The The’s Soul Mining doesn’t get enough love as a synthpop album. Yeah, it’s a great post punk album! It is also an amazing synthpop album, it is the one place you have to allow harmonicas into synthpop fight me
Synthpop-confessions #85

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@synthpop-confessions
The The’s Soul Mining doesn’t get enough love as a synthpop album. Yeah, it’s a great post punk album! It is also an amazing synthpop album, it is the one place you have to allow harmonicas into synthpop fight me
Synthpop-confessions #85
ive might have listened to “Touched by the Hand of God” almost 50 times this week…specifically, the 12’’ version.
Synthpop-confessions #84
I have like a ridiculously strong obsession with Bernard Sumner please send help
Synthpop-confessions #83
a lot of new order fans don't seem to like or care for republic (1993) but it's one of my favorite albums by them
Synthpop-confessions #82
come back we miss you ❤
im back FOR TODAY but I'm too lazy to make the little pictures anymore. But come CONFESS #itsasin
I am so down bad for Gillian Gilbert 🤒 Ngl even though I’m anon I think my mutuals will understand who.
get that #gilf #pussy - Synthpop-confessions #81
I positively adore Gary Numan, his recent albums really showed me how much talent he has. He's still fine as hell (Pretty Boy to DILF evolution), plus it's amazing to have a favorite artist that's also on the spectrum!
Oh. And I've had 3 vivid wet dreams about him to date. 2 were him in the Berserker era and 1 was his current Intruder era...
Synthpop-confessions #80
depeche mode are the goofiest looking mfers - Synthpop-confessions #79
looking for merch for an old band is like *badly cropped 40 year old album art on a hoodie* *band hasn't made official merch in like a decade* "have you ever wanted a picture of *insert band here* on a TEA INFUSER??? well today is your lucky day!" *compilation cd from 2009*
Synthpop-confessions #78
The dog food commercial sample in Bronski Beat’s “Junk” makes me crack up and I don’t know why
this sounds like a YOU problem. 🐶🐶🐶🐶 Synthpop-confessions #77
Whenever I don’t know who the keyboardist for a synthpop band is, I just assume it’s Vince Clarke
Synthpop confessions #76
haters don't understand my vision #gaysex
back by popular demand... thanks @lastandalways on Twitter
I first heard “The No #1 in Heaven” album at a shopping mall in Akron-Ohio in June of 1979.I was a short, chubby 13-year-old with glasses, acne and an ugly, bowl haircut. I was spending the summer with my Grandmother, and I was one month away from my 14th birthday. We were at the local shopping mall on a weekday, and I wandered into Camelot records as this album was playing.
The “No #1 In Heaven” album had just come out, and they were playing side two on the store stereo system. I walked into the store during “Beat The Clock.” Electronic synth music was still very rare in that era of drums, pianos and guitars. I was the only customer in the store, not including the two employees behind the front counter. I remember wondering who I was listening to while at the same time thinking: “this sounds a lot like Giorgio Moroder,”
And then the next song started. The backwards cymbal beat fading in from the speakers in the ceiling over my head, gradually dissolving into a mist of reverb and special effects. The complex, angelic vocals gradually fading in along with the rest of the instruments. Followed by a disembodied electronic voice chanting: “Listen to My Other Voice…”
I walked to the back of the store and found the record playing on a turntable, and I picked up the LP cover lying next to it on the counter. Sparks. No #1 In Heaven. Produced by Giorgio Moroder. I bought the album one month later for my 14th birthday, and I spent the rest of the summer listening to it on my headphones.
To this day, whenever I hear this song, I remember being that short, pudgy 13-year-old kid with the glasses and the ugly haircut, standing in the middle of an empty record store at the local shopping mall while this heavenly, ethereal music swirled around me. And feeling like this song had been written and recorded just so I could walk into the room and listen to it at that very moment in time…
“Greetings to the person confessing #73. I have a comphet crush on Neil Tennant, not gonna lie either.” - synthpop-confessions #74
“I have comphet for Chris Lowe, not gonna lie” - synthpop-confessions #73
“It’s kind of silly, but one of the most liberating experiences I’ve had is when I requested “Enola Gay” by OMD at the roller rink and could not stop myself from grooving—I’ve always feared judgement and have a hard time stepping out of my comfort zone because of that, so finally saying, “fuck it, I’m going to awkwardly dance on roller skates and have a good time even if people look at me weirdly” was really freeing.” - synthpop-confessions #72