#{{89}}

[calleido]

douglasrhall

[almost-daily-rw-creatures]

100 dropwig.

Almost daily rw creatures 89: Wha-

AUUUUGHHHHH

[martyryo]

Tylerings party

[naser1963]

يارب دوم الاستغفار بالليل والنهار

Oh God, always ask for forgiveness day and night.

[gallusrostromegalus]

Trick or treat!!! 👻🎃🌚

Happy Halloween! You get #57

Anubis in Hakone by Joanna Karpowicz, 2016

[a-jay-a-day]

JAY-!?!?!?!????

[hallucivti]

On that note, I have a lot of thoughts on the blond boy scene in particular. First of all, he looks like Till in the panels where his face is in shadow and I think the similarity is intentional. He has already mentioned Till, so Till is at the forefront of Mizi's mind (+ she likes Till more than this guy so hurting Till's feelings would probably make her feel worse than hurting this Random Guy who slapped her in the face). He's also Very Obviously projecting his own feelings onto Till and every other boy who has feelings for Mizi. Till shows very little (if any) desire for Mizi to reciprocate his feelings, he much prefers watching her like a creep and writing songs about her. She is his muse first, crush second.

Mizi takes the boy's words, and applies them to Till herself. She "learns" from this interaction and decides to "stop" leading Till on.

It doesn't work precicely Because the blond boy was projecting on Till. Blond and Till have different things they want from Mizi. Blond mentions sex in that conversation, but Till's objectification of Mizi is rarely ever sexual (and when it is, it's never initiated by Till, like the whisper comic[?] or the one where her hair is stuck under him). Till can keep objectifying Mizi even if she rejects him, because nothing can stop him from looking at her, and nothing can stop an artist from imagining. He doesn't need any sort of reciprocation to keep using her. In fact, her lack of reciprocation is what makes her such a safe target for him. She's untouchable. He can't mess up with her because he has no chance in the first place. The reinforcement of her rejection changes nothing.