Hiii I love seeing your thoughts on the Kress twins. It makes my entire day when you post! :)
I noticed that Otto refers to Arora as sister a lot but you never hear Arora call Otto brother… I personally feel like they DO love eachother (in more ways than one) but there’s a lot of manipulation going on between them. There’s certain dialogue that indicates Arora may have more of a sexual fascination towards Otto than he feels towards her.
Maybe I’m stating the obvious… but I can’t fully get behind the idea that Otto is acting selflessly in that relationship (nor Arora but more so Otto.) I love his character … but I do not trust his character. 😭
oh wow this ask is fucking antique. i'm so sorry. i'm so happy that you like when i post and sorry about my weird hiatus.
the general inequality in otto and arora's relationship is really important to consider, i absolutely agree. i also think that the imbalances in their dynamic very adequately (and very intentionally) "compromise." you can't get a proper idea of how they coexist and, beyond that, love each other as deeply as they do, from looking at just their physiology, just their psychology, or just their personality. it's all so deeply intertwined.
i have in the past seen a lot of people latching onto one aspect or another of their characters in an attempt to determine, quantitatively, who is hurting who in their relationship— from what end some implicit abuse comes, whose body is delivered more turmoil, whose mind is delivered more agency. in my eyes, the twins were doomed by nature to hurt each other, and have defied that nature to help each other. the massive inequalities that appear in some areas come to balance their counterparts in others.
take, for example, arora's tendency towards what i will call sanguinity for the sake of brevity. arora is, at least outwardly, not only the more sexually forward of the two—
—but also much more sensitive in general. compared to otto, she requires much less (and sometimes no) provocation to become extremely depressive and self-deprecating—
—often twisting otto's words or using anton's words against themselves. this isn't to mention her tendency to become verbally harsh towards otto.
i refer to this emotional excitability as sanguinity because otto, for all intents and purposes, is the more sensitive of the two. he responds with more sympathy and tenderness to her emotional distress than she does his. he, with admirable grace, takes the brunt of her manipulation (be it intentional or not) and humors her whims in exchange for what they both know is his life. arora says it herself, numerous times: when she is hurt, he is hurt, both physically and emotionally. there is no "acting selflessly" for either of them, especially not when arora's mood is capable of putting both of them at risk. one must simply trust that otto is behaving out of love and not of self-preservation—
— and i believe that we have plenty of reason to. :)