Just finished this jacket in time for The Dark Side of the Con next week. I’m pretty darn proud of myself of figuring out how to redraw a pattern enough to turn 2 yards of velvet and some brocade scraps into a good-looking coat.

seen from Germany
seen from China
seen from Yemen
seen from United States

seen from France
seen from United States
seen from China
seen from China
seen from Singapore

seen from Germany
seen from Singapore
seen from Singapore
seen from France
seen from United States

seen from Argentina
seen from United States

seen from Israel
seen from Singapore

seen from Kenya
seen from Netherlands
Just finished this jacket in time for The Dark Side of the Con next week. I’m pretty darn proud of myself of figuring out how to redraw a pattern enough to turn 2 yards of velvet and some brocade scraps into a good-looking coat.
My pictures didn’t come out very well, and these are after I got home in my sweaty, crumpled dress, but this is the outfit I wore for Wizarding Weekend’s City of Magic Ball. I made this 1940′s-style dress earlier this year, so I used it as the base of a sort of noir witch look.
Ft. a sleepy whippet and a ghostly, half-visible running orange cat.
The nice thing about steampunk and other alt-historical fashion is that my laziness doesn’t make an outfit inaccurate. I am putting together an outfit for The Enchanted City tomorrow, and pulled out a petticoat, realized it was a couple inches longer than my skirt, and went to put it back before remembering that I am wearing a visible corset. If I have one anachronistic undergarment sticking out, why not two?
I still don’t know if I’ll wear it, mostly because at that point I would have 5 layers of fabric at my waist, plus a corset. It’s going to be 80 degrees and sunny, so I may sacrifice a nicely puffy skirt for sake of being slightly more comfortable.