#70's classic

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3️⃣The Amityville Horror (1979) H Directed by Stuart Rosenberg 1️⃣Starring: James Brolin 5️⃣La Maison du Diable (Novel of Amityville massacre case) 🗃️

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Michael Kevin "Mick" Taylor (born 17 January 1949) is an English musician, best known as a former member of John Mayall's Bluesbreakers(1966–69) and the Rolling Stones (1969–74). "He is regarded by many Stones aficionados as the best guitarist ever to play with the band, and appeared on some of their classic albums including Let It Bleed, Sticky Fingers and Exile on Main St."[1] Since resigning from The Rolling Stones in December 1974, Taylor has worked with numerous other artists and released several solo albums. From November 2012 onwards he has participated in The Rolling Stones "Reunion shows" in London and Newark and in the band's 50 & Counting... World Tour, which included North America, Glastonbury Festival and Hyde Park in 2013. The band decided to continue in 2014 with concerts in the UAE, Far East & Australia and Europe for the 14 On Fire tour. He was ranked 37th in Rolling Stone magazine's 2011 list of the 100 greatest guitarists of all time.[2] Former Guns N' Roses guitarist Slash states that Taylor had the biggest influence on him.[3]

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John Baldwin (born 3 January 1946), known by the stage name John Paul Jones, is an English multi-instrumentalist, songwriter, composer,arranger and record producer. Best known as the bassist, keyboardist, and co-songwriter for English rock band Led Zeppelin, Jones has since developed a solo career.[2] A versatile musician, Jones also plays organ, guitar, koto, lap steel guitars, mandolin, autoharp, violin, ukulele,sitar, cello, continuum and the three over-dubbed recorder parts heard on Led Zeppelin's "Stairway to Heaven".[3]

According to AllMusic, Jones "has left his mark on rock & roll music history as an innovative musician, arranger, and director."[2] Many notable rock bassists have been influenced by John Paul Jones, including John Deacon,[4] Geddy Lee,[5] Steve Harris,[6] Flea,[7] Gene Simmons,[8]and Krist Novoselic.[9] Jones is part of the band Them Crooked Vultures with Josh Homme and Dave Grohl, in which he plays bass guitar, keyboards, and other instruments. In 2014, Jones ranked first in The "20 Most Underrated Bass Guitarists" in Paste magazine.[10]

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Keith Richards (born 18 December 1943) is an English musician, singer and songwriter, and one of the original members of the English rockband the Rolling Stones. Rolling Stone magazine credited Richards for "rock's greatest single body of riffs" on guitar and ranked him 4th on its list of 100 best guitarists.[1] Fourteen songs Richards wrote with the Rolling Stones' lead vocalist Mick Jagger are listed among Rolling Stonemagazine's "500 Greatest Songs of All Time".[2][3]

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Band on the Run is an album by the rock band Paul McCartney and Wings, released on December 5, 1973 in US. It was Wings' third album. It became the Wings' most successful album and remains the most celebrated of McCartney's post-Beatles albums. It was 1974's top-selling studio album in the United Kingdom and Australia, and revitalised McCartney's critical standing.

In 2000 Q magazine placed it at number 75 in its list of the 100 Greatest British Albums Ever. In 2012, Band on the Run was voted 418th onRolling Stone magazine's revised list of The 500 Greatest Albums of All Time.[1] A contemporary review by Jon Landau in Rolling Stonedescribed the album as "with the possible exception of John Lennon's Plastic Ono Band, the finest record yet released by any of the four musicians who were once called the Beatles."[2]

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Thomas Richard Tommy Bolin (August 1, 1951 – December 4, 1976) was an American-born guitarist who played with Zephyr (from 1969 to 1971), The James Gang (from 1973 through 1974), and Deep Purple (from 1975 to 1976); in addition to maintaining a notable solo career.

Bolin signed with Nemperor records to record a solo album. Bolin decided to do his own vocals on this album as well. Session players on this record included David Foster, David Sanborn,Jan Hammer, Stanley Sheldon, Phil Collins and Glenn Hughes. During the recording of this album, he was contacted to replace Ritchie Blackmore in Deep Purple.

In the start of 1975, Bolin contributed some studio guitar assistance to Canadian band Moxy during the recording of their debut album. Later in 1975 saw the release of Bolin's first solo record, Teaser, on the Nemperor label. After Ritchie Blackmore left Deep Purple, the band had a meeting and discussed whether to disband or try and find a replacement, and chose the second option. David Coverdale had been listening to the Billy Cobham LP Spectrum. He decided he wanted Tommy in Deep Purple, and invited him over for a jam. Tommy showed up thin as a rail with his girlfriend in tow wearing a see through mesh mini-skirt. He plugged into 4 Marshall amps and jammed with the band for 4 hours. The job was his. The band then relocated to Munich, Germany, to begin work on Come Taste the Band. Bolin wrote or co-wrote seven of the record's nine tracks, including the instrumental "Owed to G," which was a tribute to George Gershwin. Come Taste the Band was released in late 1975, and Australian, US and Japanese tours ensued.

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Fragile is the fourth studio album from the English progressive rock band Yes, released on November 26 1971 in UK. It is their first album recorded with keyboardist Rick Wakeman after the departure of Tony Kaye earlier in the year. Formed of nine tracks, four of which are group performances while five are solo features written by each member. It marked the band's first collaboration with artist Roger Dean, who would design their logo and many of their future covers.

Fragile was the band's greatest commercial and critical success at the time of its release. It peaked at number 4 in the US and number 7 in the UK. "Roundabout" was released as a single in the US and is one of the band's best-known songs. The album is certified double Platinumby the Recording Industry Association of America for selling over two million copies.

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A Collection of Great Dance Songs is a compilation album by Pink Floyd released on 23 November 1981 on Harvest in the United Kingdom and on Columbia Records in the United States.

The title is facetious, given that Pink Floyd are not known for making particularly danceable music. This is perhaps evidenced by the album art, which featured a photograph of ballroom dancers anchored to the ground so they cannot move. The inner sleeve had pictures of dancers in either a white (UK) or black (US) background. The picture labels were a black background with blue lines and red sketch lined dancers on side one and reverse on side two.