Sympathetic characters are not justified by sympathy.
Justified characters are not necessarily sympathetic just because you understand them.
This is how you fix about 85% of character misreadings.

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Sympathetic characters are not justified by sympathy.
Justified characters are not necessarily sympathetic just because you understand them.
This is how you fix about 85% of character misreadings.
I simply cannot take it anymore. I’m here to correct the egregious mistake and to sew the wound shut. I am here to correct what you’ve heard
Excerpt:
“The death of the author means we do not seek to “resolve” art through its creators. At the end of the day, the death of the author is about the consumer of the art. It’s about the consumption of art without ever stopping to ask the author what they want or what they wanted, at least not directly. The reader can ask themselves what they think the author may have intended, but such a reading or interpretation is still rigorously based on the art itself.”
—
The death of the author isn’t about ‘headcanon’. It’s not about eradicating authorial craft and labor. It’s about interrogating a text for what it is. It’s about resisting the parasocial drive to seek validation from artists. It’s about thwarting censorship and moralization. It’s about interrogating our own interpretive role. It’s meant to get us closer to the text itself while recognizing all the impediments in the way of any kind of ‘pure’ reading.
In a way, the death of the author leads inevitably to the death of the audience. We are not entitled to a position of authority just because we’ve dethroned the author. This is about centering the art itself and asking more intelligent and creative questions about that art.
Pro tip of the day as a break from the longer posts.
The object of critical analysis is understanding. Understanding of the text, the self, the world that produces and constitutes both. If you find yourself trying to be ‘right’ or to justify your feelings or stance on something, you’re not doing critical analysis.
This is as much as I’m going to say on the debacle at the moment.
Veilguard as a text worries the audience is at least a bit racist on the whole. It wants to somehow prevent this from playing out in gameplay this time and also avoid the whole issue altogether maybe thankyouverymuch. This is in no way an actual ethical shift from previous BioWare games. They’ve just finally said ‘oppression bad’ in the text instead of hoping you’d know that and added some extra weight and consequence just in case you really wanted to kill the black dude or side with the fascists for noreasonatall.
To contrast. Disco Elysium knows most people are quite racist. It has zero interest in the audience’s response to its approach. And its approach is to call racists clowns right out the gate.
I know which approach I prefer, and I know I prefer it because it’s ethically stronger and not built on a codependent relationship with the audience. I also know why Veilguard did things the way it did. If you’re mad about it, maybe just check in the mirror for greasepaint first. And at least consider acknowledging that BioWare’s audience holds stock in the clown shoe factory.
Media literacy is your ability to assess new/mass media for credibility, gang.
It’s not comprehension. Or genre literacy. Or regular literacy. Or critical thinking. It’s: can you spot a fake news site or stealth marketing; do you understand the narratives present in your news sources, etc...
Btw this should be obvious but. Taste in fiction doesn’t carry any moral weight. You can’t tell what kind of person someone is by a book or a game they like.
Fiction holds up a mirror to our hang ups and proclivities and weaknesses. It can prompt us to face ourselves and see the world in new ways. Weak fiction is usually bad at this. It’s a distorted mirror. That’s really all there is to it.
Two different things. Let’s not get it twisted.
when you come off as arrogant for not listening to anyone but you're actually so anxious and insecure you need constant validation and any criticism will make you cry yourself to sleep
Analysis 101: Lesson 4: Animals Unable to be Analyzed
Lesson 3
There are endless animal species out there; probably more than the community itself will ever be able to analyze individually. But for every animals viable for analysis, there is always at least 2 animals not viable for analysis, and countless other forms that may seem viable, but are not. So what makes a form non-viable? How do we know what forms shouldn’t be look at for analysis? Well, a lot of it can be figured out through simple research; if you don’t have enough information on each major area of analysis outlined in Chapter 3, then the form can’t be considered viable. And other forms are just plain non-viable, no research required. Non-Viable Forms Well, what is a non-viable form? A non-viable form is a form that has little to no researched observable behaviors or are too anecdotal to be analyzable. There are all sorts of forms that fall into this category, including mythical animals and extinct animals. We’ll look at the different categories below.