#20.20

[petrichorrvoid]

20.20: Bu saatin anlamı sevdiğiniz kişi ile ilgili umutlanmayı bırakıp hayatınıza devam etmeniz gerektiğini belirtir. Bu saat karşınızdaki kişinin şu anda başka birisiyle yan yana bulunduğunu temsil eder.

[its-wormin-time]

so ive finished arc 20. havent read the epilogues yet. hmm. idk know what i think about it. its not very satisfying i think, but the last few arcs werent that good imo so im not that invested as i used to. i think im gonna take a few days off, then read the epilogues.

[baskabirdunyadan]

20.20, dilek tutun.

[democracyunderground]

20.20 #TheWorld #Lucky21 #Tarot #PlayYourCardsRight 20.21

[leiathosebuns]

svu [20.20]

the only thing that kept popping out to me was the whole thing with the doctor saying “thirteen and pregnant.” sounds like a future “reality” show to me; no this isn’t an idea and please don’t do this istg. mackenzie sounds like a legit teenager to me, saying “she is old enough to make her own decision” and all i wanna scream is “you thirteen girl. you aren’t that fucking grown. you can full stop.”

it was a half decent episode. did i like the whole thing? no. it felt predictable and the writing could have used some tweaking.

[kalb-ivaveyla]

sezen aksu dinleyip sudoku oynuyorum bu kafaya sıkışıp kaldım şu an

[m-slgd]

Maria Salgado & Ixiar Rozas – 20.20 CD – DSS2016 20.20, by the sound artists Maria Salgado and Ixiar, originates from a project supported by the Observatorio de la Escucha, during the events planned in San Sebastián, European Capital of Culture in 2016. The release records the performance they made with the public information system on the beach of La Concha and also includes a “bonus track”, which the duo later recorded in the studio in Tabakalera, Salgado and Ixiar make a detournement of the communication of the beach, a communication process we can easily define as absolutely ordinary. The texts they presented in this special space had an estranging and unconventional flavor in relation to the audience. The Catálogo de pre-viva voz para cualquier posible situación increases the number of the verbal possibilities in the pre-recorded sentences. The works turn in the direction of an individual and sharp poetic activism, which is organized into accomplished verbal parts, despite being potentially capable of further proceedings. The tone of the announcements is normative, but also sometimes insinuating or interrogative. The musical jingles and the background voices present in iterations under the form of refrain, apparently showing an unintentional organization in the theoretically infinite mix of elements. But they also show the desire to have an emotional reply, with the use of experimental styles and practices typical of the contemporary and avant-garde waves. The background of María Salgado is already proof: here the influence of the sound poetry is very relevant, as well as the idea the sound may actually create active listening and develop some limited semantic units into something more adventurous and decontextualized. A speaker is an amplification device releasing defined notifications, it’s a diffusion system which encourages an ordering and unidirectional narration, a perfect tool to sinuously move from the usual to the unlikely, reproducing a sound regime similar to the original message. All the forms of language manipulations, as W.S. Burroughs remembered, refer to the old magic arts, to the metrics of the archaic poetry, to the shifting and primigenial disposition of the arts. Listening to this hypnotic, ambiguous and successful audio performance brings us back to that claim.

Review published in Neural. Critical digital culture and media arts, 12 March 2018: http://neural.it/2018/03/maria-salgado-ixiar-20-20/

+ Info about Catálogo de pre-viva voz para cualquier posible situación: http://m-slgd.tumblr.com/post/154769154935/cat%C3%A1logo-de-pre-viva-voz-para-cualquier-posible

[monnarozaaa]

Ve her sela okunuşunda, hala aynı heyecan. Sanki ölüp de dirilmişsin gibi, sanki küllerinden doğmuşsun gibi. Öyle teslim, öyle nezih, öyle sade ve güzel çırpınırlar ki içinde...

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