So I did a thing!!! 🫣 Finally posted chapter one of my new story. I hope you guys like it!!
Run For Your Money
2025 on Tumblr: Trends That Defined the Year
"I'm Dorothy Gale from Kansas"
RMH

Product Placement

#extradirty

Origami Around
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Not today Justin

❣ Chile in a Photography ❣
Three Goblin Art
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Alisa U Zemlji Chuda

Kiana Khansmith
Today's Document

blake kathryn
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d e v o n
Lint Roller? I Barely Know Her
trying on a metaphor

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@syyymone
So I did a thing!!! 🫣 Finally posted chapter one of my new story. I hope you guys like it!!
Run For Your Money
Tips for Writing Small Towns!! PART TWO
⋆˙⟡ The economy of small towns is not quaint. It is precarious and everyone knows exactly how precarious. When the plant closed, or the mill shut down, or the highway got rerouted fifteen miles east, the whole town felt it in a specific and lasting way. There are towns that have been dying for forty years and the people in them know it and don't talk about it directly but it's in everything. The storefronts with plywood where glass used to be, the school that consolidated with the next town over, the young people who leave and the question of whether they're coming back that nobody asks out loud because everybody already knows the answer. Writing a small town without writing its economic reality is writing a set, not a place.
⋆˙⟡ There is a specific kind of person who runs everything and they are not elected. Every small town has someone. Sometimes a family, sometimes just an individual, who is not officially in charge of anything but whose opinion determines outcomes. The woman who's been on every committee for thirty years. The family that's owned the land since before living memory. They don't have to make demands. Everyone already knows where the edges are. A newcomer or outsider won't see this power structure at first because it isn't written down anywhere. It lives in who gets called first, who's consulted before decisions are made, whose silence means disapproval. Writing this type of character correctly means never letting them explain themselves. They don't need to.
⋆˙⟡ Leaving is a complicated moral act and coming back is even more complicated. The person who got out, who went to college, who moved to the city, who built a life somewhere else, occupies a strange position. There's pride in them, genuine pride, and also a kind of low resentment that nobody names. They think they're better than this. Maybe they do, maybe they don't, but the suspicion is there. And when they come back, for a funeral, because things fell apart, because they got sick, the town doesn't quite absorb them back in the way they expect. They're not who they were. But they're also not from away. They're in a third category that doesn't have a comfortable name and everyone, including them, is a little awkward about it.
⋆˙⟡ People maintain relationships for decades past the point where they would have ended anywhere else. Because the pool is small and leaving is a whole thing, people stay in friendships, in dynamics, in proximity to people they would have simply stopped seeing in a city. The woman who is still friends with her ex-husband's sister because their kids go to the same school and their mothers are in the same Bible study and it would be more work to be enemies than to just keep showing up. These relationships have layers and scar tissue. They are not warm exactly, but they are not cold either. They are maintained. Writers often write relationships as chosen. In small towns, a lot of relationships are simply continued.
⋆˙⟡ Local history is oral and it is everywhere and it is not neutral. The story of what happened to the Henderson property, why the Murphys and the Dales don't speak, what exactly went on the summer of the flood; this history lives in people, not in records. And it gets told selectively, with emphasis and with meaning. The version your family tells is not the version their family tells. History in a small town is a living argument. A character who grew up there absorbed a version of local history that shaped their understanding of who deserves what and why, and that version has gaps and biases they cannot fully see. A newcomer doesn't have access to this history at all and will keep misreading things because of it.
⋆˙⟡ The relationship between small towns and their nearest city is specific and loaded. It's not simply rural versus urban. It's a relationship of dependency and resentment. People drive to the city for the hospital, for the court, for the things the town can't support anymore. And they come back with the feeling that the city doesn't know they exist, doesn't factor them in, makes decisions that affect them without consulting them. This is not paranoia. It's largely accurate. A small town character's relationship to the nearest city (whether they go often or rarely, what they feel when they're there, what they feel when they come back) says a lot about who theey are and where they stand in their own community.
Daemon asking Mysaria, his wife's mistress, if the bound between Rhaenyra and Alicent makes her jealous???
If it was just a matter of politics, why would he talk about pain? Why would he think Mysaria would be pained by Rhaenyra having others allies. There is no way Daemon didn't clock what is going on between Rhaenyra and Mysaria. If the matter was simply platonic on both relationships, why would he word it like that? I also feel like this scene is showing us that Daemon has long accepted/suspected he'll never fully have Rhaenyra's heart, that Alicent would always be there as well. And he is somehow saying to Mysaria that she has to face it as well.
So the show just said "Fuck subtext, we're only doing text now".
The way I scream-laughed when Daemon asked if Mysaria was jelly of Alicent. EVERYONE should be jealous of Alicent Hightower when it comes to Rhaenyra’s affection.
Also love how Daemon immediately peeped the sexual tension between Rhaenyra and Mysaria when everyone else n the castle is completely oblivious.
Lady Rhaena Targaryen and her dragon Morning
https://archiveofourown.org/works/64529185/chapters/231236301
Chapter 15 is out 🫶
They've already changed so much about the story in house of the dragon so please for the love of everything let Rhaenyra and Alicent kiss in season 3, I am BEGGING
May Reading List
As always books of the same color belong to a series and all white books are stand alones.
Blood and Muscle by Elle Alexanda….. Really stinking cute would’ve liked to hear more of a Canadian accent in the audiobook tho since the setting was Canada but I digress. [F/F 3.5/5🌶️]
Becoming by Michelle Obama….. This book made me wish that I was older when Obama was president so that I could’ve appreciated his presidency more.
Sparks Fly by Emily Hayes…. Series of books about lovely lesbian fire fighters all in the same unit (most books had a significant age gap and all had dom/sub tendencies) [F/F 5/5🌶️]
Scorched Hearts
Flame Kissed
Embers of Love ….. This was my fav bc for ONCE the dom was the younger of the two fmc
Passions Ignite
Phoenix Rising
Rescue My Heart
Playing with Fire
Captive of the Crime Queen by Persephone Black
Consort of the Crime Queen….. loved these two books, it’s giving Hades and Persephone but Chicago mafia style. There are other books by the author in this same universe (they slightly cross over at times but all the duologies can be read as stand alone books) and I plan to plow through them all bc now I’m in my mafia boss era. [F/F 5/5 🌶️]
Upright Women Wanted by Sarah Gailey…. Really cute short read about a band of undercover lesbian cowgirl rebels posing as traveling librarians. [F/F 0/5🌶️] no spice but there was a sweet kiss.
A Court of Thorns and Roses by Sarah J. Mass…. Tamlin had me fooled and that’s all I’ll say [F/M 4/5🌶️]
A Court of Mist and Fury….. but no seriously my wife has been hit with the ACOTAR bug (I don’t go out of my way to read straight romances but I can appreciate them and she wanted to read them together so here I am) and now I’m so fucking invested in these damn fairy’s and their love story and the upcoming war and all the lore and side characters. Like I cannot consume the series fast enough and it’s not even complete and that’s also driving me insane. [F/M 5/5🌶️ specifically ch. 55👀 iykyk]
A Child Called It by Dave Pelzer….. I was reminded of this book’s existence by TikTok and I bawled my fucking eyes out the entire time. Some ppl don’t deserve kids.
Tips for Writing Injuries! (AGAIN)
Your action hero just got shot in the shoulder, stitched it up in a motel bathroom, and is now running through a forest. I need you to know that a shoulder wound severs muscle, nerves, and sometimes bone, and the human body's response to that is not "mild wincing followed by full range of motion." here is what injuries actually do to peoplee...
⊹ Adrenaline is REAL and it does allow people to do extraordinary things immediately after injury, BUT it is a loan, not a gift. you borrow the function and you pay it back later with interest. Your character might genuinely be able to run for twenty minutes after being stabbed. and then the adrenaline drops and everything the body was delaying arrives all at once. the collapse is NOT weakness. it's biology collecting its debt. write the debt collection. it's more interesting than the heroic sprint anyway.
⊹ Blood loss changes cognition before it drops you. you don't go from "fine" to "unconscious." you go through a whole middle stage of confusion, poor decision-making, emotional dysregulation, a strange calm, tunnel vision, difficulty forming sentences. Your injured character making a bad call, saying something they normally wouldn't, becoming suddenly and inexplicably gentle--that's blood loss. use the middle stage. it's dramatically rich and almost nobody writes it.
⊹ Recovery has a timeline and the timeline is long and boring and inconvenient to plot. a broken rib takes six weeks and during those six weeks sneezing is a genuine emergency. a concussion means no screens, no reading, no bright lights, and symptoms can persist for months. a stab wound to the abdomen means weeks of infection risk, limited mobility, and a specific kind of exhaustion that has nothing to do with sleep. Your character being sidelined and frustrated and useless for a long time is not a narrative problem. it's the story.
⊹ Pain also affects personality in ways writers skip. chronic pain makes people short-tempered and then guilty about being short-tempered. it makes concentration difficult. it makes intimacy complicated, both emotional and physical. a character who was patient and warm before their injury and is now snappy and withdrawn is not a character regression. they're in pain. pain is exhausting in ways that don't show on the outside. the people around them noticing and not knowing how to help is a whole story in itself.
Fanfic Writers: Director’s Cut
Reblog this if you want readers to come into your ask box and ask for the “director’s commentary” on a particular story, section of a story, or set of lines.
Or, send in a ⭐star⭐ to have the author select a section they’ve been dying to talk about!
Fem! Maekar Targaryen
I think I can understand why she has 6 children 👀
Ahhhhh SEC Softball tournament has my brain churning with ideas of a Rhaenyra x Alicent college softball AU
April 2026 Reading List
Still on the lesbian romance with a sprinkle of autobiography train. (Although there is one f/m outlier this month thanks to my wife)
Shifting Gears by Jazzmyn Forrester
Taming of a Rebel by Eada Friesian
Sorry, Not Sorry by Naya Rivera
The Games God’s Play by Abigail Owen
The Things Gods Break
Captive In the Underworld by Lianyu Tan
Finding Me by Viola Davis
Bloom Town: Genesis by Ally North
Bloom Town: Exodus
Tangled Vows by Anna Stone
Ensnared Hearts
Forever Theirs
Guarded Desires
Lady Venom Takes A Mistress by Kat Blackthorne
7-10 Split by Karmen Lee
favorite word?
Gracias, because it sounds like “grassy ass” 😌
Name three songs that you've had in heavy rotation recently. I'll go first:
"Do to Me" by H.E.R.
"Vessel (Nine Inch Noize version)" by NIN and Boys Noize
"IFHY" by Tyler the Creator
Tagging a million mutuals, feel free to tag some of your favorite mutuals!
@weirdlyunknown @becomethebooks @satanarch @randall-flagg-69 @nozzur @innercityghettodysfunctional @rockerchick1138 @cause-not-symptom @mkbaby1 @gravediggerlurch @sa4phire @feministthembot @comicbookzombie @myescape-thespacebetween @vampllienn @justastheyplayoursong @ghoulscout335 @brneyedchicana @fvinas96aesthetic @moonearthangel @dragonbornoflegend @strawb3rrybunni @moorrockin @potatomedio @yourenvy69 @roc-da-world04 @claire-gray @haileyrose-444 @cockwvrd @sinnersgroove @davidareyouhuman @kindofaintrovert @rjbeenchillin @poopeth @andshegoesboom @prettyplumpkitty @paranormalblvcktivity @immjussayntho @sm00th-transiti0ns
ty for the tag! 💖 i'll say:
"Crow Black Sky" - Disembodied Tyrant
"Harvest" - Rings of Saturn
"Sukuna, Rey de las Maldiciones" - Miki Martz
i tag @slayer-kat @dreamcastwarrior @ivebeensetonfire @ser-corviknight @peachybeesplease @jmenfoot @weirdvibesinhere @softchaoticpunk @poeticheroine @wishbonemotel @taxfrauddyke @batsinmypants @marlboromoxley @itsmichaelbtw @amit-rider and uhh literally anyone else who wants to join in + i may have forgotten!
ty for the tag, bestie!!!
Sunlight - Hozier
God Complex - Violent Vira
Walk to Class- Malcom Todd
@jakecockley @radiantratqueen @syyymone
Ahhh thanks for thinking of lil ole me!
Steady - Bella Kay
I miss you, I’m sorry - Gracie Abrams
Words are worthless- Sleep Theory.
@kasstanie @gayechoo @floodonthefloor @sazernac
Tips for writing Hospital/medical scenes!!
Spent way too long researching this before posting lol. but please, if something's wrong, tell me. i'd rather be corrected than spread misinformation.
⋆˙⟡ Doctors don't run. Almost ever. Running in a hospital is a safety hazard, knocks into patients and equipment, and signals panic to everyone who sees it, which is the opposite of what hospital staff want to project. In a true code blue situation, there is urgency, but it looks more like extremely fast, purposeful walking and a kind of controlled chaos where everyone knows their role. The sprinting attending dramatically sliding to a bedside is a TV invention.
⋆˙⟡ "She flatlined" does not mean what you think it means. A flatline (a straight line on a heart monitor) means asystole: the heart has stopped producing electrical activity. You don't shock a flatline. CPR, yes. Epinephrine, yes. But the dramatic defibrillator moment everyone loves? That's for ventricular fibrillation, which looks like chaotic scribble on the monitor, not a flat line. Shocking a flatline in real life does nothing. Your doctor character would know this. Your nurse would know this. Your paramedic absolutely knows this.
⋆˙⟡ Medical professionals have a dark, dry humor and it's a coping mechanism, not a character flaw. People who work in high-stress, high-death environments often develop humor that sounds brutal to outsiders. BUT It's not callousness, it's a pressure valve.
⋆˙⟡ Hospitals are obscenely loud and smell very specific. Writers default to clinical silence and "the sharp smell of antiseptic." Real hospitals smell like a combination of cleaning fluid, stale air, cafeteria food leaking through vents, and occasionally something you don't want to identify. They're also constantly noisy. Intercoms, rolling carts, the beep of a dozen different monitors all slightly out of sync with each other, people talking too loudly, visitors crying in hallways. The silence only comes in very specific moments, and it's jarring precisely because it's unusual.
⋆˙⟡ Waking up from a coma is not waking up from a nap. Someone who has been unconscious for more than a day or two will have profound muscle weakness, and they often can't hold their own head up. They'll be confused, possibly for days. They won't be able to speak normally if they had a breathing tube, because their throat will be raw and damaged. They won't recognize people immediately and then have a tearful reunion five minutes later. The brain coming back online is slow, strange, and disorienting in ways that aren't photogenic. Patients frequently don't remember the first several days of recovery at all.
⋆˙⟡ There's a specific hierarchy and it matters to the people inside it. Attending physician, fellow, resident, intern, these are not interchangeable words for "doctor." An intern on their third week is legally a doctor and can barely order a sandwich without second-guessing themselves. An attending has full clinical responsibility and has seen everything. A fellow is post-residency, specializing, somewhere in between. Nurses operate in their own parallel hierarchy that intersects with but is absolutely not subordinate to doctors in the way TV suggests. Experienced nurses regularly catch errors that residents make, and both parties know it.
⋆˙⟡ Patients are almost never alone in their room doing emotional things. Nurses check vitals. Phlebotomists come for blood draws at ungodly hours. Housekeeping rolls in. A different doctor than the one managing the case comes to consult. Meals appear. An orderly needs to take them to imaging. The room itself is rarely private for long. The idea of a character lying in a hospital bed having a long, uninterrupted emotional conversation is something that mostly happens in fiction. In reality, someone knocks and enters approximately every 40 minutes, sometimes more.
⋆˙⟡ Paperwork and insurance are a constant, grinding presence. Discharge doesn't happen because the patient is better. It happens when it's approved, when a bed is needed, when insurance says so. Patients are sometimes sent home earlier than feels safe because the system demands it. Doctors spend an enormous, demoralizing amount of time on documentation, estimates suggest 2 hours of paperwork for every hour of patient care. The administrative weight of hospital medicine is a slow-burn horror that almost no fiction touches, which means the moment you do, it feels startlingly real.
⋆˙⟡ Prognosis conversations are never one clean scene. When a doctor tells a family that someone is dying, there isn't a single moment of devastation and then forward motion. People mishear. They ask the same question rephrased five different ways hoping for a different answer. They argue with the information. Someone pulls out their phone to Google the diagnosis. Someone else goes completely silent and leaves the room. A week later, one family member still believes recovery is possible and another has accepted the death entirely, and they haven't been able to talk about it. Information lands at different speeds for different people and the gap between them is its own source of suffering.
Saving juuuuust in case someone ends up in the hospital in ch. 8 of Run For Your Money👀
Olivia Cooke, reblog if you agree