"When we work together we are so much stronger." Beyond excited to collaborate with my @artofcollab.orl family on their first show. Come collaborate and experience art of all mediums by local artists of color — right here in Central Florida. Panel | Performances | Installations Art of Collaboration Sunday, April 28th Credo 706 W. Smith Street 7-11 pm Tickets on sale now (artofcollab.eventbrite.com/) #artofcollaboration #icreate #art #food #music #timecapsulefortheculture #aquanzacadogan #artofcollaborl (at Downtown CREDO) https://www.instagram.com/p/BwYO_Ccgcs7/?utm_source=ig_tumblr_share&igshid=18rdcyohm8kh4
I didn’t make any resolutions for 2017, however, I did resolve to actively seek cowriting opportunities. I had become a bit of a lone wolf in my creative process over the years because I have tried to fit several square pegs into round holes. I love the idea of working cooperatively but after a few crashes and burns, I became more hesitant to collaborate. However, as I began to find my authentic voice as a songwriter, I realized that I am comfortable writing in several genres and the Muse, if you will, has carte blanche to do whatever she pleases. I am often amazed at the end of a solo writing session because my songs cover such wide spectrums; from the totally absurd to the cerebral and provocative. I never know what is going to happen when I sit down to write. So when I previously brought my unchecked crazy into a creative situation where the other writer only functioned in complete sanity, I often felt stifled by the inability to explore. Through trial and error, I have learned that there is an art to collaboration.
I have heard cowriting described in many ways: a business arrangement; partnership; marriage; therapy session; and one of my favorites, a date… some collaborations will be good, bad, and down right ugly. With some you will go on another date, maybe even several before you determine if you are compatible. Others, you know from the moment you order the appetizers that you want to ask for the check and run for the hills. I have, fortunately and unfortunately, had all of these experiences. I think those descriptions are all accurate in varying degrees, but I personally like to compare collaboration to shoes, a subject very near and dear to my heart. For me, collaboration has been like trying on shoes to see which ones fit well. I love shoes. It is almost like they call out my name when I am window shopping. That’s a post for another day, but suffice it to say, when I am looking for a pair of shoes, I browse and look at all the ones that interest me. I might like a purple pair of ballerina flats but think to myself, “I have nothing in my closet to wear with those,” so I won’t try them on. Certainly, I’d come across a functional black pair of wedges, but since I have several black heels and flats already, I wouldn’t necessarily be looking for another. Then through patience, I would find a pair that isn’t exactly what I already have in my closet, but not so “outside the box” that I don’t have anything to wear with them. I’d try them on and sometimes they’re too narrow and pinch my toe. They’re nice, beautiful even, but not a good fit. So I keep looking for the right pair of shoes. As I browse, I would come across a pair of lovely D’Orsay heels that feel really good, comfortable, but only work for the right occasions. They aren’t your everyday shoes but they are killer for a black tie affair where stilettos are required. Sometimes I just need a pair of Js, so I head for the sneaker store. They are comfortable and do the trick most times, but just like I can’t play basketball in stilettos, neither can I wear Jordans to that black tie affair. For the record, I can’t play basketball in Jordans either, but the point here is I continue to window shop and try on shoes until I find the pair I need for each occasion.
To be clear, I have not turned down anyone who desired to collaborate. I think you become a better team player and songwriter, so I am open to collaborating with anyone who is serious about pursuing music professionally. I have it on good authority from several hit songwriters that they wrote with everyone when they were first starting out. There is something to be said about the humility that you can gain by being in a room with someone who you are better than, as well as with someone who is better than you. Conventional wisdom says to always “write up,” but I have found that some of my most beneficial collaborations have been with people who are less experienced. I think sometimes the best things can happen when you are simply open to being in the room with someone who is present and giving 110% effort regardless of their ultimate contribution to the final lyrics or melody. I have written songs that I never would have thought of but for collaborating. But the only way I learned to be open is through collaborating and trying on lots of shoes.
There is, however, a science to my window shopping. I am not just wandering around the mall with no objective as time is an expensive commodity. I believe before you can master the art of collaboration, you have to learn who you are as a songwriter and a creative. No one else can define your authentic voice and until you do so, you are simply imitating others… sometimes cheaply. In discovering my voice, I now know what I bring to a room and when it needs to be there. I have identified my strengths and weakness and window shop to find writers that compliment those strengths and bolsters those weaknesses. So no more trying to fit square pegs into round holes and inviting a cowriter whose authentic voice is alternative pop to write a country song. I have cowriters who are genre-specific as well as ones who write in multiple genres. Shoes for every occasion. In practical terms, two strong lyricist who are mediocre at melodies and do not play instruments may have a more challenging cowrite than a strong lyricist matched with a strong melodist who is decent at guitar. This is what I mean by having an objective when you look for cowriters. If you don’t know what you bring to a creative environment, then you don’t know what you need to make the song the best it can be. The goal for me these days when collaborating is not to complete a song, but make the song its best version; better than it would have been if it were written alone. Lastly, laughing and enjoying spending the precious commodity of time with you cowriter is essential. If there are personality clashes, its hard for creativity to flourish, so those shoes that pinch my toes stay at the store.
There are another pair of shoes I didn’t mention because they are already in my closet. I don’t know what guys do, but every woman has a pair of shoes that she slips in the bottom of her bag when those stilettos have worked overtime. In shoe talk, they are your old faithfuls, like super comfy flip-flops or slippers. In human talk, these are the cowriters who are your go-to people who you write with on a consistent basis. I have heard these writers described as your tribe. Finding your tribe is only possible through patiently window shopping and trying on shoes on a consistent basis. Admittedly you are opening yourself to situations that may not be favorable. But the only way to find a good fitting pair of shoes that’s right for all occasions is to try them on. There’s an art to this thing called collaboration, so window shop wisely.
