Almayer’s Folly (Chantal Akerman, 2011, Belgium/France) Moody and mesmerizing. Nighttime photography dripping with enough drama to counterbalance the repeated but withheld Wagner we never get to hear explode. Reminiscent of Claire Denis' best moments in its leanness and sumptuous precariousness. But best of all, Akerman's acute sense and framing of location are still intact, along with Conrad's mystery. 3.5/5












