tipsy kissy

seen from United States
seen from Greece

seen from Malaysia

seen from United States
seen from United States
seen from Canada
seen from United States
seen from China
seen from United States
seen from United States

seen from United States

seen from United States
seen from Canada
seen from Japan

seen from Finland
seen from T1

seen from Finland

seen from T1

seen from United States

seen from United States
tipsy kissy
Never been more angry about queerbaiting right now. Every queerbaited writer and artist rise up, we will make our own tv show
IGRIS
Blood-Red Commander Igris
"I feel that's the love story! The Andy and Emily love story!"
The ship Sachston almost as much as I do lmao
When you've spent too much time dwelling on the terrible politics of myopic, petty, wholly corrupt politicians and their deluded sycophants, one's best recourse is to find the appropriate musical accompaniment for one's dark mood. I give you one of Brazil's best musical exports from 1991, tariff free.
Monday, June 1: Sepultura, "Subtraction"
Arise was mostly an incremental progression from Beneath the Remains, with the key distinctions being Max Cavalera getting better at English and Andy Wallace’s mix adding more space for Igor Cavalera’s drumming. Otherwise, “Subtraction” was a pretty straightforward thrash number and a logical next step for Sepultura: it was fast, frantic and had a prototypical dry Morrisound production from Scott Burns. But in the margins there were some meaningful developments, as the Cavaleras and Andreas Kisser were growing as musicians and writers and Wallace brought out Max’s charisma as well as Igor’s power groove. This was why people began taking Sepultura more seriously right as thrash was beginning to fade, because while they bore all the trademarks they were subtly elevating and evolving the sound.