to the super niche circle of people who may get it: fandom at large desperately needs to adopt some form of the words "pshat" and "drash"

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to the super niche circle of people who may get it: fandom at large desperately needs to adopt some form of the words "pshat" and "drash"
One thing White Collar gets absolutely right and very few other shows do, is that people React to guns.
The reaction varies, depending on their level of training/comfort with firearms, but there's no cool guy bravado* when someone pulls a gun, especially not from Neal. When he sees a gun he always always always reacts like things just got very serious, this is no longer fun and games.
And you know what? Yes please. It also ups the stakes for us when a character reacts to someone pulling a gun on them, and it's also highly realistic. I just really appreciate it that guns aren't a prop to signify "antagonist" but a weapon that should and does elicit fear.
* except for when Kate pulled a gun on Peter, and even then his reaction was warranted.
I'm am DYING with how unnecessarily sillily adorable this is
they need to test the portrait so they got this finger printing kit—Parker is wearing gloves even though her job is just to take pictures of the finger prints Eliot points pit to her, and Eliot is wearing the silly little lab coat that came with the kit
I can't stop laughing
They're two kids playing at scientist and it goes completely unmentioned
"but wait, maybe he needed that coat for a different part of the con, hmmm?"
Nope
He took it off just as soon as he finished dusting for those prints. This loveable, badass dork was just full-on playing pretend
Eliot: you always do this Hardison, you take things too far!!
Also Eliot: I haven't started looking for the safe, I have 200 people to feed
Also Eliot: I'm staying, I'm up [at bat] and this guy's throwing melons
Also Eliot: [does a studio take of his country song "just for him"]
Also Eliot: nah, I don't want them to be a man short, I'll finish out the shift [in the mine]
Also Eliot: there's someone with a weapon we're taking the call, there could be kids in that house!!
This man doesn't know how to half-ass a job (and also something about camels and humps)
Yeah, so I giffed the whole scene and I please need someone to (1) share my understanding of what happened here, and (2) scream with me about Diana:
It starts with Peter chewing out Diana
Which is right on theme with s5, and its overarching thesis for Peter, that: Neal makes you bad, watch your step with him or you won't recognize yourself, he's the apple the spoils the bunch.
Diana lets Peter's tone slide right off her, and she answers only the content, the same way she answered Hughes in Payback when he was chewing her out over letting Neal contact Keller, except with even less deference:
Peter is literally wide-eyed at her lack of apology.
But Peter rallies, and he really goes in for his second-best weapon, the kill, the legal argument.
And Diana effortlessly parries with common sense. Oh, your way? Did that yield results?
And he tries again, but she cuts him off. she won't even let him finish his moralizing, and just moves in with the very glaring flaw in his reprimand.
She explains why she couldn't let Dybek use the algorithm, and proceeds with a very clear explanation of why she has no moral ambiguity over what she's done.
And then he goes with the last, most powerful arrow in his quiver: trust me.
And Diana goes in with hers: No. I trust me.
The first half of the season was about "making peace with what Neal's done" and the second half of the season was tainted by all that vitriol between them, and then Diana slides in for the penultimate episode with "that's so fucking dumb, I did it and I am at peace with it. Think through the alternative ffs."
She has this clarity of vision that Peter has been struggling with all season, and she will voice to Peter when he's being wrong, and not in a I'm sorry but or you're right but kind of way, just flat out—you're wrong. I won't even let you finish your insipid argument.
And in standing up to Peter now, I do think she's protecting Neal from any blowback, which is honestly just hot of her. She's set up to take his side in this, without making it explicitly about Neal and what he did for Peter. It makes me wonder how the early episodes of the season would have played out if Diana had been there.
The fact that Neal's association for "Peter" is worthy and his association for "caught" is oops honestly says everything we need to know about his arrest
is anyone else worried about Santos' deaf patient whom she ignored for hours because she couldn't be bothered to hand her a pen and paper? I feel like "looking down at her computer" is a red-herring and that we'll be seeing her again, and in worse condition
(NOT AT ALL Santos hate, she's been having a shitty day and being harangued about completing her paperwork and overworked and overtired! But I'm afraid she has a screw-up haunting her and it's gonna land a punch soon)
I made this for Neal and Peter, but in retrospect I think it's particularly a love letter to Peter Burke
(and obviously to Neal and Peter because they're them)