If the scene doesn't play just click on it once.
I hope we'll see the complete song in ASL animation in the end.

seen from Japan
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seen from Japan

seen from United States

seen from United States

seen from Thailand
seen from United Kingdom

seen from United Kingdom
seen from Thailand
seen from China
seen from Malaysia
seen from United States
seen from China
seen from Malaysia
seen from Switzerland

seen from Kazakhstan

seen from Malaysia

seen from United States

seen from Suriname

seen from Malaysia
If the scene doesn't play just click on it once.
I hope we'll see the complete song in ASL animation in the end.
@fluffbruary
For the Fluffbruary prompt 6 "gregarious"
Chapters: 1/1 Words: 878 Fandom: Wiedźmin | The Witcher Series - Andrzej Sapkowski Rating: General Audiences Warnings: No Archive Warnings Apply Relationships: Geralt of Rivia & Emiel Regis Rohellec Terzieff-Godefroy Characters: Geralt of Rivia, Emiel Regis Rohellec Terzieff-Godefroy Additional Tags: Book: Chrzest ognia | Baptism of Fire, fluffbruary's Fluffbruary Prompt Month 2025, Friendship, The Hansa | Geralt's Company (The Witcher), Additional Scene
Summary: Geralt and Regis are having a conversation in the sun. (Additional scene for Baptism of Fire chapter 7)
Awesome chapter! I can't stop thinking about how the conversation with the Potters went tho lol 'hello parents, remember my fake ex turned real gf turned real ex? um... I got her pregnant and I'm gonna be a dad. shall I make some tea?' 😂 no but real talk, he must have been hella stressed and anxious about it. poor James. I hope he at least got a hug from them (after being told off lol)
Thank you so much, sweetheart! I'm so happy you enjoyed it and I completely understand that you can't stop thinking about it. I sometimes regret not being able to write those scenes due to the fact that the story is told mostly from James' POV. But... I think I've got a little something for you, which you might enjoy! Please read the scene you requested below the cut and ignore any typos you might find. I wrote this in one go and didn’t edit it one bit... whoops!
Killing Eve Post-credits scene
London. Evening. The Sun is going down. Eve is sitting still on a bench in front of the Thames. Quiet surroundings. Nobody else in sight. We only see Eve’s back. She is looking straight ahead at the flowing river. Light wind is playing with her wavy hair, but she doesn’t mind. The camera is slowly moving closer and closer. Suddenly, a hand appears on Eve’s shoulder. Long slim fingers. Bright nail polish. Part of a colorful, patterned sleeve can be seen. We don’t see who it is, but we know it can’t be anyone else. Eve turns her head around. She seems surprised. But is she? She hoped it would happen. She dreamed about it. She went over everything in her head a million times. But did she think it was actually possible? Eve smiles. She looks both happy and impressed. “How the fuck did she pull this off?” Fade to black. THE END
What I meant to do was write a short little Byakuran POV that gives you more insight into how activation and deactivation work. What I actually wrote was a lot of Byakuran POV but not that. Oops?
The world is made of patterns. They are everywhere, govern life on every level, from the habits of a single individual to the way traffic moves on the central roads of a megapolis to the way a country is run, the way an entire society functions — everywhere Byakuran looks, patterns stare back at him.
Some are obvious, a glaring color that is uncomfortable to look at directly amidst a world shaded in grey. Some are subtle, a gentle flow you can barely perceive with the naked eye and all the more influential for it. Don’t get Byakuran wrong because there’s one thing about patterns that keeps tripping people up, keeps messing with them and holding them back from seeing what seems so painfully obvious to Byakuran, it might as well have been written in glowing, orange letters on the sky: Patterns aren’t a pre-determined backing form that decides what size and shapes the muffins are gonna turn out to be. They’re fluid. Patterns break and stutter and readjust every day, every moment. They are deterministic and adaptive both, malleable to circumstances and chance, yet they ultimately prevail. They grow and they stumble and take a sudden step to the left because someone or something falls out of synch — but they always, always continue to flow.
It would be incorrect to say that Byakuran see predict the future because what he actually does is see a future. Every time a pattern catches his attention, every time a new one settles into the world around him, Byakuran sees it and he can use that to predict the most likely courses of action. Can see where that pattern will lead, what will come of it, which one will triumph over the other patterns already in place.
[continues under the cut]
Series 5 Extra Scene: Rook’s Revenge
Alistair: What the Hell’s going on? It’s chaos out there! This is your mob isn’t it, your types and monsters.
Rook: I’m sure Special Branch will...
Alistair: Special Branch are completely out of their depth so it’s up to you to put the shit back into the horse.
Rook: But I’m just a member of the public.
Alistair: Yes and the army are on the brink of declaring Martial Law so do as I say or I’ll have you shot for... looting or something. Open the Archive re-enlist your Men in Grey whatever it takes.
Rook: Go to Hell.
Alistair: No, wait, Dominic, let’s not be hasty. ...Do you want me to beg? Is that what you want?
Rook: Couldn’t hurt.
Alistair: Dominic. Save us. Please.
Rook: I’ll need the car.
Alistair: This car?
Rook: To get back to The Archive? I could wait for a bus, if you’d prefer.
(Alistair gets out of the car)
Alistair: Well played.
Rook: Drive.
https://www.youtube.com/watch?v=EziZD0P1W4o
Party Crasher Additional Scene (Miraculous Ladybug)
“Pound it!”
King Monkey’s headdress starts beeping and he touches it, confused.
“What does that mean?”
“It means you’re about to transform back.” Ladybug says, smiling knowingly. “How’d you get the miraculous anyway?” King monkey shrugs.
“It was just in a box I found on the ground.” Ladybug is about to say something else when her earrings start beeping.
“Okay, you all know the drill.” She says, holding out her hand. Viperion, Pegasus, and Carapace nod.
“Scales rest!”
“Dismount!”
“Shell off!” Luka, Max, and Nino all hand Ladybug their miraculouses.
“Wait, what’s going on?” King Monkey asks, confused.
“It’s too dangerous having this many miraculouses in circulation. When the fight is over, you must return the miraculous to me.” Ladybug explains. King Monkey pouts.
“Aww, man. I kinda liked having powers.” Cat Noir puts a hand on his shoulder.
“Don’t worry, dude. When Ladybug needs you again, she’ll bring it back.” King Monkey brightens up a bit.
“Oh, okay! Curtain call!” he says, detransforming. Kim takes off the miraculous and hands it to Ladybug, who smiles.
“I’ll see you again soon. Bug out!”
Bruises At Night, Pancakes In The Morning now on AO3
Episode coda for 9x15
In my version of 9x15 Danny is with the team while Rachel and Charlie stay in his house overnight. Timeframe: the night after "El Diablo" is finally put behind bars. Danny takes care of Steve who's dealing with the aftermath of the brutal fight in the office which doesn't keep him from asking his friend about the current status of his relationship with Rachel...
Steve’s eyes were closed, and his long lashes bore some distraction for Danny but only for a heartbeat. He gently shook him. “Hey, Steve. You okay? You sure you don’t want me to drive you to the hospital?”