(1937)
seen from China

seen from Maldives
seen from United States

seen from United Kingdom
seen from Maldives
seen from Uzbekistan
seen from China

seen from United Kingdom
seen from United States
seen from Türkiye
seen from United States
seen from United States
seen from United States

seen from United States

seen from United States
seen from Germany
seen from United States

seen from United States
seen from China
seen from Kenya
(1937)
A Ball in Pathécolor (from Casanova, 1927) Unlike other early color processes profiled here, Pathecolor (developed in the late 1900s) was an artificial color process - and a highly effective one. Using a pantograph and a projected master print, stencils were cut out on copies of the film -one for each color to be applied (Usually 3 to 6). The final print was then run through machines (again, one for every color), in perfect register with the stencils, where the corresponding tints were applied. Despite being mechanized, Pathecolor was a slow and labor intensive procedure, and was usually reserved for prestigious productions and documentaries until it was phased out around 1930.
ca. 1854, [beautifully hand painted daguerreotype portrait of a gentleman], John Jabez Edwin Mayall
via Harvard University's Houghton Library, Department of Printing and Graphic Arts, Harrison D. Horblit Collection of Early Photograph
Bulgarians in traditional clothing, ca. 1900–1910. Applied color.
ca. 1860's, [ambrotype portrait of a gentleman, propped up with pillows on a bed, holding a large book]
via Christopher Wahren Fine Photographs, Skylight Gallery
ca. 1860's, [an unusually close, off-center ambrotype portrait of pensive young man with light goatee]
via Christopher Wahren Fine Photographs, Skylight Gallery
ca. 1849, [daguerreotype with applied color, handwritten note inserted in case, "Dr. MacBeth in the costume in which he crossed the plains, fleeing from the cholera of which he died"]
via the George Eastman House Collection