The Heart of a Gas Giant
It's always fascinating to see what different people find in an abstract image - for me, this piece is an invitation into space… What do you see?
[Chemigram, 30x40 cm]
© Balazs Sprenc
seen from United States
seen from France
seen from Germany

seen from Netherlands
seen from Canada

seen from United States
seen from Syria
seen from China

seen from United States
seen from China
seen from India
seen from Libya

seen from Netherlands
seen from Italy

seen from Netherlands

seen from Denmark
seen from Italy

seen from Australia
seen from Kazakhstan
seen from Brazil
The Heart of a Gas Giant
It's always fascinating to see what different people find in an abstract image - for me, this piece is an invitation into space… What do you see?
[Chemigram, 30x40 cm]
© Balazs Sprenc
Lumen print selection. Gold toned and fixed, 4” x 5” each.
Lenore on Tintype.
Discovery of the day: some of my images look good as A3 size prints.
Do I have a frame that size to expose them easily? Nope. Am I set up to wash them out easily? Also nope. Do I even have anywhere to display larger prints? Yet another nope.
Is any of that actually going to stop me? Yet more nope!
cyanotypes toned in tobacco
anthotypes/cyanotypes over anthotypes with digital prints and foraged leaf cuttings
definitely a bit more to learn about anthotypes but i had fun trying them out for the first time! i saw my plant anthotypes and thought about the possibility of doing cyanotypes over them and they gave this BEAUTIFUL green post oxidation
Maria’s Dogs, by Sarah Moon (French, b. 1941)
Here are the tannic acid toned cyanotype stereo slides for my first project. They are all of neolithic sites in Scotland. They are all of cairns except for the lower right one with a doorway. That is a broch.