots are supposed to be autonomous, threehalves is explicitly only for being piloted by a human. The giant horns make it difficult for this machine to enter through doorways, and that is the point. Coupled with the built-in weak points, it is very easy to disable this thing, so it can't be used by the police or the military effectively.
OP alluded to how unsettling the machine looks, and I believe that it was a concious decision; the robot dogs have garnered sympathy due to their apperance, which makes it easier for the police to morally justify their use. This thing? You're not gonna get many people to sympathise with it. The only people who would are monster and-or robot fuckers, and I believe these circles generally understand that a machine cannot be trusted (though of course many would willingly approach it for pervert reasons (positive) knowing full well it's a bad idea).
According to Know Your Meme, on August 18th, 2005, Erwin Beekveld brought forth this work into the world. HAPPY TEN YEAR ANNIVERSARY, THEY’RE TAKING THE HOBBITS TO ISENGARD.
sheds a single tear
every august 18th my notifications break and i go, fuck, tumblr has failed me once again, but it hasn’t. it hasn’t failed me. it’s just the taking the hobbits to isengard-iversary. happy 12 years
Know Your Meme is wrong.
If you go back to primary sources, there’s a post on Albino Blacksheep mentioning Beekveld’s Flash on 16 August 2005:
If you must celebrate a memetic LotR song on August 18th, Mashed Taters was uploaded on the 18th, the prior year in 2004.
Worth noting that cities are already shifting to a different company, called Axon, rather than getting rid of license plate readers altogether.
@free-and-to-none-accountable
@anarchistmemedistro
Rather than get rid of ALPR cameras entirely, many cities and towns are switching to Axon, whose cameras can be mounted to an existing stree
This is why as non punk rock as it feels to sit on a folding chair in city hall on second Tuesday of the month or whenever YOUR city council meets, it's important to be there. That's where these conditions get made, and where we got rid of the cameras - not substituted different ones, said 'no thank you' to the entire deal.
I know it's more nuanced than this but I think having a hard policy of thinking anyone who genuinely hates one group of queer people for their identity might as well hate all of us and thus I should block any queerphobic queer person I see can do a lot to save you from believing anything exclusionists say.
"bomb that kills all-" "I just don't get bi women bringing their-" "pansexuality isn't a real thing-" "all lesbians-" "trans men really are men bcs they're all misogynistic predators-" "theyfabs-" "pfft aroace people are cringe-" "nonbinary people are actually all-" Instant block. Goodbye. Not listening. It's for both solidarity with your fellow queers AND to protect yourself, because once a person is convinced to hate one group for their immutable traits they can be convinced fairly easily to hate another too, and thus I do not trust them.
Just block these people the second they pop up, they aren't your allies and nothing they have to say is worth listening to.
i started reading this book and kept tilting my head at the comparisons the author was using so i started a running list of them
this author's use of imagery is so questionable
i actually went "what the fuck" and had to stop for like 5 minutes after this one
I feel like this is important information about this post.
Success does not correlate with survival.
One of my favorite artists is a professional animator who has worked on a dozen big name cartoons for multiple networks, and she can't pay her bills because the industry is collapsing; not enough jobs, shit pay, no benefits, AI bullshit, it's terrible. She has tens of thousands of followers and twitter and bluesky. Her base price for a simple sketch commission is more than I make in a week, and she consistently sells out of slots within half an hour of announcing. She has patrons; I don't just mean followers on Patreon, I'm talking about literal artistic patrons like in the Renaissance (she's caught the eye of one of those rich furries you hear about in memes). By every visible metric she's "made it," and she's on the verge of losing her house because the only metric that really matters is having steady employment. A few months ago she announced that she's retiring from art and hasn't posted anything since.
One of my favorite youtubers is an inventor with millions of subscribers and a huge workshop with expensive tools like 3d printers and laser cutters and bandsaws and beltsanders and lathes. She's the kind of person who can say "I want to do a collab with Adam Savage," and then make it happen! She gets to build Contraptions™ for a living, and has spent the last few years setting up her own company to market and sell her products; she has never once turned a profit. She loses money on every venture. Her business is unsustainable and she knows it.
I follow a ton of REALLY talented people whose work I admire and whose lives I envy, but they're deeper in the red than I am. Me! I'm just some nameless schmuck who has never done anything noteworthy, and I'm better off financially than my heroes! I want to make art like they do, I want to be seen, I want to be known, but if they can barely keep their heads above water then what chance do I have? I'm not as smart as they are, I'm not as skilled, I'm not as sociable or confident or connected, and I'm certainly not as hard working. I'm afraid to put effort into anything I do because better people than I have failed.
Just because you're good at something doesn't mean you can make a living doing it. It's totally random, even worse than the lottery. "Somebody's gotta win." Yeah, well 99.999999% gotta lose.
Another artist I followed just had a major crashout and deleted his account. The last thing he posted about was how one-sided it all felt because he never got attention from other artists or peers, only insignificant randos. That last part really hurt my feeling because I had always made a point of sharing and commenting under his art, and had commissioned him multiple times. I'm sorry that my support wasn't enough, I really am. I know it sucks for everyone, I know being an artist is thankless, and I honestly wish he's able to get back on his feet and find community doing what he loves. All the same, it's disheartening. It proves my point. If better artists than I can't cut it, why should I bother? Every day the motivation gets weaker and weaker...
simple 8 steps photorealistic impress your friends
Basically what I'm getting from the present "giving 100% at work" Tumblr discourse is that a lot of people have fairly narrow notions of what blue-collar versus white-collar jobs actually entail. There are in fact manual labour jobs where a significant chunk of your average work day consists of Fucking Around, and conversely, there are desk jobs where you crunch eighty-hour weeks for years on end until you suddenly drop dead from heart failure at age 32. It's absolutely true that you're more likely to end up in a No Fucking Around Allowed situation in a blue-collar occupation, but you can't tell whether or not someone is in that position based purely on whether or not they work in an office. Shit, call centre workers are white collar on paper, and the kind of fuckery a lot of call centre workers are subjected to involves genuine human rights violations.
anatomy of a humiliation
evoking bertholt brecht’s “the way people cast a play!” quote as a spell against prescriptive, stereotypical, fatalistic typecasting
idk what to tell you except go look at the fishwives
Today, 11 August 2026, is Australian Census night. Once again, I cannot accurately represent myself, because macrons are not allowed. The macron is part of my identity. ABS you have to do better than this.
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