Ando (Utagawa) Hiroshige
(1797-1858)
"Nihonbashi Bridge in Snow" from the "Famous Places in the Eastern Capital Series," circa 1840
detail
detail
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Ando (Utagawa) Hiroshige
(1797-1858)
"Nihonbashi Bridge in Snow" from the "Famous Places in the Eastern Capital Series," circa 1840
detail
detail
Hiroshige Utagawa III ( Andō Tokubei (安藤徳兵).)
100 cats
"Hyakuneko Gafu"
Meiji Period
Imagine building a fake mountain just so people could pretend to climb Fuji without leaving the city. That's exactly what Edo-period entrepreneurs did - and Ando Hiroshige made it the subject of one of the most quietly radical compositions in ukiyo-e history. In "New Fuji, Meguro" from his One Hundred Famous Views of Edo (1857), Hiroshige puts the knockoff in the foreground and the real thing in the back. That steep green miniature Fuji dominates the left half of the print, dwarfing the actual snow-capped peak on the horizon. The twin triangles - artificial and authentic - force you to ask which one matters more. The tiny figures on top of the fake summit stand gazing outward, while we gaze at them. Hiroshige flipped the hierarchy of nature and spectacle in ways Baudrillard would have recognized instantly. Prussian blue imported from Europe, a coral bokashi glow at the horizon, full-crowned sakura lining the foreground - this wasn't tradition. This was a dying master (gone by 1858) burning every rule about depth, scale, and subject. The Impressionists later lost their minds over these prints. Van Gogh owned copies of this exact series. Quelle: meisterdrucke.com
Ando Hiroshige (1797-1858), Fish, 19th century, woodblock print, Trinity College Art Collection (JSTOR)
Did some collage/found poetry in a planner going unused, inspired by Tokyo Weekender. Happy cherry blossom season!
Ando Hiroshige, ‘Nihonbashi Bridge in Snow’, from the series of ‘The famous places of the Eastern Capital’, 1839/1842
Rain in the Seido Hall and Shohei Bridge over the Kanda River, Hiroshige, 1857