when you find a fic and the writing is bomb at 1st glance already: 🤩
you see the ‘non-con’ tag and the writing glorifies it:

seen from France

seen from China

seen from T1
seen from China
seen from Argentina
seen from China
seen from Malaysia
seen from Singapore
seen from China

seen from Singapore
seen from China
seen from China

seen from China

seen from Australia
seen from Japan
seen from United States

seen from France
seen from Japan

seen from China

seen from China
when you find a fic and the writing is bomb at 1st glance already: 🤩
you see the ‘non-con’ tag and the writing glorifies it:
Coffee Shop AU variant azurido where Azul runs a café and Riddle is... well, now is his regular, but it didn't start out that way. It starts out when Riddle first peeks his head through the door, a few minutes late from the usual morning clientele— and he cringes, the chime from the bell at the door making his presence all too known.
He stares at the menu and displayed pastries as if they'd personally done him wrong, lists off a single coffee order so fast Azul can barely catch, and waits by the counter while he makes it.
Turns out, the cafe Riddle regularly goes to is going out of business. He doesn't want another cafe; his usual one knew exactly what he liked and how to prepare it— but he needs his routine morning coffee and pastry or else it's going to throw off the entirety of his day.
He gruffly points towards what he wants on display, pays (looking extra miffed and muttering something about the price from his usual place) and disappears without another word.
Needless to say, Azul is more than a little offended.
A possible new regular? Good! A regular who clearly doesn't appreciate the work he put into running this place? BAD. Worse, on Riddle’s second visit— still cringing at the bell, still staring at everything like they'd violated a rule— he learns that Riddle doesn't actually have that colorful of a palate. No, it's just a matter of ritual. What a joke!
So, he figures he's going to teach this guy a lesson. After all, where does he get off, treating Azul’s business like it was the worse option?
Riddle keeps coming in. He winces at the usual bell, as if it's an alarm bell announcing his betrayal to his beloved little defunct ritual. Same time, stiffly watching Azul do his job. He almost expects to be nitpicked about his methods.
After- what now, a handful of weeks? Riddle is later than usual. It's a rainy, gloomy day, and there are less customers than usual- mostly loiterers he's on the verge of kicking out because, clearly, all they want is to get out of the weather without purchasing a single thing.
He almost thinks Riddle has finally given up on switching and decided to forgo his morning ritual, when he stumbles in. The chime stops abruptly with the way he shuts the door behind him (thank goodness no one else was behind him), utterly soaked. Frazzled, Riddle doesn't even bother to say hello, just nods at the counter and slumps into the nearest open seat, one facing Azul.
When Azul calls his name, he pats at his bag, where he usually has the precise amount of money separated in advance (again, he used to make a face at the difference in price, but he's out of it enough that he doesn't appear to question it, this time.). Azul can see the whites of his eyes as he barely squeaks out a few words.
"I forgot my wallet."
Great. As if those loiterers weren't enough, right?
"Because you're a regular"— Azul insists. The coffee's already been made, so he slides it forward. "Pay me tomorrow."
He's unaware that his usual sharp smile is a little more dopey than usual, and he leans over the counter a little too far. Just enough to catch the subtle fragrance of roses that Riddle naturally carries, even as damp as he is.
Then, the next day, he steps through the door again, chime, nod towards the counter- that one's new- and he takes a seat. The one facing Azul. No, he's got no plans today. He can sit and enjoy this one. He's... relaxed, in his own way. He pays the amount for that day and the day previous, as agreed.
Riddle pauses on his second sip.
"I went out with some... friends, and made the same order at a different store." He says, narrowed eyes shifting to stare at the counter. "It didn't taste the same. Why is that?"
"I'm surprised you even noticed," Is all Azul remarks.
Turns out, he'd tweaked Riddle's order like... on his 3rd visit, and had just been making it that way ever since. Because he'd said it himself- he didn't have that advanced of a pallet, and honestly, his coffee order was pissing Azul off. What he did makes it compliment Riddle's pastry of choice, anyway.
"You like it, don't you?"
Riddle purses his lips, the tips of his ears turning a light shade of red. He mutters a response that Azul can barely catch, and nods.
"Come by any time, even if you don't have money," He offers, "You're a regular, so I trust you'll pay it back."
Riddle comes back the next day- earlier. Earlier than the other morning customers. Chime, nod, seat. This time, they even make small talk, between bites, sips, and the slow trickle of morning regulars.
And the next, at the same new time. Mumbles that the music that plays through the speakers is nice.
And the next, shoulders shaking slightly at a joke that Azul makes.
And the next.
...Of course.
That had always been Azul's plan- now, Riddle won't be able to go anywhere else. Not that he's planning on shutting down his place anytime soon. Every other place will feel second rate.
Though, as he leans closer and pushes the coffee towards Riddle and that smell of roses wafts over him again- maybe it was a little too effective.
I saw this post about Matt Johnson getting asked in an interview about the lack of women in his films a couple days ago when I was busyyy and have a lotta thoughts abt it but I don't wanna tack a bunch of bullshit onto op's post so I'll just post it here #mytwocents
I think it's important that interviewers use their access to confront their subjects about social criticisms of their work in this way instead of spending the whole time glazing their subjects, and more interviewers should be doing this. I don't think she was even being particularly negative, she just said there aren't women in his films.
That said, not everyone has something meaningful to say with their work about demographics they are not a part of, and trying to shoehorn in "representation" will not actually feel representative because of that. I'm not sure Matt could write a meaningful narrative from the perspective of a female character, unfortunately, because he has expressed a need to find an autobiographical angle to make his narratives work.
Regardless, it is still vitally important to interrogate who is and is not included in someone's body of work, and to analyze how that may reflect the attitudes that produced it. I think it's very easy to identify misogynistic themes in early Zapruder work, and while Matt et al have clearly learned and evolved since then, there absolutely remains a conspicuous lack of women as central characters in their films/shows. And I do think this growth is born of confrontation, and can only be improved by asking why half their audience is not present onscreen.
The solution here is not to get the established white men in the industry to start writing more "inclusive" narratives, but to expand who is actually included in the industry so that they may be able to share their own narratives. Matt has been very vocal with his criticisms of the Canadian film industry, and his use of his influence as an established white man in the industry to spearhead the first-time filmmakers fund will have a more lasting impact than any of his own films individually.
That said, I don't necessarily think he should be the "face" of the program, nor should his involvement absolve him of all criticism. Addressing misogyny and other forms of bigotry in the industry is an ongoing and never ending process, and one thing that helps advance this process is interviewers and critics publicly questioning who is excluded from the works they are criticizing (and writers applying this criticism to improve their own work instead of passing all responsibility onto other demographics).
Would a narrative exploration of how the presence of women interrupts male-dominant spaces be interesting? Yes absolutely. Would Matt be the best person to write that narrative? I'm not so sure. I would prefer to see another filmmaker take a crack at it I think. He's quite good at playing an insidious sex pest character in Matt and Mara, in a narrative that has something to say from the pov of a woman (another male writer/director, but co-written with a woman, and Deragh Campbell's performance carries). I think opening up to other filmmakers with different perspectives would ultimately benefit the ecosystem better than depending on the same established people to meet representational needs.
Getting way too into overthinking the geography of a fictional province/state.
Dain and Cam lying by a lake at night when they were teens
Cam: “So basically, our lives are just a side quest until we’re strong enough to fight our dads?”
Dain: “Yeah, pretty much…”
i have been unable to do anything but play unleash the light get me out of this hell
Imagine becoming a competitive swimmer. The day of your first race was quickly approaching, and while you spent most of your days practicing and making sure you were at top form, uncertainty and anxiety still ate away at your nerves.
So, you decided to pray to a local deity to give you confidence, a naga by the name of Halloran. Inwardly, you thought it was silly, only half believing what you read while leaving the other half up to skepticism, but you felt an odd comfort when thinking of him as a patron deity. Looking through the little information there was of him, you found out that in order to get his attention, you needed to pray by any body of water, and for you, that wasn't a problem at all.
shenko as text posts: 1/???
bonus: