#ardwadb

[crookedneighbour20]

kar raha tha gham-e-jahaan ka hisaab, aaj tum yaad behisaab aaye.

[crookedneighbour20]

tu kisi ko bin maange hi haasil hai,

aur humne raatein guzaar di tujhe maangne me

[crookedneighbour20]

koi ibadat ki chaah me roya

koi ibaadat ki raah me roya

azab hai namaz-e-muhabbat ka silsila

koi qaza karke roya, koi adaa karke roya

[crookedneighbour20]

tum chahte ho tumse bichhad kar bhi khush rahoon

yaani hawa bhi chalti rahe aur diya bhi jale

[crookedneighbour20]

chand kisi ka ho nahi sakta. chand kisi ka hota hai? chand ki khatir zidd nahin karte aye mere acche insha, chaand.

The placement of "chaand" after a pause feels like a sigh — as if the speaker, in the end, cannot separate the person from the moon itself.

Poetic Depth: The ambiguity is intentional and poetic. Is the speaker talking to Insha or about Insha as the moon? The line becomes both an address and an identification. It’s delicate, evocative, and emotionally unresolved — like all true poetry.

[crookedneighbour20]

tujhe dekh loon

toh hasne lage

mere dard bhi,

kyun khamakha?