Billie Holiday | Strange Fruit
trying on a metaphor
Show & Tell
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YOU ARE THE REASON
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@syreetamcfadden
Billie Holiday | Strange Fruit
Museums educate a class of citizens in the hopes that presenting the narratives of their nation will shape identity and fidelity, pass the story forward, and, perhaps, correct past wrongs. In the act of remembering, they can serve to remind a people to do better, be better. Museums are not always mausoleums to greatness; they can be an instructional look at the fullness of humanity, so we never forget what monsters we can become and endeavor to resist it. If we forget, we repeat. In 1998, three white men tied 49-year-old James Byrd to the back of a pickup truck and dragged him to death. In 2011, a group of Mississippi teens beat and ran over 48-year-old Craig Anderson “for fun.” In 2014, the death of 17-year-old Lennon Lacy led the Justice Department to open an inquiry to determine if his death was a lynching in North Carolina. Nooses proliferate on college campuses; perpetrators feign ignorance of its meaning. Last year, a Florida graphic design company featured a noose dangling from a tree as part of an ad campaign for Photoshop tools. And just a month after that, in Marion, the boss of a firefighter tossed a noose into his black employee’s hands. The employee is married to a distant relative of Abram Smith.
“How To Survive A Lynching” - by yours truly for BuzzFeed News, June 23, 2016.
Donald Trump is a mouthpiece for the unsavory, racist, xenophobic notions of the mob that supports him … He gives permission to them to express their racial animus. And it’s terrifying.
Syreeta McFadden
We asked our writers for their perspectives on why they’re terrified of Trump. Syreeta McFadden, an African American woman, pointed to the Republican candidate’s ability to embolden extremism and the failure of the mainstream media, which normalizes his “extreme nativist views.”
A Muslim and a Mexican American man speak out too.
(via guardian)
Meanwhile... back in March of 2016
We’re kicking off the summer over at Erv’s with brilliant readings by four wonderful writers. Join host Madeline Stevens Sunday June 12th at 6pm, drink a cocktail and listen to the witty, heartrending, clever, occasionally disturbing, and always alluring words of Yahdon Israel, Syreeta McFadden, Karolina Manko, and Susan McCarty. Yahdon Israel writes about race, class, gender and culture. He has written for Avidly, The New Inquiry, Guernica, ESPNW, and Brooklyn Magazine. He’s a contributing editor at LitHub. He recently graduated from The New School with his MFA in Creative Nonfiction and runs a popular Instagram page, which promotes literary culture as style with the hashtag#literaryswag. Not to mention, he keeps it lit. Syreeta McFadden is a Brooklyn based writer, photographer and adjunct professor of English. Her work has appeared in the New York Times Magazine, The Guardian, BuzzFeed, NPR, The Nation and Storyscape Journal. She is the managing editor of the online literary magazine, Union Station and a co-curator of Poets in Unexpected Places. She is currently working on collections of short stories and essays. Karolina Manko is a Polish-born immigrant hailing from New York. She was the 2012 recipient of the Esther Unger Poetry Prize as well as the David Markowitz Poetry Award. Her work has appeared in various journals, anthologies, and literary magazines including Calloused Hands, Wicked Banshee Press, Toasted Cheese, Freeze Ray Poetry, Yes Poetry, Magma Poetry, and DecomP MagazinE. When she’s not writing poems, she’s watching movies, perusing used book bins, or writing the next Great American Hip Hop album. Susan McCarty’s fiction and nonfiction has appeared in the Utne Reader, The Iowa Review, Indiana Review, Conjunctions, The Collagist and other journals. Her short story collection, Anatomies, was published last June by Aforementioned Productions. When she lived in New York, Susan edited romance novels at Penguin Books. After that, she wrote obituaries in Iowa for a while. This fall, she will start a job as assistant professor of literature and creative writing at Oakland University in suburban Detroit.
https://www.facebook.com/events/1745096035710860/
Jonathan Green, painter + chronicler of Gullah communities, South Carolina.
Beyonce’s wide brim profile, Formation Tour - photo by Daniela Vesco.
To declare an American identity, an American-ness as a black artist has always felt like a political act. And as the era of the nation’s first black president draws to a close, black artists and people aren’t seeking permission or acceptance from the dominant cultural narrative of old. We are simply declaring: we are.
Syreeta McFadden, on the cultural moment black Americans are in, unconcerned with the emotional wellbeing of white folks (via guardian)
I’d like affirmative action the fuck out of that space. I’d readjust salaries for these folks. Solicit interns outside of the usual places. Train them in the culture of what a literary citizen should look like. Make them listen to Kanye. Get the United Colors of Benetton in that bitch. Empower people of color open their own bookstores. Create a literary agency. Buy a pop culture media outlet. I know a couple of people who are doing that but they need capital. I’d give it to them—a fund for affirmation. Seed money for people who are already doing that work. That’s the thing, right? We’ve been out here working.
Me, thinking BIG about modernizing and normalizing the publishing industry in Brooklyn Magazine with 49 other writers.
Guys, I’m from Wisconsin. Old people and crime procedurals are kind of our thing, I guess. I don’t need to watch Making a Murderer, I feel like I’m good. I used to volunteer at nursing homes in my hometown of Milwaukee, and we all watched Cocoon together while eating gingersnaps.
Me, Opening Round Judgement, Tournament of Books
“Their answers are myriad, delightful, and as personal as a fingerprint.”
Amazing line up of homies, writers and editors talking about the books that changed our lives to Molly McArdle at Brooklyn Magazine.
I’m discussing Claudia Rankine and Audre Lorde with curator Jaamil Olawale Kosoko at The Bushwick Starr this Sunday. Click the picture for more info or check this little page for event details.
November 11th at Molasses Books, I’m reading with Mike Young at Molasses Books. Come say hi!
Call for Submissions: Not That Bad: Dispatches From Rape Culture
Victims and survivors of sexual harassment, assault, and abuse have been taught by this culture that whatever horror they have endured could have been worse. At least you weren’t touched. At least you weren’t raped. At least you weren’t killed. This world effectively silences those who have been violated by demanding their first reaction be gratitude for what did not happen.
Not That Bad is an opportunity for those whose voices were stolen from them, to reclaim and tell their stories. This anthology will explore what it is like to navigate rape culture as shaped by the identities we inhabit.
Contributing to this anthology is a chance to own your own narrative with all of the complexity of reality without shame or condescension. Because too many of us have lived this truth, there is no one way to tell this story.
We warmly encourage submissions from people from all walks of life and across the gender spectrum.
If you would like your essay to be considered for this publication please submit via Submittable at notthatbad.submittable.com. We are accepting essays, 2,500 - 7,500 words in length. We are not accepting queries. Please submit your work as a Microsoft Word file. Please submit your best work. We will be accepting approximately twenty essays so please be patient with us as we take the time to consider your work.
Submissions will be open until December 15, 2015. We hope to respond to all submissions by March 15, 2016. All accepted contributions will be paid.
Not That Bad will be co-edited Roxane Gay and Ashley C. Ford and will be published by Harper Perennial.
SUBMIT HERE
Potential Topics (a brief list, not a prescription)
Testimonies of what “not that bad” looks like
Critical examinations of rape culture
What it’s like to negotiate rape culture as a man
How women diminish the sexual violence and aggression they experience and the effects of doing so
What “not that bad” looks like in popular culture—film, television, and music
Resisting rape culture
Combating sexual harassment, street harassment and cat-calling
How sexual harassment and violence erode women’s privacy
Taraji P. Henson aka Cookie Lyon aka Boss Ass Baddie B, flexin’.
Which is also to say that I’m recapping Empire Season 3 for The Guardian US.
I want to honor the memory of the great civil rights activist Julian Bond, who died yesterday at the age of 75. As he often noted, Mr. Bond was from several generations of college graduates (his father, Horace Mann Bond, was the first Black president of Lincoln University in Pennsylvania) but spent the bulk of his life reaching out to help others gain equality in education and civil rights. I gratefully acknowledge the decades of fearless service and leadership of Julian Bond and extend my condolences to his wife Pamela and his family. This photo of Mr. Bond with members of the Student Non-Violent Coordinating Committee (he was a co-founder) was taken by the legendary photographer Richard Avedon on March 23, 1963 in Atlanta, Georgia.
We are not responsible for your lost or stolen relatives. We cannot guarantee your safety if you disobey our instructions. We do not endorse the causes or claims of people begging for handouts. We reserve the right to refuse service to anyone. Your ticket does not guarantee that we will honor your reservations. In order to facilitate our procedures, please limit your carrying on. Before taking off, please extinguish all smoldering resentments. If you cannot understand English, you will be moved out the way. In the event of a loss, you’d better look out for yourself. Your insurance was cancelled because we can no longer handle your frightful claims. Our handlers lost your luggage and we are unable to find the key to your legal case. You were detained for interrogation because you fit the profile. You are not presumed to be innocent if the police have reason to suspect you are carrying a concealed wallet. It’s not our fault you were born wearing a gang color. It is not our obligation to inform you of your rights. Step aside, please while our officer inspects your bad attitude. You have no rights that we are bound to respect. Please remain calm, or we can’t be held responsible for what happens to you.
harryette mullen, we are not responsible. (via black-poetry)
When your worldview is solely shaped by men, you are missing out. And like it or not, your taste in music, books, television or art says something about you: it sends a message about what you think is worth your time, what you think is interesting and who you think is smart. So if the only culture you pay attention to is created by men, or created by white people, you are making an explicit statement about who and what is important.
Jessica Valenti: You might not think you’re sexist – until you take a look at your bookshelf (via guardian)
Yes, and that gets lost in the conversation too. This issue of representation is really life or death, especially when we’re talking about children, like when I look at the dearth of representation in children’s literature. It makes me so sad, because I think about how kids of color have to grow up with this idea that the image of divinity and heroism is not them. And what does that mean? What does that mean for me, as a young Latino, trying to find people who look like me, or even were like me? We talk about physical features a lot with representation and simplify it that way, but really we’re talking about something as deep as spirit, and rhythm, and soul, and narrative power. Those are all things that are part of the diversity conversation that get lost, because we’re so used to the Burger King kids’ club version of diversity where it’s like, “Oh yeah, paint the guy’s face brown, hey diversity!” That’s not actually diversity. We’re fighting for something much more in-depth than that.
Daniel José Older interviewed by Adam Mills (via therumpus)