Dec 6, 2013
Adam Marie and Ed Steck, The Rose
Hassla, New York, 2013
64 pages
5 x 7 inches (12.5 x 17.75 cm)
Edition of 500
$18 PURCHASE
The rose follows the loss.
seen from Germany
seen from Ireland
seen from Malaysia
seen from Germany
seen from Ireland
seen from Uzbekistan
seen from China
seen from United States
seen from Greece
seen from Malaysia
seen from France
seen from Hong Kong SAR China
seen from Malaysia
seen from China
seen from Italy
seen from Maldives
seen from United States
seen from Hong Kong SAR China
seen from Uzbekistan
seen from United States
Adam Marie and Ed Steck, The Rose
Hassla, New York, 2013
64 pages
5 x 7 inches (12.5 x 17.75 cm)
Edition of 500
$18 PURCHASE
The rose follows the loss.
German Drawings of the 60s
"Art makes the external world comprehensible for it touches the essence of human existence by changing chaos into structure, imbuing unformed, dead matter with life."
Yale University Art Gallery, New Haven, 1982
8.5 x 9.5 inches (21.5 x 24.2cm)
Sold
The Sources of Modern Painting
"no amount of extraneous or concealing influence can efface its essential conformity to the spirit of the epoch in which it is produced."
The Institute of Modern Art, Boston, 1939
SOLD
Charles Harlan, Moving Remesh '13 5 31
Photographs by Ari Marcopoulos
KARMA, New York, 2013
64 pages
8.5 x 6 inches (21.59 x 15.24 cm)
edition of 500
$10 Purchase
PHOTOS
— "If a portal is a gate that links two distant locations separated by spacetime, then moving Remesh created one. From the lumber yard to the studio to the gallery. With each stop on its journey a sculpture adds to its aura, more metadata, another memory. Dumb objects can become artworks simply by moving them somewhere." Moving Remesh chronicles Charles Harlan's journey taking his art outside of the studio setting. Full spread black and white photos show Harlan wheeling a ten-foot diameter pipe nearly a mile through New York's Lower East Side, a study in how objects morph into artworks as the setting around them also changes.