Since her breakout in the 1960s, she’s been able to convince the world around her to listen — not by chasing trends but by remaining always and fully herself.
TODAY, STREISAND CALLS herself an actor first. Though she never had music lessons, she studied with the renowned acting teacher Allan Miller while she was still a teenager and absorbed the Method approach taught at New York’s Actors Studio (she was deemed too young to enroll but was later made an honorary life member). One of her unfulfilled dreams is to have performed in the classics, particularly in Shakespeare’s “Romeo and Juliet” and “Antony and Cleopatra.”














