Today I've continued to experiment in 31-EDO. In particular, this study focuses on the neutral third, lying halfway between the familiar major and minor thirds. It also explores a way to do lydian harmony in 31-EDO, using a good approximation of the 11th harmonic that 12-EDO simply doesn't have.
Moreover, I found a way to combine these two harmonic concepts. Notice that the A half-flat can be used as the neutral third over F, but also as the 11th harmonic over an E flat. I used these common tones to harmonize a descending bassline, where I explore some various harmonizations of these two ideas, using major sevenths, neutral sevenths, and dominant sevenths based on the 7th harmonic.
As always, these pieces are welcome for anyone and everyone to play (provided you have a 31EDO instrument, good luck). All I ask is that you share it with me, because I'd love to hear it done by a live player!
