I wanted to do something this year and I've been getting into 3D art so I went and did this, and yeah that is a 3D model! Spent a couple of days on it as I wanted to practice my skills. Anyway have a purr-ific day J. Sims and Cats day everyone :3
[Video Description: A recording showcasing different angles and details from the sculpture featured in the earlier painting.]
[ID: A digital drawing of teenage Gerard Keay, Jonathan Sims, and Agnes Montague running away from an out-of-frame giant spider that is on fire. They all wear uniforms which consist of a white dress shirt, a green tie, a grey sweater vest, a dull green jacket, in Jon and Gerry's case black slacks and in Agnes' case a black above-the-knee skirt with black leggings, white socks, and brown leather shoes. On the top right is grey text that reads "The Kids Are Alright AU" with a smaller piece of text underneath it that reads "aka Highschool AU+Jon, Gerry, Agnes Friendship+They're Leitner Hunters." Gerard Keay is a white boy with mid-length pale blonde hair badly-dyed black, Jonathan Sims is a British-Indian boy with brown skin and dark brown hair, Agnes Montague is a white girl with long red hair./.End ID]
The vibes are Scooby Doo in Highschool except the ghosts they hunt are Leitners and also they're British (so I guess they're in Secondary School.) I just wanted to see them as troublemaking teens who have a penchant for solving mystery and arson. Luckily the mysteries of Jurgen Leitner provide avenues for both. Who is Jurgen Leitner? Why does he have so many fucked up (if true) books? Why are a shit ton of them popping up in and around school campus? That's what this trio want to find out! Feel free to ask questions since this AU is not like, 100% complete or set in stone. Might be fun.
Filipiniana inspired by the Entities (the Eye, the Vast, the Dark)
[ID: Three drawings of three modelled Filipinianas against a shared background which looks like aged paper. Each one is labelled a different entity which goes, from left to right, the Eye, the Vast, and the Dark. All the models are faceless. Three close ups follow the main image.
The Eye Filipiniana is an 1890s traje de mestiza featuring a brown panuelo with green embroidered trimming resembling ink pen tips and green strips resembling eyelashes at the opening, a translucent wide-sleeved striped baro in alternating off-white and green with green embroidered eyes for trimming, a dark cyan tapis with rows of books patterned on, and a silky striped saya in alternating yellow and green with an eye where the saya and the tapis meet and embroidery of people walking at the hem. Finished with accessories of a silky green necklace with a hanging realistic eye and a dark blue folding fan with an eye pattern. The model has brown skin and straight black hair up in a bun.
The Vast Filipiniana is a Commonwealth Era Style Baro’t Saya featuring a violet umbrella with a bright galaxy on the inside that the model holds on her shoulder, a magenta panuelo with yellow and orange stripes held together with a bright yellow star-shaped medallion, wide translucent butterfly-sleeved baro with a sunset to sky blue gradient from top to bottom with embroidered white clouds on the sleeves, a tapis with different shades of blue going from a light blue to dark blue top to bottom with embroidered silver fish of differing sizes, and a silky dark-blue-to-deep-blue saya with a long saya de cola with dark silhouettes resembling tentacles creeping up the sides. The model has pale tan skin and wavy hair held up in a loose lower bun.
The Dark Filipiniana is an 1840s Baro’t Saya styled for church-wear featuring a translucent plaid-patterned magenta panuelo, a striped straight-sleeved camisa in alternating dark magenta and off-white, a dark purple tapis embroidered with hands in alternating red and blue gripping each other by the wrist, a plaid-patterned magenta saya, and dark purple sandals. The models holds a dark purple hood over her head, the outside is a dark purple trimmed with white embroidery meant to look like closed eyes, the inside is a dark mass filled with open white eyes in strange positions, the dark mass drips down the edges of the hood, some eyes following. The model has ashy tan skin and combed back brown hair.
./.End ID]
Finally finished it! I’ve wanted to do this for a while but pushed it off until now. The Entities as a couple versions of the Filipiniana. I don’t have plans rn to make the others since I suspect I will soon be busy again. Still, I have some ideas, particularly for the Web. Have a favourite?
My inspiration+info under the cut! :D
1) The Eye
I based the Eye’s Filipiniana off of the “traje de mestiza”, an aristocratic ensemble popular during the 1890s near the end of Spanish colonial rule. It’s also known as the “Maria Clara” gown due to association with the main heroine of Jose Rizal’s novel “Noli me Tangere.”
Ngl I struggled to add more motifs than just “Eye” but I tried to be creative with it. The panuelo (the cloth around the shoulders) is supposed to look like eyelids which is why there are eyelashes. The embroidered trim is supposed to be the tips of ink pens. The trim of her sleeves are eyes. The tapis (the dark cloth around the lower area) features shelves of books. The bottom of the dress is supposed to be the Eye Watching people suffering at the hem. I got extremely lazy though and just got a “people walking” brush from the csp asset store and stamped them on. Didn’t get me the effect I intended but I was too tired to change it.
[ID: A sepia photograph of a woman looking to the left while wearing a traje de mestiza and holding a closed fan. /.End ID]
[ID: An image of the original front cover of Jose Rizal’s Noli Me Tangere manuscript./.End ID]
2) The Vast
The Vast’s Filipiniana I based off of the style popular during the 1930s-1940s Commonwealth Era. Honestly I only chose it because those sleeves are the very definition of vast.
The design has a simple concept but I ended up liking the end result a lot! It’s supposed to be a top to bottom gradient of aspects of the vast. Starting from space, going into sky blue, then ending in the deep abyss of the ocean.
[ID: A sepia photograph of a seated woman wearing a Commonwealth Era Filipiniana. /.End ID]
[ID: A black-and-white photograph of three young women wearing Baro’t Saya in the Commonwealth Era style in a forest setting. All three have their panuelo wrapped around their heads. The girl farthest in the back carries an open umbrella./.End ID]
3) The Dark
Lastly, the Dark’s Filipiniana is based off of 1840s church-wear. I thought I could do something with the hood and the church theme suited the Dark well.
I’ll admit the Dark gave me trouble. Dark is a very vague theme. The hood is the main focus of the dress I think as everything else is pretty standard/I ripped off from the original whoops. The trim is supposed to look like a bunch of closed eyes. The inner hood is a dripping black mass with eyes from who-knows-where. The tapis has a pattern of several hands grasping each other by the wrist because something unknown gripping you from the dark is terrifying. “The blanket never did anything” anyone?
[ID: "A damsel going to early mass," by Justiniano Asuncion, 1841. The painting features a woman looking to the left, wearing darkly coloured 1840s church-wear with a hood, she holds a white cloth in her right hand./.End ID]
[ID: "A señorita walking to church in the daytime," by Justiniano Asuncion, 1841. The painting features a woman looking to the left, wearing brightly coloured 1840s church-wear with a thin gauzy white hood. She holds a small book, presumably a bible. ./.End ID]
[Image ID: Two comics featuring Jonathan Sims and Martin Blackwood from The Magnus Archives.
The first comic is set in season one. The first panel has Martin cautiously approach Jon who is at his desk, reading a statement while holding a mug. Martin says "H-hey Jon! Here's the files you asked for-" Jon then hisses at Martin and jumps away in his seat for the second panel. He throws his hands over himself, spilling the contents of his mug in the process. Alarmed cat ears appear on him as well as a tail. Martin looks surprised and jumps away from Jon, holding his hand in the air and the files close to his chest.
The second comic is set during the Scottish Safehouse Period. Jon and Martin are in bed during early morning with their arms over each other, Jon's on top of Martin's. In the first panel, Martin is trying to reach for his glasses while saying "Jon...we need to start the day..." Jon then weakly hisses in the second panel. His arm clutches Martin's shoulder and the alarmed cat ears and tail appear again. In the third panel, Martin gives up on reaching for his glasses and instead hugs Jon back. He smiles and says "Fine. Five more minutes." Jon smiles back and two hearts float above him./.End ID]
Jonathan "Mah-tin" Sims is a cat confirmed. Did this instead of working on another piece lmao.
[ID: An oil pastel painting of Jonathan Sims from the Magnus Archives staring at the viewer with big wet eyes. Jon is a British-Indian man with brown pockmarked skin, long straight black hair with a few white hairs, a moustache and beard, and big unnatural green eyes. He wears rectangular glasses and a black turtleneck. The background is a sickly green. /.End ID]
Implied S4 so, you’re at a cafe and you see this guy staring at you from across the room, wdyd?
I'm finally taking commissions! Currently it's only for quick sketches + color, but I plan on expanding in the future. If these sketches interest you, check out my new Ko-fi :D
For PH folks I also accept Gcash 🔥
