[anttilautanen]

[nobrashfestivity]

Unknown, Burn, Baby, Burn -- Support the Revolution A.L. - L.A. 1965 This sticker is in reference to the Watts Riots that occurred for five days in the Watts section of Los Angeles in August of 1965 following a motorist being pulled over, which escalated into a fight with the police. It was reported that the police had hurt a pregnant women, and large-scale civil unrest followed. The riots were not directly due to this one incident, rather the long-term mistreatment by the police and discrimination in housing, employment, and schooling systems that the African-American community of Watts had faced. The slogan, "Burn, Baby, Burn" was adopted by rioters and came from the "Magnificent Montague," a disc jockey touted as being the "hottest voice on Los Angeles' leading black-oriented radio station, KGJF," according to a 1985 Los Angeles Times article. Courtesy of the Richard F. Brush Art Gallery.

[nobrashfestivity]

Poster for a fashion show presenting paper dresses. From Graphis Annual 68/69.

[sweetestart]

Crocodile Eating, Wuppertal, 1983 - Helmut Newton

[sweetestart]

[sweetestart]

'think pink' gemma ward for vogue italia april 2005 by steven meisel

[nobrashfestivity]

The Dixie Dugan White Collection of Women's Rights Memorabilia

[sweetestart]

'Nighttime Snapshots' (Larry Scott, Stefan Armbruster, Cedric Jimenez) Photographed by WalterChin, L'uomo Vogue January 2000

[meiselmuse]

Edita Vilkeviciute / Vogue Paris March 2009 by Patrick Demarchelier.

[sweetestart]

Jean Shrimpton in "Heroines All" by Richard Avedon for

Vogue US April 15, 1968

[sweetestart]

[nobrashfestivity]

Yves Klein, 1952

more

[sweetestart]

Oneida ad in US Vogue, January 1984.

[dailyrothko]

[dailyrothko]

Mark Rothko, No 10, 1952

© 1998 Kate Rothko Prizel & Christopher Rothko/Artists Rights Society (ARS)

“It seemed very big and very expensive to me at 22 years old,” says Virginia Wright of the painting. “It was sold by Betty Parsons but she told me I would have to go talk to him about buying his painting. His art was such an integral part of his life that he held carefully on to how it went out into the world and who owned it.”

[sweetestart]

[sweetestart]

'plug of flesh' ph by matthias vriens for dutch magazine july/august, 2002.

[teenagedirtstache]